
03/05/2025
"I may be an unbeliever, but I am an unbeliever who has a nostalgia for a belief. "
Pier Paolo Pasolini
– March 5, 1922
Pier Paolo Pasolini has the dubious distinction of being the only great filmmaker who was murdered, most probably by the Mafia, at the request of Italian Right-Wing politicians who loathed the popular openly gay, Marxist, atheist, artist, poet, actor, writer, cinematographer, composer, political theorist, and filmmaker with 25 films to his credit. In the in the late 1940s and 1950s, Pasolini was a dedicated Communist, but he was kicked out of the party for being openly gay.
In November 1975, he picked up a teenager hustler and was murdered by being run over by his own car. The hustler later recanted his confession and claimed that three men with Southern Italian accents killed Pasolini. Details of the crime make it impossible to have been the work of just one person.
I saw Pasolini's final film at the Film Forum in New York City in 1976. Do not see it on a full stomach. It is the most nauseating work of art I have ever seen. THE 120 DAYS OF S***M is an updated version of the Marquis de Sade's 1780s novel set in the final days of Mussolini's depraved inner circle. It was shortly after its release that Pasolini was murdered.
I was mesmerized by his 1968 film TEOREMA, where an angelic, too handsome Terence Stamp seduces everyone in a bourgeois Milanese household: the religious maid, the icy mother, the homely daughter, the closeted son, even the powerful father. Amid the emotional fireworks, each one comes to a new understanding of their life.
If you are brave (remember that his films are designed for outrage), also check out THE GOSPEL ACCORDING TO SAINT MATTHEW (1966), THE HAWKS ANDS SPARROWS (1966), OEDIPUS REX (1967), MEDEA (1969), with Maria Callas in her only film role, albeit non-singing, THE DECAMERON (1971), THE CANTERBURY TALES (1972), or A THOUSAND AND ONE NIGHTS (1974).