Seraph Films

Seraph Films Seraph Films, a creative, dynamic independent production company driven by a passion for original, Seraph Films is more than a production company.

Seraph Films was founded by Director Gene Blalock who strives to make unique films and media while pursuing his love of story-telling and film-making creativity. Seraph is a gathering of like-minded artists, entrepreneurs and financiers who believe that investing in talent, particularly in pursuit of shared passion projects, is a viable and winning strategy. Our team members work together to creat

e thoughtful, intelligent, and unique entertainment. Filmmakers come first, and story and character are always our top priority. We have developed relationships with talented actors, including members of SAG, and crew to create unique and interesting films. Seraph Films is an independent film company in the truest sense given that the Company secures its financial resources independently, enabling it to focus on and produce economical, cost-effective content, while offering filmmakers and creative talent a streamlined, non-bureaucratic environment in which to work. As a production company, we are building a film studio infrastructure within a privately held, self-financed company. This allows Seraph Films to be a place where creativity comes first and innovation is the norm. At Seraph, we take pride in building a prototype that elevates our own atheistic standards to allow us to grow as an artistic group. Please subscribe to our YouTube channel channel for new programming and follow us on FaceBook and Twitter for updates. Thank you for visiting.

12/28/2025

We have three new films set to release in the coming year. Meanwhile, as I've gained many new friends and followers, we invite you to take a walk down memory lane and check out one of our earlier films. Streaming now.

In case you still need a little Christmas cheer, check out our heartfelt short film, The Tax Claus.
12/25/2025

In case you still need a little Christmas cheer, check out our heartfelt short film, The Tax Claus.

THE TAX CLAUSDirected by: Gene BlalockStory by: Jhan HarpTwo bickering IRS agents are dispatched to a strange mansion with out-of-season Christmas decoration...

11/01/2025

In the hush before midnight, the world forgets to breathe
Pumpkins flicker like trembling hearts in the dark
Old secrets rise with the fog, knocking on closed doors
And shadows remember the names we try to forget

Sometimes we make people fly.
10/30/2025

Sometimes we make people fly.


A quick video of shooting a fight scene from our latest feautre film.PUBLICISTWendy [email protected] SER...

10/29/2025

Here are some very short horror vignettes for the spooky season, starting with a fun episode featuring Rachel Bryant. Enjoy!

Seraph Films presents: HORROR HAIKU a weekly short horror series where you write the episodes. Be sure to submit your own horror haiku in the comments below ...

With the advent of multicolored LED lights being more common on set these days, you don’t see C47s used as much anymore....
09/26/2025

With the advent of multicolored LED lights being more common on set these days, you don’t see C47s used as much anymore. But back in the day, they were everywhere.

FILM SET HISTORY 101

Have you ever wondered why a clothespin isn’t called a clothespin on set? It’s a C47. The name is one of the funniest and most debated little pieces of set history. Back in the golden age of studios, gaffers and DPs had to submit lists of gear to get funding approved. Writing down “clothespins” probably wouldn’t receive approval, so they came up with a more technical-sounding code. C47. Producers signed off without a second thought.

Across the pond, the British industry had its own theory. Crews there had to log every last piece of equipment with exact numbers. Nails, screws, clothespins. And since they often came in boxes of 47, the code became C47. Simple as that.

There’s also the military theory. After World War II, many veterans found employment on film sets. The Douglas C-47 transport plane was one of the most reliable machines of the war. Clothespins are just as dependable on set, so the name may have carried over.

Which story is true? Honestly, it might be all of them. What matters is that C47s are one of the most valuable tools on set. Just don’t call them clothespins. And if you’re not paying attention at wrap, a sneaky gaffer or grip might send you home with a few clipped to the back of your shirt.

Next, would you like to know about stingers vs extension chords?

Sometimes I get to make people fly... a quick   video of fight choreography and wire work from my latest feature film.A ...
08/19/2025

Sometimes I get to make people fly... a quick video of fight choreography and wire work from my latest feature film.

A huge thank you to my talented cast, crew, and stunt team!



A quick video of shooting a fight scene from our latest feautre film.PUBLICISTWendy [email protected] SER...

Beginning the last few days of pick ups for our lastest feature. These final days hum with that bittersweet film alchemy...
08/10/2025

Beginning the last few days of pick ups for our lastest feature.

These final days hum with that bittersweet film alchemy, exhaustion mixed with the profound ache of letting go. The grind forged us into a tribe, a temporary family bound by the mad art of storytelling. Soon comes the quiet after the storm, carrying the memories that will outlive all of us.

Beginning the last few days of pick ups for my lastest feature. These final days hum with that bittersweet film alchemy,...
08/10/2025

Beginning the last few days of pick ups for my lastest feature.

These final days hum with that bittersweet film alchemy, exhaustion mixed with the profound ache of letting go. The grind forged us into a tribe, a temporary family bound by the mad art of storytelling. Soon comes the quiet after the storm, carrying the memories that will outlive all of us.

07/27/2025

Looking for a few intimidating figures to play crime boss enforcers for an upcoming shoot.

07/27/2025

Do I know any martial artists and wirework/rigging specialists?

I would love to discuss an upcoming project. Thanks!

This hole isn’t just in the drywall. It’s a rupture in trust.   Lately, I’ve seen too many films sets leave scars physic...
07/21/2025

This hole isn’t just in the drywall. It’s a rupture in trust.

Lately, I’ve seen too many films sets leave scars physical and relational. We lost a location the day before our shoot because the last crew damaged it and walked away. No apology. No accountability.

To my fellow filmmakers:

Every location, studio or street, is a borrowed space. A temporary world we inhabit. How we treat it echoes beyond our wrap time.

**Respect the ground you stand on:**

➤ Tread lightly. Protect what isn’t yours.
➤ If damage happens? Own it. Fix it. Make it right.
➤ Leave it ready for the next story to be told.

Because the set you save today might be yours tomorrow.
What we break, we break for each other.

Address

8101 Lankershim Boulevard
Los Angeles, CA
91605

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