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09/20/2025

Arrogant to this man and consequences

09/19/2025

John Wayne couldn't stand arrogance

09/18/2025

John Wayne’s ultimate showdown

The Animated Series was peak ’90s “let’s turn every hit movie into a Saturday morning cartoon.”It ran from 1995 to 2000 ...
08/31/2025

The Animated Series was peak ’90s “let’s turn every hit movie into a Saturday morning cartoon.”

It ran from 1995 to 2000 and somehow managed to translate Jim Carrey’s over-the-top pet detective into a kid-friendly format without losing too much of his wild energy. Michael Daingerfield took over the voice work, and he nailed the rubber-faced delivery and catchphrases (“Alllrighty then!” was still everywhere).

The show leaned into the absurd—Ace investigating animal-related mysteries, breaking the fourth wall constantly, and cranking up the slapstick to match the movie’s cartoonish tone. They even went full crossover at one point, pairing Ace with The Mask: Animated Series in a special episode—because of course they did, both being New Line Cinema/Jim Carrey hits turned cartoons.

It’s a perfect example of that 90s/early 2000s trend where studios looked at any box office success and thought, “Yeah, kids would totally watch a toned-down version of this every Saturday morning.” And honestly? They were right—at least for a while.

Somebody reminded me of this one yesterday and I can't believe I forgot about it! The Kids in Room 402 was awesome.. Rec...
08/31/2025

Somebody reminded me of this one yesterday and I can't believe I forgot about it! The Kids in Room 402 was awesome.. Recess vibes for sure.

Teen Titans in 2003 really was lightning in a bottle.It stood out instantly—not just because of its anime-inspired visua...
08/31/2025

Teen Titans in 2003 really was lightning in a bottle.

It stood out instantly—not just because of its anime-inspired visuals and kinetic fight scenes, but because it knew how to blend humor, heart, and heavy themes without ever feeling jarring. One episode could have you laughing over Beast Boy’s antics, and the next could hit you with something like Haunted or The End and leave you stunned.

The core five—Robin, Raven, Starfire, Beast Boy, and Cyborg—had such distinct personalities that it was impossible not to connect with at least one of them. The chemistry felt real, and the show took time to explore each Titan’s backstory:

Raven’s arc with Trigon was dark, epic, and deeply personal.

Cyborg’s struggle with his humanity in The Sum of His Parts was unexpectedly moving.

Starfire’s fish-out-of-water innocence gave the team warmth.

Robin’s obsession in Apprentice gave us one of the most intense arcs of the series.

Even the villains were memorable—Slade, Terra, Brother Blood—each bringing their own flavor to the story. And that theme song by Puffy AmiYumi? Instant earworm, switching between English and Japanese depending on the episode’s tone.

By the time we got that fifth season, the fanbase had only grown stronger, and Trouble in Tokyo felt like a proper send-off… until Teen Titans Go! gave the team a whole new (and very different) life.

It’s one of those rare superhero cartoons that people still rewatch, still quote, and still rally around for a proper continuation. For a lot of us, it wasn’t just a show—it was the Cartoon Network era distilled into one team.

The NeverEnding Story: The Animated Adventures of Bastian Balthazar Bux is one of those adaptations that kind of slipped...
08/31/2025

The NeverEnding Story: The Animated Adventures of Bastian Balthazar Bux is one of those adaptations that kind of slipped through the cracks for a lot of people, but if you did catch it, it’s lodged somewhere deep in your memory.

It aired in the mid-90s and took the iconic world of Michael Ende’s novel (and the beloved 1984 film) into full Saturday-morning-cartoon territory. Instead of the darker, more haunting tone of the original, this version leaned colorful, whimsical, and kid-friendly—but still kept the core idea: Bastian, the shy and imaginative boy, uses the magical book to enter Fantasia and help save it from new threats.

You had all the familiar faces—Falkor the luckdragon, Rockbiter, the Childlike Empress—but with a distinctly ’90s cartoon art style and pacing. The big change was that each episode had Bastian hopping back into Fantasia for a new adventure, often with a “lesson learned” at the end.

It may not have carried the same emotional weight as the film, but it did expand the mythology and kept the magic alive for a younger audience. For kids who grew up with it, it’s a bit like an alternate universe version of the NeverEnding Story—bright, earnest, and charmingly retro.

The Oblongs (2001–2002) was one of those short-lived but unforgettable adult animated series that really stood out for h...
08/28/2025

The Oblongs (2001–2002) was one of those short-lived but unforgettable adult animated series that really stood out for how darkly satirical it was.

It aired on The WB (and later found a second life on Adult Swim, where a lot of people actually discovered it). Based on characters from Angus Oblong’s book Creepy Susie and 13 Other Tragic Tales for Troubled Children, the show centered on the Oblong family, who lived in a polluted valley downstream from a wealthy, untouched suburb.

The gag—and the social commentary—was that years of toxic waste had left almost everyone in the valley with odd deformities or health issues. The Oblongs themselves were:

Bob (voiced by Will Ferrell) – a happy, upbeat father with no arms or legs, just a torso with a big smile.

Pickles – his chain-smoking wife, who once lived “up the hill” but lost her hair from living in the valley.

Their kids: Milo (a weird but lovable outcast), Biff and Chip (conjoined twins), and young Beth (with a tiny growth on her head).

The humor was dark, biting, and aimed at skewering class divides, social norms, and the idea of “perfect” suburbia. It only ran for 13 episodes before being canceled, but its cult following has kept it alive in the nostalgia corners of the internet.

It had that early-2000s sweet spot of edgy animation—kind of like Family Guy meets Daria, but weirder.

Chip ’n Dale: Rescue Rangers (1989–1990) was one of the crown jewels of the Disney Afternoon block, and easily one of th...
08/28/2025

Chip ’n Dale: Rescue Rangers (1989–1990) was one of the crown jewels of the Disney Afternoon block, and easily one of the most charming adventure cartoons to come out of the late ’80s/early ’90s.

Instead of just being the mischievous chipmunks from classic shorts, Disney reinvented Chip and Dale as leaders of a tiny detective agency, solving crimes and helping those in need. Their cases often involved larger-than-life villains, goofy misunderstandings, and lots of inventive gadgets made from everyday junk.

The main crew was:

Chip – the fedora-and-leather-jacket-wearing leader, clearly modeled after Indiana Jones.

Dale – the laid-back, Hawaiian-shirt goofball (a nod to Magnum P.I.).

Gadget Hackwrench – the brilliant, mechanically-minded mouse who could build anything from scraps.

Monterey Jack – the muscle of the group, with a deep love (and uncontrollable craving) for cheese.

Zipper – Monty’s loyal housefly buddy, small but surprisingly helpful in a pinch.

The big bads were just as memorable, especially Fat Cat, the smug, scheming feline crime boss, and Professor Norton Nimnul, the eccentric mad scientist.

It originally aired from March 1989 to November 1990, racking up 65 episodes that kept it in heavy reruns for years. The mix of mystery, humor, and action made it feel a little like The A-Team for kids—but with chipmunks.

Also, the theme song is still one of the most beloved earworms in cartoon history—right up there with DuckTales.

Camp Candy (1989–1992) was pure Saturday morning comfort TV — a warm, funny blend of slapstick comedy, outdoorsy adventu...
08/28/2025

Camp Candy (1989–1992) was pure Saturday morning comfort TV — a warm, funny blend of slapstick comedy, outdoorsy adventures, and the irresistible charm of John Candy himself.

The animated series had Candy voicing a cartoon version of… well, John Candy, running a summer camp for a group of lively, often mischievous kids. Each episode brought some combination of camp hijinks, nature mishaps, and life lessons, whether it was learning teamwork during a canoe race or figuring out how to deal with homesickness.

The campers — like scrappy Rick, book-smart Vanessa, athletic Robin, and nature-loving Iggy — were full of personality, and they often found themselves facing off against the sneaky Rex DeForest III, a rich kid whose family wanted to shut down Camp Candy and turn it into a resort.

What set the show apart was John Candy’s warmth. Even when things got silly (and they often did), there was always a little heart tucked in there — plus, Candy’s comedic timing was perfect for the wacky scenarios.

It ran for three seasons from 1989 to 1992, with a mix of NBC episodes and later syndication. Some episodes even ended with live-action segments of John Candy himself, talking directly to kids about the day’s theme or sharing real-life camping tips.

The Return of Jafar (1994) was Disney’s very first direct-to-video sequel, and while it didn’t hit theaters like the ori...
08/28/2025

The Return of Jafar (1994) was Disney’s very first direct-to-video sequel, and while it didn’t hit theaters like the original Aladdin (1992), it still became a massive VHS hit for kids in the ’90s.

The film picks up where Aladdin left off — Jafar, now a power-hungry genie trapped in a lamp, is plotting his revenge against Aladdin and Agrabah. His unlikely ticket out? Iago the parrot, who’s had enough of Jafar’s abuse and decides maybe life is better on the heroes’ side (in his own sarcastic, money-loving way).

While Robin Williams didn’t return as Genie this time (Dan Castellaneta, the voice of Homer Simpson, took over), most of the original cast came back — Scott Weinger as Aladdin, Linda Larkin as Jasmine, Jonathan Freeman as Jafar, Gilbert Gottfried as Iago, and Frank Welker pulling double duty as Abu and Rajah.

This sequel was lighter on spectacle but gave us more character moments — especially Iago’s redemption arc. It also set the stage for Disney’s Aladdin: The Animated Series, which spun right out of this movie’s ending.

And of course, it came with some memorable songs — “Forget About Love” and “You’re Only Second Rate” still live rent-free in many ’90s kids’ heads.

Ah, Creepy Crawlers—just the name is enough to spark memories of that unmistakable smell of warm Plasti-Goop and the exc...
08/27/2025

Ah, Creepy Crawlers—just the name is enough to spark memories of that unmistakable smell of warm Plasti-Goop and the excitement of making your very own slimy critters on the kitchen counter. Dubbed the gross-out answer to the Easy-Bake Oven, the Thing Maker wasn’t just a toy—it was a badge of honor for kids who loved all things messy, strange, and hands-on.

But the fun didn’t stop at melting goop into bug molds. In true '90s fashion, Creepy Crawlers expanded into its own offbeat animated series, and it was every bit as wild as the toy. The show followed young inventor Chris Carter, who discovers a mysterious old magic shop and builds a “Magic Maker.” Thanks to a rare cosmic event, the machine comes to life—spawning the Goop-Mandos: bug-themed heroes made from living goop. With names like Hocus Locust (a mystical insect wizard), Volt Jolt (a buzzing electric brute), and T-3 (a high-tech trio in one), these gooey defenders helped Chris take on the sinister Professor Googengrime. The villain had his own twisted version of the Magic Maker, cranking out monstrous “Crime Grime” creations bent on city-wide chaos.

As the episodes rolled on, Chris teamed up with friends like Sammy Reynolds, and new Goop-Mandos were introduced, adding layers of bizarre science fiction, offbeat humor, and creature-filled action. It was weird, it was wild, and it perfectly captured that over-the-top, slightly gross vibe kids in the ’90s couldn’t get enough of.

Whether you were glued to the screen watching mutant bugs fight crime or carefully pouring colored goop into hot metal molds at home, Creepy Crawlers was peak ’90s weirdness. It was creative, chaotic, and unapologetically messy—just the way we liked it.

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