
09/03/2025
"Television cameras seem to add ten pounds, so I make it a policy never to eat television cameras."
Kitty Carlisle Hart
– September 3, 1910
She danced on Broadway, was pals with Rudolph Valentino, filmed with The Marx Brothers, and she was a confidant of Irving Berlin, George and Ira Gershwin, and Cole Porter.
Born Catherine Conn, the daughter of a strict Jewish family in New Orleans, Hart wrote: "I wasn't allowed to go to the movies. It was considered oh, not proper for children to go to the movies. " So, as a kid, she was taken to concerts instead.
She went to Hollywood in 1934 and made three films before her big break the best Marx Brothers film, A NIGHT AT THE OPERA (1936), where she met Moss Hart, who visited the set with Cole Porter.
Moss Hart had a long, successful collaboration writing with George Kaufman, the first playwright to win a Pulitzer Prize. Hart and Carlisle married in 1946, and Hart introduced his wife to the upper crust of New York society and notables of the theatre world.
She made her television debut in 1949, appearing regularly on the panel of the game show I'VE GOT A SECRET. She was the only panelist to appear on every episode of the original TO TELL THE TRUTH from 1956 to 1991. Hart: "People remember me from television, not from A NIGHT AT THE OPERA. They have no idea that I played the lead and did all the singing, but they do remember television."
As Hart's charming wife, she protected her husband's secrets. She was married to Hart for the last 15 years of his life, and although he died 1961 at just 57 years old, she lived another 46 years, never remarrying. In Steven Bach's DAZZLER: THE LIFE AND TIMES OF MOSS HART (2001), Bach reveals that throughout the marriage, Hart had plenty of assignations with men. Kitty Hart never made a public comment about the book, but until the end, she continued to de-gay her husband's story despite his affairs with agent some of the men mentioned in his dazzling love letter to the theatre, ACT ONE (1959). After his death, Hart sealed her husband's diaries and blocked any materials that contained evidence of his gayness.
Photo: publicity still for SHE LOVES ME NOT (1934)