04/29/2025
“A found-footage psychological thriller. After his brother Sean’s su***de, Tim, an aspiring filmmaker, uncovers Sean’s obsession with a deleted urban legend tied to a secret mind-control experiment. As Tim investigates, compiling Sean’s notes and interviewing family and friends, he suspects Sean was murdered. With help from Sean’s friend Nicole, Tim’s search for truth spirals into obsession, unraveling his grief and revealing a chilling reality: “What We Fear, We Create.”
This film was our most ambitious film to sound design and mix. Search for the trailer.. if you dare
Here’s what supervising sound editor, Thomas, had to say:
“We did a deep search into the many different recording mediums included in the film - from old destroyed film footage, to decaying VHS footage, to digital footage, it all had to feel real - but also cinematic. We had many deep discussions with the filmmakers, to truly understand all the mythology of the story and the psychological underpinnings of this Lovecraftian world. Keeping the growing disillusionment of our protagonist tangible, under the surface, was paramount. Our man Kennedy did an incredible job sound designing and exploring the many layers required to breathe life into the world, including using Slow Scan Television (SSTV) as a method to encode an important image into a sonic signal, which was a perfect easter egg for this kind of film. Many times in a found footage film the instinct might be to minimize the foley work, but we felt strongly that the opposite was necessary - a completely fully filled MnE pass would allow us the creative latitude to really become immersed in the scenes and become intimate as needed.”
Supervising Sound Editor, Re-recording Mixer -
Sound Supervisor -
Sound Designer -
Sound Effects Editor - Reece Miller
Sound Effects Editor -
Foley Artist -
Foley Mixer -
Sound Editor - .breckon
Assistant Sound Editor - Aishwarya Govekar
