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10/16/2026

Megan Thee Stallion - Tina Tuesday Freestyle
Tina has entered the chat.
And she has a few things to say.
Megan makes every bar feel personal. The confidence, the delivery, that unapologetic energy. It all comes through loud and clear.
Frender worked on the VFX for this one. Our job? Make the visuals hold their own while Megan does what Megan does.

Director: .meyers
DOP:
Production:
EP:
HOP:
Producer:
Production Manager: .mtnez
Production Coordinator: .carolina
1AD:
Art Director:
Post Producer:
Edit: .mov
Color:
VFX supervisor:
VFX:
Beauty:
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10/08/2026

SKYLAR SIMONE “GASOLINE”
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Leaving quietly was never the plan.
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FRENDER contributed visual effects to Skylar Simone’s “GASOLINE.”
Red-lit rooms. Cold water. Skylar owning every frame.
Then she walks away from a burning car and leaves us staring.
One hell of an exit.
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Director:
DOP: .y
Production:
EP:
Producer:
Choreo:
1AD:
Production Design:
Editor:
Color:
VFX supervisor:
VFX:
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10/01/2026

Clean Bandit x Chlöe x Omah Lay - “Company”
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This one has a rhythm you can see: the choreography, camera and music move together from shot to shot. FRENDER contributed VFX to the video, and these are a few of the moments we worked on!
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Director:
DOP:
CD/Choreo: ._z
Producer:
Procuction: .co
Founder:
EP:
HOP:
Edit:
Color: .toullet
VFX supervisor:
Add VFX:
Beauty:

09/22/2026

NBA 2K Mobile Campaign - VFX by Frender
SHOT ON BLUE. BUILT IN VFX.
For the NBA 2K Mobile campaign, the live-action performances were shot on blue screen — and we built the world around them.
The stadium, the crowd, the scale of a packed game-day arena — all created in 3D and integrated with the live-action footage.
Across all four spots, the goal was to make every element feel like part of the same real environment.
And then there was Scooby.
For his “Ball is life” moment, we created the mouth animation in post.
From blue screen to a complete NBA world!
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3DAnimation FRENDERVFX

09/18/2026

NBA 2K Mobile Campaign - VFX by Frender
SHOT ON BLUE. BUILT IN VFX.
For the NBA 2K Mobile campaign, the live-action performances were shot on blue screen — and we built the world around them.
The stadium, the crowd, the scale of a packed game-day arena — all created in 3D and integrated with the live-action footage.
Across all four spots, the goal was to make every element feel like part of the same real environment.
And then there was Scooby.
For his “Ball is life” moment, we created the mouth animation in post.
From blue screen to a complete NBA world!

3DAnimation FRENDERVFX

09/17/2026

T.I. & Summer Walker — “AND WON’T”
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For this one, we put T.I. where he wasn’t actually standing: on top of Mercedes-Benz Stadium and inside an empty arena.
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We composited the performance plates into aerial and stadium footage, matching the perspective, camera movement, lighting, and grain to make the shots hold together. We also created the multi-frame compositions connecting T.I., Summer Walker, and the Atlanta locations, along with cleanup and finishing throughout the video.
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Directed by Chris Robinson.
VFX by FRENDER.
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Director: 
DOP: .eye.diares
Production: 
Producer: 
Post producer: leslieterrero
Edit:  
Color: 
Vfx supervisor: 
VFX: 
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Ice Spice & Lil Yachty - Out My Face“Give me space. Give me time.”⠀The final camera move bends both.FRENDER fixed the st...
09/14/2026

Ice Spice & Lil Yachty - Out My Face
“Give me space. Give me time.”
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The final camera move bends both.
FRENDER fixed the stitching between scenes and made every transition disappear.
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Director :
DOP:
EP/HOP:
Production:
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Cody Johnson’s “The Fall” is nominated for Music Video of the Year at the 60th Annual CMA Awards.FRENDER created the VFX...
09/14/2026

Cody Johnson’s “The Fall” is nominated for Music Video of the Year at the 60th Annual CMA Awards.
FRENDER created the VFX for the video, helping bring its visual world to life and support the story on screen.
Recognition like this means a lot to us. VFX is one part of a much bigger creative process, and we’re proud to have contributed to a project now recognized at this level.

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