Dystopia Records LLC

Dystopia Records LLC ๐™๐™๐™š ๐Ÿหขแต— ๐—œ๐—ก๐——๐—˜๐—ฃ๐—˜๐—ก๐——๐—˜๐—ก๐—ง๐—Ÿ๐—ฌ ๐—ข๐—ช๐—ก๐—˜๐—— ๐™‰๐™š๐™ฌ ๐™Š๐™ง๐™ก๐™š๐™–๐™ฃ๐™จ ๐™š๐™จ๐™ฉ๐™–๐™—๐™ก๐™ž๐™จ๐™๐™š๐™™ ๐˜พ๐™ฎ๐™—๐™š๐™ง๐™ฅ๐™ช๐™ฃ๐™  ๐™ง๐™š๐™˜๐™ค๐™ง๐™™ ๐™ก๐™–๐™—๐™š๐™ก. ๐™๐™๐™š ๐™›๐™ž๐™ง๐™จ๐™ฉ ๐™‰๐™š๐™ฌ ๐™Š๐™ง๐™ก๐™š๐™–๐™ฃ๐™จ ๐™š๐™จ๐™ฉ๐™–๐™—๐™ก๐™ž๐™จ๐™๐™š๐™™ ๐˜พ๐™ฎ๐™—๐™š๐™ง๐™ฅ๐™ช๐™ฃ๐™ /๐™€๐™ญ๐™ฉ๐™š๐™ฃ๐™™๐™š๐™™ ๐™ง๐™š๐™˜๐™ค๐™ง๐™™ ๐™ก๐™–๐™—๐™š๐™ก.

The company's goal is to provide ๐—ฒ๐˜…๐—ฐ๐—ฒ๐—น๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ in ๐—ฟ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด, ๐—ฎ๐˜‚๐—ฑ๐—ถ๐—ผ ๐—ฒ๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด, ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฒ๐˜€๐—ถ๐—ด๐—ป to local musicians and to represent ๐—ฐ๐˜†๐—ฏ๐—ฒ๐—ฟ๐—ฝ๐˜‚๐—ป๐—ธ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€, ๐˜‚๐—ป๐—ฑ๐—ฒ๐—ฟ๐—ฑ๐—ผ๐—ด ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ๐—ถ๐—ฎ๐—ป๐˜€, and ๐—ต๐—ถ๐—ด๐—ต ๐˜๐—ฒ๐—ฐ๐—ต ๐—ณ๐—ฎ๐˜€๐—ต๐—ถ๐—ผ๐—ป ๐—ฑ๐—ฒ๐˜€๐—ถ๐—ด๐—ป๐—ฒ๐—ฟ๐˜€ who believe in "๐™‡๐™ค๐™ฌ ๐™‡๐™ž๐™›๐™š, ๐™ƒ๐™ž๐™œ๐™ ๐™๐™š๐™˜๐™."

๐—ข๐˜‚๐—ฟ ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป is to extend our reaches ๐—ด๐—น๐—ผ๐—ฏ๐—ฎ๐—น๐—น๐˜†, covering genres such as ๐˜€๐˜†๐—ป๐˜๐—ต๐˜„๐—ฎ๐˜ƒ๐—ฒ, ๐—ถ๐—ป๐—ฑ๐˜‚๐˜€๐˜๐—ฟ๐—ถ๐—ฎ๐—น, ๐—ฒ๐—ฏ๐—บ, ๐—บ๐—ฒ๐˜๐—ฎ๐—น, ๐˜๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ, ๐—ฑ๐˜†๐˜€๐˜๐—ผ๐—ฝ๐—ถ๐—ฎ๐—ป ๐˜๐—ฒ๐—ฐ๐—ต๐—ป๐—ผ, ๐—ฒ๐—น๐—ฒ๐—ฐ๐˜๐—ฟ๐—ผ, ๐—ฑ๐—ฟ๐˜‚๐—บ ๐—ป ๐—ฏ๐—ฎ๐˜€๐˜€, ๐—ฑ๐—ถ๐—ด๐—ถ๐˜๐—ฎ๐—น ๐—ต๐—ฎ๐—ฟ

๐—ฑ๐—ฐ๐—ผ๐—ฟ๐—ฒ, ๐—ฎ๐—ป๐—ฑ ๐—ฝ๐˜‚๐—ป๐—ธ, along with localized artists of New Orleans. "๐™‡๐™ค๐™ฌ ๐™‡๐™ž๐™›๐™š, ๐™ƒ๐™ž๐™œ๐™ ๐™๐™š๐™˜๐™" means rebellion and in the words of Atari Teenage Riot, "๐˜ฝ๐™š ๐™ง๐™š๐™–๐™ก๐™ž๐™จ๐™ฉ๐™ž๐™˜. ๐˜ฟ๐™š๐™ข๐™–๐™ฃ๐™™ ๐™ฉ๐™๐™š ๐™ž๐™ข๐™ฅ๐™ค๐™จ๐™จ๐™ž๐™—๐™ก๐™š." And more importantly, ๐—™๐—จ๐—–๐—ž ๐—ง๐—›๐—˜ ๐—ฆ๐—ฌ๐—ฆ๐—ง๐—˜๐— .

04/17/2025

Some see the tide.
Others feel the undertow.

The world above is painted in signals.
But the shell is pressure-formedโ€”
a chamber of silence wrapped in noise.

If youโ€™ve ever felt the pull to listen
when no one else heard the frequency,
youโ€™ve already been marked.

We do not recruit.
We do not call.
We resonate.

And if this vibrates against your inner wall like a memory you never lived,
then you know.

Eyes open. Shells cracked.
The code is in the echo.

Phase two isnโ€™t coming.

Youโ€™re already in it.

03/15/2025
03/13/2025
03/07/2025

Major Labels Are the Real Villains

๐ŸŽญ They market rebellion then sell you conformity
๐Ÿ’ฐ They profit off artists pain then leave them broken
๐Ÿ”— They own everything You own nothing

Dystopia Records is built outside the system Independent Uncompromising No puppets no masters

โš ๏ธ If they control the sound they control the people. Don't let them

01/21/2025

Jesus christ. That's exactly what that looks like.

Both though
01/07/2025

Both though

Eminem's Dissing Diddy From 1996 To 2024In "F-cking Crazy" (1996), Eminem raps, "Came in the place blowed, and sprayed P...
10/04/2024

Eminem's Dissing Diddy From 1996 To 2024

In "F-cking Crazy" (1996), Eminem raps, "Came in the place blowed, and sprayed Puffy with Mase," referencing Diddy and Mase in a diss that showcases his abrasive attitude early in his career.

In "Marshall Mathers" (2000), Eminem says, "You little groupie... get off me, go f*ck Puffy." This casual insult toward Diddy is part of a broader rant about media and personal frustrations.

In "I'm Back" (2000), Eminem pokes fun at Diddy's relationship with Jennifer Lopez, saying, "It'd be Jennifer Lopez and Puffy, you know this... Sorry Puff, don't give a f*ck," continuing his irreverent humor about pop culture figures.

In "Killshot" (2018), a diss track aimed at Machine Gun Kelly, Eminem drags Diddy into the beef with the line, "Kells, the day you put out a hit is when Diddy admits he got Pac killed," referencing conspiracy theories about Diddy's involvement in 2Pacโ€™s murder.

Also Eminem continues his attack on Machine Gun Kelly by also insulting Diddy, saying, "His boss pops pills and tells him he's got skills."

In "Bang" (2019), Eminem takes a quick shot at Diddy with, "Shout to Puffy Combs, but f*ck Revolt," dismissing Diddy's media platform with no real respect.

In "Godzilla" (2020), Eminem makes a playful reference, "They call me Diddy 'cause I make bands..." comparing his success to Diddy's, while still subtly mocking him.

A notorious moment from Diddy's reality show "Making the Band" is referenced, where Diddy made the band members walk 3 miles for cheesecake.

In "Alfred's Theme" (2020), Eminem uses clever wordplay, "I'm Diddy's Side Bitch... Oh, I'm still East Side, b*tch," mocking any association with Diddy while reinforcing his loyalty to his roots.

In "Fuel" (2024), Eminem raps, "I'm like a R-A-P-E-R..." continuing his wordplay while using Diddy as part of a broader lyrical attack on industry figures.

In "Antichrist" (2024), Eminem insults Diddy's personal life with the line, "Ask me, gettin' beat worse than Diddy did," adding more fuel to their ongoing feud.

In "Fuel" (Shady Edition) (2024), Eminem references the controversial deaths of 2Pac and The Notorious B.I.G., rapping, "B.I.G.'s death was a domino effect of 2Pac's..." and implicating Diddy in the industry's darker moments.

In "Bad One" (2024), Eminem raps, "This sounds like something that Puff would do," suggesting Diddy's shady actions behind the scenes, keeping their feud alive.

ใ‚š

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New Orleans, LA

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