Roots Music Report

Roots Music Report Music Charts and Radio station Air-play Tracking. ONLY THE MUSIC MATTERS !

We hope everyone has an amazing day today filled with family, love, and most of all good music!
12/25/2024

We hope everyone has an amazing day today filled with family, love, and most of all good music!

We hope everyone has a great Thanksgiving filled with family, friends, and of course food. 🙂
11/28/2024

We hope everyone has a great Thanksgiving filled with family, friends, and of course food. 🙂

Album Review of - Treasures of the HeartArtist - Jacqui NaylorWritten by Robert Silverstein - Review Rating 5 starThere ...
05/29/2024

Album Review of - Treasures of the Heart
Artist - Jacqui Naylor
Written by Robert Silverstein - Review Rating 5 star

There are plenty of pleasurable R&B and pop-jazz vibes running thoughout Treasures Of The Heart, the 2024 album by California-based singer-songwriter Jacqui Naylor. For her 14-track, 60 minute album, Ms. Naylor teams with a number of fine musicians including Art Khu (keyboards, guitars, co-production), Richie Goods (bass), Ele Howell (drums) and Erik Jekabson (trumpet, flugelhorn). The end result is a pleasant hour of breezy, easy on the ear music that represents Ms. Naylor as a gifted singer-songwriter and a song interpreter.

A good example of Ms. Naylor’s fine covering skills is the lead off track, the jazz standard “I Didn’t Know What Time It Was”, written in 1939 by Rogers & Hart. Other standards here that mix well among album originals written by Ms. Naylor and her pianist Art Khu, include a take on “True Colors”, the 1986 song made famous by Cyndy Lauper, with other tracks here written by Bill Withers and Burt Bacharach. With 12 albums already released to her credit, Treasures Of The Heart goes the distance and will surely please long-time fans as well as newcomers alike to the soulful pop-jazz elegance of Jacqui Naylor.
https://www.rootsmusicreport.com/reviews/view/1852
Jacqui Naylor

Album Review of - True Blues Brother: The Legacy of Matt "Guitar" MurphyArtist - Bobby Christina's CaravanWritten by Dua...
05/28/2024

Album Review of - True Blues Brother: The Legacy of Matt "Guitar" Murphy
Artist - Bobby Christina's Caravan
Written by Duane Verh - Review Rating 4 star

With a pack of guest artists bursting at the seams, producer/drummer Bob Christina supplemented what became departed blues legend Matt “Guitar” Murphy’s final studio sessions with a collection of good-vibes lineups populated with colleagues and admirers of the master axeman. Solid instrumental play is to be found everywhere starting with Mr. Murphy’s own features, a pair that serve as leadoff tracks for the double-disc package. Others delivering as one might expect include Bob Margolin, Duke Robillard, Ronnie Earl and Blues Brothers partner Steve Cropper. Speaking of the movie, vocalist Toni Lynn Washington serves up a nice reading of Aretha Franklin’s “Think”. Unsurprisingly, Tracy Nelson provides a moving vocal on Don Nix’s “Same Old Blues”. Other tracks of note include Doyle Bramhall II’s feature- Magic Sam’s “Give Me Time”- and Willie Dixon’s “Evil”, highlighted by Bob Margolin’s inspired sounding slide work.
https://www.rootsmusicreport.com/reviews/view/1851
True Blues Brother

Album Review of - A LA SALAArtist - KhruangbinWritten by Robert Silverstein - Review Rating 5 starTexas-based guitar-cen...
05/27/2024

Album Review of - A LA SALA
Artist - Khruangbin
Written by Robert Silverstein - Review Rating 5 star

Texas-based guitar-centric instrumental band Khruangbin are making waves with their fourth album called A La Sala. It’s very hard to pigeonhole their sound but overall, this album is quite derivative and neo-exotic in scope. Almost completely devoid of intensity, melody or musical direction, the Khruangbin sound borrows from reggae, neo-soul and soundtrack music to a limited degree. Clocking in at 40-minutes, A La Sala is very easy on the ears so it does make for an hour or so of breezy listening.

Musically, Khruangbin is fronted by a trio of fine instrumentalists including Mark “Marko” Speer (guitars), Laura Lee Ochoa (bass) and Donald “DJ” Johnson, Jr. (drums). There was an interesting guitar instrumental band from Georgia in the early 1980s called Love Tractor and the dreamy, neo-psychedelic soul and groove sound of this Khruangbin album has kind of a similar sound. Of course, a lack of musical direction and an ostensible willingness to substitute style for content might limit the band’s wider audience appeal.

It might be easy to target Khruangbin for its seemingly inherent lack of musical focus, yet being adrift on the band’s wave of airy, globalist-tinged, “psychedelic-funk” instrumental guitar sounds does have its plus side, and spending a good 40 minutes or so with the 12 tracks on A La Sala does have a manifestly seductive side to it.
https://www.rootsmusicreport.com/reviews/view/1850
Khruangbin

Album Review of - Brick By BrickArtist - JP SoarsWritten by Duane Verh - Review Rating 4 starPacked to the rafters with ...
05/15/2024

Album Review of - Brick By Brick
Artist - JP Soars
Written by Duane Verh - Review Rating 4 star

Packed to the rafters with his formidable versatility, guitarist/multi-instrumentalist JP Soars’ newest offering serves up in generous slices of tasty original roots-bound fare, each seasoned in its own particular style. The muscle-rock of the leadoff title track yields to a Mark Knopfler-esque ballad, “Jezebel”. Mr. Soars’ pinpoint play on the country romp “Can’t Keep Her Off My Mind” is in response to some smokin’ work from fiddler Anne Harris. Soars’ sly vocal take on the sole cover here, the Little Milton gem “That’s What Love Will Make You Do”, should garner attention as well. Nice work.
https://www.rootsmusicreport.com/reviews/view/1849
JP Soars

Album Review of - Tulsa CustomArtist - Seth Lee JonesWritten by Poppa Nite - Review Rating 5 starSeth Lee Jones has so m...
05/14/2024

Album Review of - Tulsa Custom
Artist - Seth Lee Jones
Written by Poppa Nite - Review Rating 5 star

Seth Lee Jones has so much rich history with the Tulsa Music Scene Entertainers. I mentioned Seth to The late great Guitar Legend Steve Pryor and his comment, "Seth Lee Jones the finest guitar whisper in the land".

Seth Lee Jones' sophomore album, "Tulsa Custom," is a testament to his deep roots in the Tulsa music scene and his dedication to his craft. Building upon the foundation laid in his debut album "Flathead," Jones delivers a collection of original material and fresh interpretations of covers that showcase his unique playing style and raw, unbridled energy.

"Tulsa Custom," has a May 17 release date for Tulsa Custom, with the first digital singles from the new disc out now (“110”) and April 24 (“Walter”). Seth's passion for his music is palpable throughout the album. From the first single track "110" to the steadfast strut of "Walter" each song is infused with a personal touch that resonates with the listener. His dynamite rhythm section, featuring Bo Halford on bass and Matt Teegarden on drums, provides the perfect platform for Jones' guitar prowess to shine.

Recorded live at historic Teegarden Studios in the footsteps of other Tulsa legends, the album captures the raw energy and spontaneity of a live performance. This approach allows Jones to fully express himself, both musically and emotionally. The result is an album that is both technically impressive and deeply engaging. Jones' guitar playing is a highlight of the album. His unique style blends elements of blues, rock, and country, creating a sound that is both familiar and fresh. His solos are electrifying, showcasing his technical mastery and improvisational skills.

Beyond his guitar playing, Jones is also a gifted songwriter. His lyrics are introspective and thought-provoking, exploring themes of love, loss, and the human experience. He has a knack for crafting catchy melodies that stay with the listener long after the song is over.
"Tulsa Custom" is a must-listen for fans of blues, rock, and Americana music. It is an album that showcases the deep roots and passion of one of the most exciting young guitarists on the scene today.
https://www.rootsmusicreport.com/reviews/view/1848/
Seth Lee Jones

Album Review of - OusoulArtist - Tarek Abdallah & Adel Shams El-DinWritten by Joe Ross - Review Rating 4 starAbout a dec...
05/13/2024

Album Review of - Ousoul
Artist - Tarek Abdallah & Adel Shams El-Din
Written by Joe Ross - Review Rating 4 star

About a decade since the release of their first album (Wasla) in 2015, Tarek Abdallah and Adel Shams El Din have collaborated to create a new opus entitled Ousoul. An Arabic word meaning “origin, framework,” Ousoul refers to the rhythmic cycles that are employed in Arabic (as well as Ottoman Turkish music). The duo, that features the oud and percussion (riqq and tambourine), adopt certain traditional cycles, but they also courageously create new ones.

Even though their upbringing, training and experience were no doubt founded on participation in Middle Eastern classical music ensembles (takhts), the two instrumentalists shine as soloists. Tarek Abdallah and Adel Shams El Din are both consummate Egyptian musicians who reside in France. Both present masterful performances that seem firmly rooted in Egyptian classical music while still displaying alluring demonstrations of personality and originality.

Their compositions follow what is known as the “wasla,” the Near Eastern musical suite which links several sung and instrumental forms of different cycles in the same mode. Flavored with plenty of improvisation, Ousoul consists of five instrumental suites based on five different modes. I particularly enjoyed the opening suite, “Wasla Nahawand” with its six pieces, a couple that include guest violinist Christian Fromentin. The other suites include “Wasla Higazkar” (2 tracks), “Wasla Rast” (3 tracks), “Waslas Bayyati” (6 tracks) and the closing “Wasla Sikan” with its track of original melody called “His Heart of Stone” based on a medieval Moroccan poem. Throughout Ousoul , we hear musical dialogue that keeps one foot firmly entrenched the past while also giving us delightful sounds that area novel, creative and innovative.
https://www.rootsmusicreport.com/reviews/view/1846
Tarek Abdallah Ű·Ű§Ű±Ù‚ ŰčŰšŰŻŰ§Ù„Ù„Ù‡ Ű§Ù„Ű”ÙŰ­Ű© Ű§Ù„Ű±ŰłÙ…ÙŠŰ©
Adel Shams El Din

Album Review of - Knights Of The Round TableArtist - Madre VacaWritten by Robert Silverstein - Review Rating 5 starIt’s ...
05/10/2024

Album Review of - Knights Of The Round Table
Artist - Madre Vaca
Written by Robert Silverstein - Review Rating 5 star

It’s not every day you find a drummer that is also a bandleader and composer but that’s the story on the 2023 CD by Florida-based ensemble known as Madre Vaca. Featuring the music and drumming skills of Benjamin Shorstein, Knights Of The Round Table is a jazzy / orchestral album that pays a tribute to the bygone era of King Arthur.

All instrumental and filled with soaring jazzy passages, the 10-track, 57-minute album works on a number of levels. Parts of the album are also somewhat reminiscent of the beautiful music of the great Claude Bolling and Jean-Pierre Rampal from the 1970s. Also pianist Mike Garson is another influence here.

On one level, Knights Of The Round Table works as a jazzy big band album, considering there is a full horn section with a number of wind-blown instruments. The colorful album production of Benjamin Shorstein and JeanCarlo Medez is also first rate.

There’s also a contemporary jazz-fusion element to the overall sound, further enhanced by Benjamin Shorstein’s tasty drumming along with notable performances by Jarrett Carter (guitar), Jonah Pierre (piano) and Thomas Milovac (bass). Mr. Shorstein’s sister Rebecca adds in a few cameo vocals on couple tracks.

With its historic backdrop, Knights Of The Round Table is also fun to follow in its historic context. All the heroes and aspects from the era of King Arthur are mentioned in the well-crafted CD booklet including Galahad, Guinevere, Lancelot and more. Madre Vaca’s Knights Of The Round Table is an impressive orchestral jazz tribute to the long bygone era of King Arthur and Camelot.
https://www.rootsmusicreport.com/reviews/view/1845/
Madre Vaca

Album Review of - Psychedelic Therapy Music: Insight, Resilience And Inner PeaceArtist - Steven HalpernWritten by Robert...
05/09/2024

Album Review of - Psychedelic Therapy Music: Insight, Resilience And Inner Peace
Artist - Steven Halpern
Written by Robert Silverstein - Review Rating 4 star

One of the legendary New Age recording artists since the mid-1970s, Steven Halpern remains an advocate for healing, meditative instrumental music. In 2021, Halpern released his critically-acclaimed Cannabis Dreams and in 2023 he released what some are calling his finest album yet, Psychedelic Therapy Music: Insight, Resilience And Inner Peace.

Considering its bold album title, Psychedelic Therapy Music is actually a lot more than therapy music. It is an elevated sequence of instrumental recordings spotlighting Steven performing with world-class, Grammy-winning musicians such as David Darling on cello, Paul McCandless on oboe, Jorge Alfano on Indian ‘Bansuri’ bamboo flute and Michael Manring on fretless bass.

In addition to composing and arranging Psychedelic Therapy Music, Halpern is also the album’s producer, bringing out the best in each of these artists and summoning up arguably some of the most lyrical and sensitive themes they’ve ever played. Speaking about his role as the producer on Psychedelic Therapy Music, Halpern explains, “Throughout my career, I’ve usually been in the studio one on one with each musician. In many cases, I have pre-produced specific tracks that I want them to add their artistic magical to. This way, I am able to totally focus my energies on them”.

In the liner notes of the colorfully packaged CD booklet, Halpern says that while most music encourages the listener to focus on the external sounds and sights coming into their ears, in his own music he encourages us to go deeper. Guiding the listener to deeply connected states of consciousness has always been a central focus of Halpern’s music and that’s decidedly true on Psychedelic Therapy Music, where getting in touch with one’s feeling and innate wisdom is of utmost importance in a therapeutic setting.

The 10-track, 68-minute album starts with a dreamy track called “The Answer Lies Within”, featuring Halpern’s sparkling Rhodes keyboard and digitally sampled choir. This track is the perfect invitation to enter Halpern’s sonic space as you get comfortable with the unfolding Psychedelic Therapy Music experience.

The track progresses to “At Home In The Heart”, featuring Steven recording with the late cello master David Darling. The combination of David Darling’s evocative melodies soaring over Halpern’s lush, instrumental arrangement is a sublime listening experience.

The celestial listening experience is carried further with “Honoring The Journey”, featuring Michael Manring’s fretless bass and the oboe of Paul McCandless. Speaking about this collaboration on Psychedelic Therapy Music, Steven explains, “On Honoring The Journey, I invited Paul McCandless to tune in to my unreleased duet with virtuoso bassist Michael Manring. The way Paul weaves his melody in and around Michael’s lines is absolutely perfect. I don’t think they had ever played with each before, but it felt like a timeless reunion. Credit some of that vibe to my role as producer in choosing the right musicians for each track.”

“Tuning Into Inner Wisdom” features a blend of multiple keyboards, while the track is enhanced with gentle ocean waves.

While experiencing “Insight And Integration” you quickly realize that Steven Halpern has created one of his true masterworks with Psychedelic Therapy Music. As far as creating a therapeutic psychedelic instrumental track, this is it. Swirling sitar-like sounds blend with synth keyboards creating a colorful psychedelic backdrop making the track high among the many standouts on this album.

Another definitive track on Psychedelic Therapy Music, “Cannabis Dreams” is a truly magical moment and sounds in-sync with the album’s overall mind-expanding themes. Best of all, no additional psychotropic vegetables are needed to get the uplifting effect.

“Resonate And Elevate” offers a transcendent listening experience spotlighting Halpern’s Rhodes keyboard. At over 8-minutes, it’s yet another engaging track here that moves into the 7-minute “Remember Your Spirit”, an uplifting, spiritual track that pairs Halpern’s keyboards with the bansuri bamboo flute of Argentinian sound healer Jorge Alfano.

At nearly 13-minutes, “Harmonizing The Chakras” is the perfect showcase for Halpern’s performance on the Rhodes electric piano that more than demonstrates why this is his signature instrument. He is the only sound healer to feature this amazing instrument. As the ‘OG’ sound healer, Steven Halpern’s debut release in 1975 introduced the concept of resonating and balancing the chakras as a key to optimal health and healing. On a major therapeutic soundtrack, he felt it was essential to include this track.

Speaking about the science underlying this track, Halpern explains “Harmonizing The Chakras” is based on the groundbreaking research of legendary scientist and inventor Itzhak Bentov, author of “Stalking The Wild Pendulum” and a key member of my 1973 biofeedback research team and personal mentor. He proved the importance of balancing the chakras as a cornerstone of ‘tuning the human instrument’ and of ‘sound health.’ That was the focus of half of my very first album back in 1975, now available as Chakra Suite. For individuals in a therapeutic context, especially psychedelic-assisted therapy, as well as the general public - I mean, who couldn’t use a little more balance and harmony in their life?, it was a necessary addition to the album.”

The album closer, “In Tune With The Infinite” ends the Psychedelic Therapy Music experience on a low key, yet positive note and to that Steven explains, “In Tune With The Universe is a subtle track that enhances communication and insights from the listener’s innate wisdom. The audio ambience makes it easy to keep one’s focus on inner as well as infinite realities.”

Bringing listeners to states of sonic bliss and serenity for over half a century, Steven Halpern brings a depth of experience to Psychedelic Therapy Music, enhancing his stellar performance on his signature Rhodes electric piano, digitally-sampled celestial choir and a range of ambient keyboards. Musically, these tracks and performances are well in-tune with Halpern’s sonic vision making Psychedelic Therapy Music one of the most unique albums to date from this New Age music innovator.
https://www.rootsmusicreport.com/reviews/view/1844/
Steven Halpern Fan Page

Album Review of - Shining Like A DiamondArtist - Marc StoneWritten by Duane Verh - Review Rating 5 starWith a vocal quav...
05/08/2024

Album Review of - Shining Like A Diamond
Artist - Marc Stone
Written by Duane Verh - Review Rating 5 star

With a vocal quaver that borders on the other-worldly, Marc Stone deals out captivating lyrical couplets atop an equally engaging collision of blues, jazz and zydeco on the leadoff track here, “Whatcha Gonna Do”. The NOLA-based guitarist/songsmith keeps it interesting throughout, embracing roots-bound sounds and wisdom on tracks including the highly infectious and seriously cautionary “Digitized”, the darkly atmospheric “The Truth (Is What I Wanna Know)” and the high-spirited title track. A Best of Year candidate.
https://www.rootsmusicreport.com/reviews/view/1843
Marc Stone Music

Album Review of - Live and Havin' FunArtist - Deb RyderWritten by Duane Verh - Review Rating 4 starThis "live" display o...
05/07/2024

Album Review of - Live and Havin' Fun
Artist - Deb Ryder
Written by Duane Verh - Review Rating 4 star

This "live" display of Ms. Ryder's vocal and lyrical prowess provides further evidence for her rightful placement on the top tier of present-day female blues singers. This solid set hits a high point midway through as Ms. R smolders her way the seductive slow blues "Might Just Lucky". Other picks from the string of the D. Ryder/Ric Ryder collaborations that make up the songlist include "Guilty As Sin", "Bring The Walls Down" and "Blues Is All I Got". Albert Lee tops the guest list.
https://www.rootsmusicreport.com/reviews/view/1842
Deb Ryder Fan Club

Album Review of - Heatin' UpArtist - John BasileWritten by Robert Silverstein - Review Rating 5 starI first heard NYC ba...
05/06/2024

Album Review of - Heatin' Up
Artist - John Basile
Written by Robert Silverstein - Review Rating 5 star

I first heard NYC based guitarist John Basile on Penny Lane, his Beatles tribute album from 2015. In 2024 John is back with an all-new, jazz instrumental album, his 14th, called Heatin’ Up. Basile’s deft jazz guitar work has been praised by a number of guitar icons, including the late Jim Hall, who admired John’s ‘beautiful tone’. In addition Basile has performed and/or recorded with jazz legend Peggy Lee, Tony Bennett among others.

On Heatin’ Up John is backed up by a fine band including David Finck (bass) and Carmine Intorre, Jr. (drums) with Kevin Winard adding in percussion on several tracks. Jazz scribe legend Bill Milkowski wrote in-depth liner notes on the CD release and he also astutely uncovers that while Basile is a fine composer in his own right, on Heatin’ Up, Basile and company cover a number of fine composers and guitar stylists, from Cy Coleman and Wes Montgomery to Dori Caymmi, Neal Hefti and more. Jazz guitar fans will find much musical goodness on John Basile’s Heatin’ Up.
https://www.rootsmusicreport.com/reviews/view/1841
John Basile - StringTime Productions

Album Review of - RiegĂĄdahttinArtist - Mirja PaloWritten by Joe Ross - Review Rating 4 starUp in the Province of Lapland...
04/26/2024

Album Review of - RiegĂĄdahttin
Artist - Mirja Palo
Written by Joe Ross - Review Rating 4 star

Up in the Province of Lapland, Sweden and just north of the Arctic Circle is the locality of Jokkmokk, a settlement with about 3,000 people. While Jokkmokk is an important place for Såmi people and several institutions related to them, it is also the home of singer and songwriter Mirja Palo PÀiviö who also plays some kantele, drums and percussion on her new album about birthing called Riegådahttin. With other musicians adding percussion, flute, marimba, bass, keys, guitar, kantele, violin, synthesizer, samples, electronics and backing vocals, the result is highly arranged, relaxing and poetic set of evocative music with a unique effervescence that shines with joy.

Most of the songs are sung with Swedish lyrics, except for the 6-minute “Lullaby” that has lyrics in North Sámi and references to the bird of meadow, white wagtail, plover of plains and downy dove as the little one is encouraged to “fly to the mountain of sleep.” Slightly more tempo is provided to Mirja Palo’s self-penned “You Are Alive,” and “I Sat Down by Your Bed” is based on traditional music and lyrics from Hilda Ajanki. “Oh Creator” is a beautiful rendition of a plea for aid, warmth and relief sung by four voices with minimal accompaniment of kantele and percussion.

Influenced by its inland and northerly position, Jokkmokk's varied subarctic climate is very cold by Swedish standards. Despite it being from one of the coldest municipal seats in Sweden Lapland in terms of winter temperatures, this album’s music has a very heartwarming and welcoming quality.
https://www.rootsmusicreport.com/reviews/view/1840
Mirja Palo

Album Review of - Out Of LineArtist - The Wicked Lo-DownWritten by Duane Verh - Review Rating 4 starFrom the rhythm sect...
04/25/2024

Album Review of - Out Of Line
Artist - The Wicked Lo-Down
Written by Duane Verh - Review Rating 4 star

From the rhythm section on up, the sound of this blues-rock outfit leans sharply to the former side of this fusion, making for a most satisfying dosing of old-school grit onto a song list stocked with decidedly infectious fare. Harmonica player Nick David provides a formidable front for this New England-based five-piece, delivering high-octane vocals on ear-grabbing originals such as the leadoff shuffle “Kill Me or Keep Me” and the screaming-for-airplay “Bogeyman” plus a rootsy recasting of the Britney Spears hit “Toxic”. Guitarists Mike Zito and Monster Mike Welch guest.
https://www.rootsmusicreport.com/reviews/view/1839
The Wicked Lo-Down

Album Review of - EZRAArtist - EZRAWritten by Robert Silverstein - Review Rating 5 starThe place where instrumental blue...
04/24/2024

Album Review of - EZRA
Artist - EZRA
Written by Robert Silverstein - Review Rating 5 star

The place where instrumental bluegrass meets Americana meets light swing, new acoustic and modern chamber music is where you will find Jesse Jones and his ensemble, known as Ezra Quartet. The group lineup consists of Jacob Jolliff (mandolin), Max Allard (banjo), Craig Butterfield (double bass) with group composer and multi-instrumentalist Jesse Jones on both guitar and piano.

There are echoes of Béla Fleck, and other well-known bluegrasser instrumentalists, yet this special quartet is quite well-rehearsed and their repertoire on their debut album is nothing less than a revelation. That rural, rustic sensibility is quite intact on the 9-track, 40 minute Ezra. That fact that the CD is quite Americana-flavored makes it a special jumpstart album certain to create new interest in the genre.

The album was released on the AdhyĂąropa music label, based in New York. Interestingly, Jesse Jones is a music professor at Oberlin college which fortuitously was the school that Dave Brubeck recorded his famous Jazz At Oberlin Lp back in 1953. With some tracks sounding inspired by that fabled time, the debut release of Ezra gives Bluegrass-inclined jazzers and contemporary instrumental fretboard buffs something to cheer about.
https://www.rootsmusicreport.com/reviews/view/1838
EZRA

Album Review of - Way Out TrioArtist - Way Out TrioWritten by Joe Ross - Review Rating 5 starBased in France, The Way Ou...
04/23/2024

Album Review of - Way Out Trio
Artist - Way Out Trio
Written by Joe Ross - Review Rating 5 star

Based in France, The Way Out Trio are Antoine Lucchini (saxophone), Olivier Lalauze (upright bass) and Léo Achard (drums). Antoine Lucchini studied for two years at the IMFP in Salon-de-Provence, played the clubs in Brussels, and then moved to Marseille to resume studies at the Aix-en-Provence Conservatory where he obtained his Diploma of Musical Studies in Jazz. Olivier Lalauze, with DEMs in jazz and classical double bass, is regularly called upon as an accompanist, directed his own sextet, composed and arranged a considerable body of material, performed regularly with The Shoeshiners Band, and accompanied flamenco singer Luis de la Carrasca. Over ten years ago, drummer Léo Achard joined and graduated from the Aix-en-Provence Conservatory. He currently teaches drums, works as a self-taught sound engineer, and performs with a variety of bands.

I enjoyed hearing all the tracks on The Way Out Trio’s EP album that range from the 3-minute "La Cicatrice" to 9-minute "Blues, Bridge, Blues & Beyond." The emphasis on originality was impressive, and it allows the trio to present its "way out" style that is certain to gain them a fresh audience of jazz fans. The five compositions begin with some fairly complex melodic ideas, and then the trio develops them with improvisational integrity, fluidity and continuity without overplaying easily fingered riffs, patterns or your typically clichĂ©d figures.

While clearly influenced by Lester Young and Charlie Parker, Lucchini incorporates elements of saxophonists John Coltrane and Sonny Rollins such as deep and richly textured timbre ala Coltrane, as well as broad and more coarse guttural expressions ala Rollins. His vibrato also varies from slowly deliberate to more abruptly explosive. By using both legato and staccato phrasing, Lucchini mixes up his attack while also featuring ornamentation, softening and other dynamics in his improvisation.

Bassist Olivier Lalauze demonstrates impressive instrumental proficiency and musical imagination. His solos are cleanly executed, and Lalauze shows how virtuoso bass playing can contribute much more to a trio's overall sound than just to keep time. The Way Out Trio's music definitely journeys in various directions, but some standout moments spotlight Lalauze's bass in a melodic role, sometimes arranged to mimic or play in unison with Lucchini's sax lines. That was a technique employed very effectively by bassist Jimmy Blanton in the musical arrangements of Duke Ellington. Lalauze's own style also seems to have elements of bop bassists Oscar Pettiford, Charlie Mingus and Ray Brown when we hear certain melodic concepts, strong percussive sounds, big tone, confidence, force and emphasis on every note.

What caught my ear about Léo Achard's drumming is how flexibly well he interacts with the sax and bass. The trio's exciting sound is reinforced by Archard's increasing the frequency and spontaneity of his kicks and prods to add accents and colors to solo lines. He also seems aware of how drummers like Kenny Clarke and Max Roach altered their timekeeping on the bass drum by playing it more gently or feathering it. By using his cymbal or high-hat in certain ways, he also provides a smooth rhythm with a continuous (legato) sound characteristic of bop music of the 1940s and 50s.

I also hear elements of more contemporary influences such as the trios of Walter Smith III and Joshua Redman. Technically assured, The Way Out Trio presents a full, warm sound that is personal, flexible, soulful, logical and strong. Besides using a variety of melodic devices, phrase lengths and rhythms, they utilize their own inventions. Their music isn't that predictable, and I enjoyed their complicated solos and accompaniments. It's a great approach for a trio with tenor sax, bass and drums. The complex music moves right along with instrumental virtuosity, rich chord changes, frequent surprises, and biting tone qualities.
https://www.rootsmusicreport.com/reviews/view/1837
Way Out Trio

Address

375 South Main #127
Moab, UT
84532

Alerts

Be the first to know and let us send you an email when Roots Music Report posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Roots Music Report:

Share