10/05/2025
"I was born with the ambition to lend my body, my movements, my voice, and the most intimate of my being to the characters of theatre."
Ida Rubenstein
– October 5, 1883
Born into a fabulously family in Ukraine, in her teens, she met and began working closely with theatre designer and artist Léon Bakst.
Bakst introduced Rubenstein to the major artistic figures of the era, including impresario Serge Diaghilev and the choreographer Mikhail Fokine. In 1908, Fokine choreographed the DANCE OF THE SEVEN VEILS from Oscar Wilde's play SALOME for her. Banned in St. Petersburg, but she continued to perform it anyway, unveiling herself down to a tiny bra and tinier beaded skirt. This outraged her relatives who had her declared insane and committed her to an asylum.
In 1907, Rubinstein married her gay cousin, gaining control of her inheritance and her independence. In 1909, she joined Diaghilev's Ballets Russes for its first Paris season. Her performances thrilled audiences, especially her notorious nearly n**e dances.
In 1911, Rubenstein fell hard for painter Romaine Brooks who appreciated her androgynous beauty and did n**e paintings of Rubenstein which were extremely controversial, especially because they were done by a female artist. In 1914, Brooks fell in love with writer Natalie Clifford Barney, and that was that.
During the war, Rubinstein volunteered for the war effort, but in a tailored nurse's uniform designed by Bakst.
Rubenstein formed own ballet company, but critics were tough on he for dancing on pointe at 45 years old and taking the lead in every production.
In 1936, Rubinstein converted to Catholicism, but for the N***s, of course, she was still a Jew. As Paris fell to the N***s, she fled London, where Rubinstein cared for wounded French troops, as she had done in World War I, while residing at the fashionable Ritz Hotel.
When Rubinstein died in 1960, it took a month for it to be reported in the Paris newspapers. An outsider for being Russian, bisexual, Jewish, and artistically defiant, Rubenstein embodies modern q***rness.
Portrait by Brooks