Metal Music

Metal Music Metal, Rock And Roll ๐ŸคŸ๐Ÿป๐ŸŽธ

โ— https://www.youtube.com/c/MetalMusic666lml Channel where discographies of good Metal and Rock and Roll.
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Black metal, Heavy metal, Death metal, Death metal progresivo, Death metal tรฉcnico, Alternative Metal, Nu Metal, Hard Rock, Groove Metal. Rap Metal, Funk Metal, Metalcore, Speed Metal, Melodic Metalcore, Industrial Metal, Progressive Metal, Power Metal, Death Metal, Thrash Metal, Melodic Death Metal, Neo Classical Metal, Symphonic Metal, Death Core, Gothic Metal, Gothic Symphonic Metal.

Celebrating Ozzy Osbourne 77th birthday. Remembering his iconic legacy with Black Sabbath and as a solo artist. ๐Ÿค˜       ...
12/03/2025

Celebrating Ozzy Osbourne 77th birthday. Remembering his iconic legacy with Black Sabbath and as a solo artist. ๐Ÿค˜

12/03/2025

๐—ง๐—ต๐—ฒ ๐—ฉ๐—ผ๐—ถ๐—ฐ๐—ฒ ๐—ผ๐—ณ ๐— ๐—ฒ๐˜๐—ฎ๐—น: ๐—ฅ๐—ผ๐—ป๐—ป๐—ถ๐—ฒ ๐—๐—ฎ๐—บ๐—ฒ๐˜€ ๐——๐—ถ๐—ผ ๐Ÿฐ ๐—•๐—ฒ๐˜€๐˜ ๐—”๐—น๐—ฏ๐˜‚๐—บ๐˜€

Ronnie James Dio, born Ronald James Padavona on July 10, 1942, in Portsmouth, New Hampshire, was one of the most iconic and influential voices in the history of heavy metal. With a career spanning more than four decades, his operatic vocal style, commanding stage presence, and lyrics steeped in mysticism and symbolism made him a central figure in the genre.

Dio began his career in bands like Elf, but achieved international acclaim when he joined Rainbow, the band founded by Ritchie Blackmore after his departure from Deep Purple. He later replaced Ozzy Osbourne in Black Sabbath, giving the group a new lease on life with a more epic and sophisticated approach. In 1983, he founded his eponymous band, Dio, consolidating his legacy as one of the pillars of classic metal. He passed away on May 16, 2010, leaving an indelible mark on music history.

๐—ง๐—ผ๐—ฝ ๐Ÿฐ ๐—˜๐˜€๐˜€๐—ฒ๐—ป๐˜๐—ถ๐—ฎ๐—น ๐—ฅ๐—ผ๐—ป๐—ป๐—ถ๐—ฒ ๐—๐—ฎ๐—บ๐—ฒ๐˜€ ๐——๐—ถ๐—ผ ๐—”๐—น๐—ฏ๐˜‚๐—บ๐˜€

๐Ÿญ. ๐—›๐—ฒ๐—ฎ๐˜ƒ๐—ฒ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—›๐—ฒ๐—น๐—น โ€“ ๐—•๐—น๐—ฎ๐—ฐ๐—ธ ๐—ฆ๐—ฎ๐—ฏ๐—ฏ๐—ฎ๐˜๐—ต (๐Ÿญ๐Ÿต๐Ÿด๐Ÿฌ)

This album marked a turning point for both Black Sabbath and Dio himself. It represented the band's rebirth following Ozzy Osbourne's departure, with a renewed and more technical sound. Songs like "Heaven and Hell," "Children of the Sea," and "Neon Knights" stand out for their intensity, melodic richness, and lyrics. Dio voice brings a mythical and dramatic dimension that elevated the band's status in a new era.

๐Ÿฎ. ๐—›๐—ผ๐—น๐˜† ๐——๐—ถ๐˜ƒ๐—ฒ๐—ฟ โ€“ ๐——๐—ถ๐—ผ (๐Ÿญ๐Ÿต๐Ÿด๐Ÿฏ)

Ronnie James Dio solo debut is considered one of the fundamental pillars of 1980s heavy metal. With tracks like "Holy Diver," "Rainbow in the Dark," and "Stand Up and Shout," the album combines polished production, powerful riffs, and symbolically charged lyrics. The album solidified the sonic and visual identity of the Dio project, establishing its place among the genre's elite.

๐Ÿฏ. ๐—ฅ๐—ถ๐˜€๐—ถ๐—ป๐—ด โ€“ ๐—ฅ๐—ฎ๐—ถ๐—ป๐—ฏ๐—ผ๐˜„ (๐Ÿญ๐Ÿต๐Ÿณ๐Ÿฒ)

Considered by many to be Rainbow's masterpiece, this album is a perfect fusion of hard rock, symphonic elements, and fantastical narrative. Highlights include "Stargazer" and "A Light in the Black," where Dio demonstrates his ability to transform lyrics into epic tales. His collaboration with Ritchie Blackmore reached its peak here, and its influence would extend to subgenres such as power metal and progressive metal.

๐Ÿฐ. ๐—ง๐—ต๐—ฒ ๐—Ÿ๐—ฎ๐˜€๐˜ ๐—ถ๐—ป ๐—Ÿ๐—ถ๐—ป๐—ฒ โ€“ ๐——๐—ถ๐—ผ (๐Ÿญ๐Ÿต๐Ÿด๐Ÿฐ)

Dio second album reaffirms the success of their debut and expands their offering both musically and thematically. With songs like "We Rock," "The Last in Line," and "Egypt (The Chains Are On)," this album showcases greater compositional ambition and a more introspective approach. The production is impeccable, and Dio's vocal performance remains exceptional.

๐—–๐—ผ๐—ป๐—ฐ๐—น๐˜‚๐˜€๐—ถ๐—ผ๐—ป

Ronnie James Dio was more than a vocalist; he was an architect of metal as a narrative art. His legacy spans decades of music that combines power, theatricality, and lyrical depth. These four albums represent the high points of an unparalleled career and remain essential for any metal fan.

๐—”๐˜‚๐˜๐—ผ๐—ฝ๐˜€๐˜† - "๐—ฆ๐—ธ๐˜‚๐—น๐—น ๐—š๐—ฟ๐—ถ๐—ป๐—ฑ๐—ฒ๐—ฟ" The seven-track EP Skull Grinder by the US gore legends Autopsy was initially released on viny...
11/27/2025

๐—”๐˜‚๐˜๐—ผ๐—ฝ๐˜€๐˜† - "๐—ฆ๐—ธ๐˜‚๐—น๐—น ๐—š๐—ฟ๐—ถ๐—ป๐—ฑ๐—ฒ๐—ฟ"

The seven-track EP Skull Grinder by the US gore legends Autopsy was initially released on vinyl on November 27, 2015, by Peaceville Records (with a CD release following in 2016). This release is a compact, potent dose of the classic Death/Doom sound that the band pioneered decades ago.

Following their successful reunion, Autopsy proves they can still deliver the goods with uncompromising nastiness. Recorded at Fantasy Studios with a deliberately dirty and organic sound, the EP perfectly captures the rancid essence of the band. Drummer/vocalist Chris Reifert unleashes his signature guttural growls and demented shrieks, perfectly complementing the grotesque, horror-fueled themes.

The EP expertly balances breakneck, thrash-infused tracks like "Strung Up And Gutted" with the sluggish, bone-crushing despair of their doom-laden passages in songs such as "The Withering Death." The title track itself showcases their dynamic shifts, moving from spiraling speed metal to a menacing, suffocating crawl.

Skull Grinder is not a groundbreaking reinvention, but rather a vital, uncompromising celebration of primitive Death Metal. It's a savage, relentless slab of horror that confirms Autopsy's undying status as masters of the macabre.

๐Ÿ’€ ๐— ๐—ผ๐—ฟ๐—ด๐—ผ๐˜๐—ต - "๐—ฅ๐—ฒ๐˜€๐˜‚๐—ฟ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—”๐—ฏ๐˜€๐˜‚๐—ฟ๐—ฑ"The debut EP, Resurrection Absurd, by the German Death Metal pioneers Morgoth, was rele...
11/27/2025

๐Ÿ’€ ๐— ๐—ผ๐—ฟ๐—ด๐—ผ๐˜๐—ต - "๐—ฅ๐—ฒ๐˜€๐˜‚๐—ฟ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—”๐—ฏ๐˜€๐˜‚๐—ฟ๐—ฑ"

The debut EP, Resurrection Absurd, by the German Death Metal pioneers Morgoth, was released on November 27, 1989, by Century Media Records. This release is a foundational piece of the emerging European Death Metal scene and is often considered the first Teutonic Death Metal release.

In this seminal five-track offering, Morgoth established a raw, crushing sound heavily indebted to the early Florida Death Metal blueprint, particularly the rawness of Death's Scream Bloody Gore. The instrumentation is frenetic and rhythmically dense, utilizing chunky, thrash-infused riffing and pummeling double bass drumming. Vocalist Marc Grewe delivers a barbarous, blood-curdling shriek and guttural growl that perfectly captures the malevolent atmosphere of the late 80s extreme metal sound.

Tracks like "Dictated Deliverance" and "Selected Killing" show the band's ability to blend straightforward aggression with slightly more ambitious, mid-tempo doom passages, hinting at the depth they would explore later. Though sometimes primitive in production, the EP's unhinged ferocity and pure old-school mayhem make it a vital artifact and a mandatory listen for enthusiasts of the genre's earliest, most uncompromising era.

๐—•๐—ฒ๐—ต๐—ฒ๐—บ๐—ผ๐˜๐—ต - "๐—ง๐—ต๐—ฒ๐—น๐—ฒ๐—บ๐—ฎ.๐Ÿฒ"The fifth studio album by the Polish band Behemoth, Thelema.6, was released on November 27, 2000. ...
11/27/2025

๐—•๐—ฒ๐—ต๐—ฒ๐—บ๐—ผ๐˜๐—ต - "๐—ง๐—ต๐—ฒ๐—น๐—ฒ๐—บ๐—ฎ.๐Ÿฒ"

The fifth studio album by the Polish band Behemoth, Thelema.6, was released on November 27, 2000. It was distributed globally by multiple labels, with Avantgarde Music being one of the main ones in Europe.

This record is a crucial landmark that solidified Behemoth's transition from their pagan Black Metal roots toward the technical and brutal Blackened Death Metal sound that would define them. The band, led by Nergal, exhibits surgical precision; Inferno's drumming is a relentless blast beat machine, and the guitar riffs are dense and complex.

The title, a direct reference to the philosophy of Aleister Crowley (Thelema), reflects Nergal's increasing lyrical depth, tackling themes of anti-theism, esotericism, and rebellion with unyielding fury. Tracks like "Antichristian Phenomenon" and the acclaimed "Christians to the Lions" are perfect examples of their new formula: direct, ferocious, and technically proficient.

Thelema.6 is an uncompromising sonic assault. While often overshadowed by their more polished successors, this album is essential for understanding Behemoth's evolution into a global extreme metal powerhouse.

๐—ฆ๐—ผ๐—ฑ๐—ผ๐—บ - "๐—š๐—ฒ๐—ป๐—ฒ๐˜€๐—ถ๐˜€ ๐—ซ๐—œ๐—ซ"S***m sixteenth studio album, Genesis XIX, was released on November 27, 2020, via SPV/Steamhammer (...
11/27/2025

๐—ฆ๐—ผ๐—ฑ๐—ผ๐—บ - "๐—š๐—ฒ๐—ป๐—ฒ๐˜€๐—ถ๐˜€ ๐—ซ๐—œ๐—ซ"

S***m sixteenth studio album, Genesis XIX, was released on November 27, 2020, via SPV/Steamhammer (and Entertainment One in North America). This record signals a triumphant sonic return to the band's rawest and most visceral roots.

With the lineup solidified for the first time as a quartet (featuring Tom Angelripper, Frank Blackfire, Yorck Segatz, and Toni Merkel), S***m unleashes an avalanche of German Thrash Metal that strongly evokes the spirit of their 1980s classics. The production is deliberately rougher and more organic, featuring a prominent bass and powerful drumming, capturing the energy of the old school.

Tracks like "S***m & Gomorrah" and the epic title track, "Genesis XIX" (with its complex shifts and Doom-Black passages), demonstrate that the band not only maintains its ferocity but has gained in diversity and complexity without sacrificing its distinctive, rotten sound. Itโ€™s an album that goes straight for the jugular of the most die-hard thrasher.

Genesis XIX is a powerful statement: the German veterans remain an indomitable and essential force in global Thrash Metal.

***m

๐Ÿ‡ฌ๐Ÿ‡ง ๐——๐—ฎ๐—ฟ๐—ธ ๐—ง๐—ฟ๐—ฎ๐—ป๐—พ๐˜‚๐—ถ๐—น๐—น๐—ถ๐˜๐˜† - "๐—ง๐—ต๐—ฒ ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†"Released on November 27, 1995, via Osmose Productions, The Gallery is more than just...
11/27/2025

๐Ÿ‡ฌ๐Ÿ‡ง ๐——๐—ฎ๐—ฟ๐—ธ ๐—ง๐—ฟ๐—ฎ๐—ป๐—พ๐˜‚๐—ถ๐—น๐—น๐—ถ๐˜๐˜† - "๐—ง๐—ต๐—ฒ ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜†"

Released on November 27, 1995, via Osmose Productions, The Gallery is more than just an album in Dark Tranquillity's catalog; it is a foundational masterpiece that helped solidify the sound of the Gothenburg Melodic Death Metal scene.

With this release, the band perfected the blueprint established in their debut, masterfully blending the raw, visceral aggression of Death Metal with a rich tapestry of complex, harmonized guitar melodies. Anders Fridรฉn's vocals (in his final appearance with the band) are raw and deeply emotional, balancing exquisitely with the immersive atmosphere woven by the riffs of Niklas Sundin and Fredrik Johansson. Tracks like "Punish My Heaven" and "The Emptiness from Which I Feed" showcase a near-perfect equilibrium between brutality and beauty, lending the album an emotional depth that sets it apart.

The Gallery is an essential and timeless work. Its influence on the genre is undeniable, setting a high standard of sophistication and passionate ex*****on that few have managed to match. It remains a mandatory listen for anyone seeking to understand the evolution of European extreme metal.

Hd

A Masterpiece of Technical Death Metal๐—–๐—ฟ๐˜†๐—ฝ๐˜๐—ผ๐—ฃ๐˜€๐˜† - ๐—•๐—น๐—ฎ๐˜€๐—ฝ๐—ต๐—ฒ๐—บ๐˜† ๐— ๐—ฎ๐—ฑ๐—ฒ ๐—™๐—น๐—ฒ๐˜€๐—ตCryptoPsy monumental debut, Blasphemy Made Flesh, ...
11/26/2025

A Masterpiece of Technical Death Metal

๐—–๐—ฟ๐˜†๐—ฝ๐˜๐—ผ๐—ฃ๐˜€๐˜† - ๐—•๐—น๐—ฎ๐˜€๐—ฝ๐—ต๐—ฒ๐—บ๐˜† ๐— ๐—ฎ๐—ฑ๐—ฒ ๐—™๐—น๐—ฒ๐˜€๐—ต

CryptoPsy monumental debut, Blasphemy Made Flesh, is a foundational and visceral work that redefined the boundaries of technical death metal. Released on November 25, 1994, through Invasion Records, this Canadian album is not merely music, but a relentless and meticulous assault.

From the legendary Flo Mounier's opening blast beat to the frenetic and dissonant riffs, the band displays astonishing technical mastery. Lord Worm's guttural and frenetic vocals add a layer of chaotic brutality that perfectly complements the instrumental precision.

Blasphemy Made Flesh stands as a testament to the intensity and complexity the genre could achieve, cementing Cryptopsy's status as pioneers. It is essential listening for any extreme music fan who appreciates breakneck speed and flawless ex*****on.

โš”๏ธ ๐—ข๐—น๐—ฑ-๐—ฆ๐—ฐ๐—ต๐—ผ๐—ผ๐—น ๐—•๐—ฟ๐˜‚๐˜๐—ฎ๐—น๐—ถ๐˜๐˜† ๐˜„๐—ถ๐˜๐—ต ๐—ฎ ๐— ๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ป ๐—˜๐—ฑ๐—ด๐—ฒ  ๐——๐—˜๐—œ๐—–๐—œ๐——๐—˜ - ๐—œ๐—ป ๐˜๐—ต๐—ฒ ๐— ๐—ถ๐—ป๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—˜๐˜ƒ๐—ถ๐—นThe eleventh studio album by Florida death met...
11/26/2025

โš”๏ธ ๐—ข๐—น๐—ฑ-๐—ฆ๐—ฐ๐—ต๐—ผ๐—ผ๐—น ๐—•๐—ฟ๐˜‚๐˜๐—ฎ๐—น๐—ถ๐˜๐˜† ๐˜„๐—ถ๐˜๐—ต ๐—ฎ ๐— ๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ป ๐—˜๐—ฑ๐—ด๐—ฒ

๐——๐—˜๐—œ๐—–๐—œ๐——๐—˜ - ๐—œ๐—ป ๐˜๐—ต๐—ฒ ๐— ๐—ถ๐—ป๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—˜๐˜ƒ๐—ถ๐—น

The eleventh studio album by Florida death metal veterans, DEICIDE, In the Minds of Evil, signaled a conscious return to a rawer, "old-school" sound reminiscent of their early works, moving away from the more melodic leanings of their previous records.

Released on November 25, 2013, by Century Media Records, this albumโ€”the first to feature guitarist Kevin Quirionโ€”is an unrelenting, 36-minute barrage of pure blasphemy. Produced by Jason Suecof (known for his work with Trivium and The Black Dahlia Murder), the record features a clear and powerful sound that nonetheless retains the unadorned brutality expected from Glen Benton and company.

Tracks like the title track, "In the Minds of Evil," "Trample the Cross," and "Kill the Light of Christ" are examples of straightforward, hard-hitting death metal, complete with catchy riffs, Benton's distinctive guttural vocals, and Steve Asheim's precise, blistering drum ex*****on. It is a solid and focused effort that pleased many fans craving a more stripped-down and aggressive version of the band.

Release Date: November 25, 2013 Record Label: Century Media Records

๐Ÿ’ฟ ๐— ๐—ฒ๐˜๐—ฎ๐—น๐—น๐—ถ๐—ฐ๐—ฎ - "๐—š๐—ฎ๐—ฟ๐—ฎ๐—ด๐—ฒ ๐—œ๐—ป๐—ฐ."Metallica offered a deep dive into their roots and influences with the release of their accla...
11/24/2025

๐Ÿ’ฟ ๐— ๐—ฒ๐˜๐—ฎ๐—น๐—น๐—ถ๐—ฐ๐—ฎ - "๐—š๐—ฎ๐—ฟ๐—ฎ๐—ด๐—ฒ ๐—œ๐—ป๐—ฐ."

Metallica offered a deep dive into their roots and influences with the release of their acclaimed double cover album, Garage Inc.. This work is not merely a collection of covers, but a testament to the band's musical DNA and a homage to the artists that shaped their sound, spanning from hard rock and punk to proto-thrash.

The album is distinguished by its ambition, dividing the material into two discs: the first presents high-energy, recently recorded versions (including iconic tracks like Bob Seger's "Turn the Page" and Thin Lizzy's "Whiskey in the Jar"), while the second compiles all the covers and B-sides recorded throughout their career, dating back to their early days in 1984.

Garage Inc. demonstrates Metallica's versatile ability to interpret external material and make it undeniably their own. It stands as an essential piece in their discography that celebrates the indomitable spirit of rock and metal.
Release Date: November 24, 1998
Record Label: Elektra Records

โš”๏ธ ๐—ฃ๐—ฎ๐˜‚๐—น ๐——๐—ถ'๐—”๐—ป๐—ป๐—ผ'๐˜€ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ๐˜‡๐—ผ๐—ป๐—ฒ: ๐—™๐—ถ๐—ด๐—ต๐˜๐—ถ๐—ป๐—ด ๐—•๐—ฎ๐—ฐ๐—ธAlbum Title: Fighting Back Artist: Paul Di'Anno's Battlezone Genre: Heavy Met...
11/24/2025

โš”๏ธ ๐—ฃ๐—ฎ๐˜‚๐—น ๐——๐—ถ'๐—”๐—ป๐—ป๐—ผ'๐˜€ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ๐˜‡๐—ผ๐—ป๐—ฒ: ๐—™๐—ถ๐—ด๐—ต๐˜๐—ถ๐—ป๐—ด ๐—•๐—ฎ๐—ฐ๐—ธ

Album Title: Fighting Back
Artist: Paul Di'Anno's Battlezone
Genre: Heavy Metal, NWOBHM, Speed Metal

Fighting Back is the debut album and definitive statement from Paul Di'Anno's Battlezone, the band formed by the original Iron Maiden vocalist. Released in 1986 by Raw Power Records (UK) and Shatter Records Inc. (US), this record aimed to recapture the raw energy and urgency of Di'Annoโ€™s early material, standing firmly within the tradition of the New Wave of British Heavy Metal (NWOBHM) sound.

The album is an explosive, hard-hitting slice of Heavy Metal, featuring a distinct punk influence that is evident in Di'Anno's vocal delivery. Tracks such as the opener "(Forever) Fighting Back" and "Welcome to the Battlezone" are aggressive and straight-to-the-point, prioritizing speed and attitude over technical polish.

While the production might be considered somewhat raw by 1986 standards, this contributes to the album's gritty, underground spirit, offering a visceral experience that fans of Di'Anno's Maiden era would appreciate. The record stands as a testament to the vocalistโ€™s unmistakable style and his persistent drive to create energetic, socially aware metal.

๐Ÿ›ก๏ธ ๐—•๐—ผ๐—น๐˜ ๐—ง๐—ต๐—ฟ๐—ผ๐˜„๐—ฒ๐—ฟ - "...๐—™๐—ผ๐—ฟ ๐—ฉ๐—ถ๐—ฐ๐˜๐—ผ๐—ฟ๐˜†": The Unyielding Grind of WarAlbum Title: ...For VictoryArtist: Bolt ThrowerGenre: Dea...
11/24/2025

๐Ÿ›ก๏ธ ๐—•๐—ผ๐—น๐˜ ๐—ง๐—ต๐—ฟ๐—ผ๐˜„๐—ฒ๐—ฟ - "...๐—™๐—ผ๐—ฟ ๐—ฉ๐—ถ๐—ฐ๐˜๐—ผ๐—ฟ๐˜†": The Unyielding Grind of War

Album Title: ...For Victory
Artist: Bolt Thrower
Genre: Death Metal, Death/Doom Metal

Released in November 1994 by Relapse Records (North America) and Earache Records (UK/Europe), ...For Victory marks the fourth studio album from the British band Bolt Thrower. This album is a statement of intent, solidifying the sonic formula that the band would perfect for the rest of their career: heavy, relentless Death Metal with a cadence clearly inspired by Doom and military marches.

The album maintains the band's central themes of war, conflict, and sacrifice, with a lyrical intensity that matches its instrumental power. Bolt Thrower's signature tank-heavy riffing is combined with the guttural and commanding vocals of Karl Willetts, who returned to the microphone for this release.

Tracks like "Armageddon Bound" and the album's title track showcase a slow, crushing groove interspersed with bursts of blast beats. ...For Victory is not only a cornerstone of mid-90s death metal, but it's also revered by fans for its consistency, crystalline production, and unwavering focus on rhythmic brutality. It's an album that feels as heavy today as it did on the day of its release.

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