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Cities are never just collections of buildings. They are shaped by labor, memory, transportation, housing, surveillance,...
08/07/2026

Cities are never just collections of buildings. They are shaped by labor, memory, transportation, housing, surveillance, and the people who move through them every day.

In Tommy Mulitin and the City as Contested Terrain, Tommy photographs Boston as a living archive of competing histories, where public space becomes a record of power, resilience, and everyday life. Rather than documenting the city as a destination, this photo essay asks us to consider how urban spaces reveal the social, political, and cultural forces that shape them.

Earlier this year, Tommy also presented The City as Contested Terrain during the Pasadena Photography Arts Open Show, “When the Students Become the Teachers,” at the Inglewood Photo Festival 2026, where he shared the ideas and process behind the project with festival attendees.

Find the photo essay under Portfolio → Photo Essays.

Read more at the link in bio, then leave a comment: What does your city reveal about the people who live there?

StreetPhotography UrbanPhotography

Issue Naar (2) features the work of Hugh Kretschmer, Ellen Friedlander, Dr. Ernest C. Withers Sr., Patrick Stevens, Marc...
07/15/2026

Issue Naar (2) features the work of Hugh Kretschmer, Ellen Friedlander, Dr. Ernest C. Withers Sr., Patrick Stevens, Marcelo Santos, Craig Elliot, Jonni Truelove, Antonis Giakoumakis, and Krishna R. Malhotra, alongside many other photographers from around the world.

96 pages of photography. $0.

Street photography. Documentary. Portraiture. Black-and-white visual storytelling.

Issue Naar (2) is free and lands in your inbox the moment you complete the checkout.

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Hugh Kretschmer has spent decades redefining conceptual photography through carefully crafted visual narratives. Blending surrealism, symbolism, and meticulous production, his photographs challenge perception while remaining deeply human. In Naar (2), he discusses his creative process, the ideas behind his imagery, and the philosophy that has shaped one of contemporary photography’s most recognizable visual languages.

Interview with Hugh Kretschmer

A towering figure in American documentary photography, Dr. Ernest C. Withers Sr. used his camera to preserve some of the most significant moments of the Civil Rights Movement. His archive is housed at the Withers Collection Museum & Gallery in Memphis, while his photographs are held by the Smithsonian National Museum of African American History and Culture and the Library of Congress. Naar (2) revisits the enduring impact of his remarkable body of work.

Dr. Martin Luther King Jr. and Rev. Ralph Abernathy ride on one of the first desegregated busses. © Dr. Ernest C. Withers Sr.

Ellen Friedlander explores the possibilities of digital pinhole photography, transforming ordinary scenes into poetic, dreamlike images. In her interview, she discusses how this unconventional process slows down seeing, embraces imperfection, and creates photographs that blur the line between reality and memory.

Interview with Ellen Friedlander

Patrick Stevens is known for his instinctive black-and-white street photography, creating images where timing, light, and human gesture converge. His photographs reveal the

What happens when portraiture stops trying to describe a person and starts using the body as shape, symbol, and idea? Ou...
06/30/2026

What happens when portraiture stops trying to describe a person and starts using the body as shape, symbol, and idea? Our latest interview features Javiera Estrada JAVIERA ESTRADA on play, color, constructed sets, beauty, and transformation. Find the article under Portfolio → Interviews. Read more at the link in bio, then leave a comment and tell us: what do you think humor makes possible in photography?

What does street photography become when the real subject is behavior, not spectacle? Our latest criticism piece looks a...
06/24/2026

What does street photography become when the real subject is behavior, not spectacle? Our latest criticism piece looks at Gil Rigoulet through proximity, humor, social ritual, and the strange theater built into ordinary public life. Find the article under Criticism → Essays. Read more at the link in bio, then leave a comment and tell us: what makes street photography feel truly alive to you?

What does documentary look like when the photographer understands that access is not ownership? Our latest criticism pie...
06/24/2026

What does documentary look like when the photographer understands that access is not ownership? Our latest criticism piece looks at Felix Vollmann Felix Ulysse Barth Vollmann through sacred ritual, consent, and the ethics of being present without taking possession. Find the article under Criticism → Essays. Read more at the link in bio, then leave a comment and tell us: what makes documentary photography feel responsible to you?

What actually makes a portrait work before post-production even begins? Our latest criticism piece looks at Craig Flemin...
06/24/2026

What actually makes a portrait work before post-production even begins? Our latest criticism piece looks at Craig Fleming Craig Fleming through restraint, people skills, and the discipline of getting the picture right in camera. Find the article under Criticism → Notes on Practice. Read more at the link in bio, then leave a comment and tell us: what matters most to you in portraiture, connection, composition, or light?

05/27/2026

Chris Bernard and the Drama of Urban Night Space is an interview on night photography, urban tension, artificial light, and the cinematic atmosphere of city spaces after dark.

What does it mean to use photography as advocacy without losing dignity, trust, or honesty? Our latest interview feature...
05/27/2026

What does it mean to use photography as advocacy without losing dignity, trust, or honesty? Our latest interview features Lucy O’Bryan on conflict, witness, humor, and the long responsibility of showing up. Find the article under Portfolio → Interviews. Read more at the link in bio, then leave a comment and tell us: what makes documentary photography feel truly accountable to you? DocumentaryPhotography

Atmosphere, precision, and human presence. Our latest criticism piece looks at Adam Docker through the lens of cinemati...
04/22/2026

Atmosphere, precision, and human presence. Our latest criticism piece looks at Adam Docker through the lens of cinematic humanism, where editorial polish meets documentary sensitivity. Find the article under Criticism → Essays. Read more at the link in bio, then leave a comment and tell us what holds an image together for you most: mood, light, or human presence?

What does monochrome ask of the viewer? In our latest criticism piece, we look at Frank Jackson’s thinking on black-and...
04/19/2026

What does monochrome ask of the viewer? In our latest criticism piece, we look at Frank Jackson’s thinking on black-and-white photography and why removing color changes not just the image, but the way we look. Read more at the link in bio, then leave a comment and tell us: what does black and white make you notice that color does not?

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