Metal Music

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โ— https://www.youtube.com/c/MetalMusic666lml Channel where discographies of good Metal and Rock and Roll.
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Black metal, Heavy metal, Death metal, Death metal progresivo, Death metal tรฉcnico, Alternative Metal, Nu Metal, Hard Rock, Groove Metal. Rap Metal, Funk Metal, Metalcore, Speed Metal, Melodic Metalcore, Industrial Metal, Progressive Metal, Power Metal, Death Metal, Thrash Metal, Melodic Death Metal, Neo Classical Metal, Symphonic Metal, Death Core, Gothic Metal, Gothic Symphonic Metal.

LIVE CLASSICS THAT NEVER DIE! ๐Ÿค˜Today we remember one of ๐—œ๐—ฟ๐—ผ๐—ป ๐— ๐—ฎ๐—ถ๐—ฑ๐—ฒ๐—ป essential live performances: ๐—” ๐—ฅ๐—ฒ๐—ฎ๐—น ๐——๐—ฒ๐—ฎ๐—ฑ ๐—ข๐—ป๐—ฒ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿฏ)....
10/18/2025

LIVE CLASSICS THAT NEVER DIE! ๐Ÿค˜

Today we remember one of ๐—œ๐—ฟ๐—ผ๐—ป ๐— ๐—ฎ๐—ถ๐—ฑ๐—ฒ๐—ป essential live performances: ๐—” ๐—ฅ๐—ฒ๐—ฎ๐—น ๐——๐—ฒ๐—ฎ๐—ฑ ๐—ข๐—ป๐—ฒ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿฏ). Normal for some, special for others.

Released precisely on October 18, 1993, it stands as an essential retrospective of Iron Maiden founding days. Recorded during the Fear of the Dark tour, A Real Dead One focuses exclusively on the band's classic material, covering albums from the self-titled debut (Iron Maiden, 1980) to Powerslave (1984). This is the sister album to A Real Live One, and what makes it "Dead" is its focus on the classics that cemented the legend.

The album offers energetic performances of fundamental heavy metal anthems, capturing the band's live intensity. It is notable for including covers of less frequently performed live songs, such as "Prowler," "Transylvania," and "Remember Tomorrow," as well as a definitive version of "Hallowed Be Thy Name," recorded in Moscow.

A Real Dead One is a vital document that attests to the power and relevance of Iron Maiden early catalog.

10/18/2025

Thomas Bรถrje Forsberg, known professionally as Quorthon (Stockholm, February 17, 1966 โ€“ June 3, 2004), was an influential Swedish musician and a key figure in the history of extreme metal. In 1983, he founded the legendary band Bathory, considered a pioneer of black metal and instrumental in the emergence of the Viking metal subgenre, of which Quorthon was the main creator.

A versatile and self-taught artist, Quorthon served as a vocalist, guitarist, composer, and multi-instrumentalist, actively participating in the production and performance of nearly every aspect of Bathory's music. His artistic vision and innovative approach left a profound mark on extreme metal and continue to influence generations of musicians around the world.





10/18/2025

๐— ๐—ฒ๐˜๐—ฎ๐—น๐—ถ๐˜‚๐—บ: ๐—•๐—ฟ๐—ถ๐—ฒ๐—ณ ๐—™๐—น๐—ฎ๐˜€๐—ต ๐—ผ๐—ณ ๐—ฎ ๐— ๐—ถ๐—ด๐—ต๐˜๐˜† ๐—™๐—น๐—ฎ๐—บ๐—ฒ ๐Ÿ”ฅ

Metalium was a German power metal band that emerged in the late 1990s, a time when the genre was experiencing a second youth thanks to the influence of artists like HammerFall, Rhapsody, and Stratovarius. Founded in 1998 by bassist Lars Ratz (formerly of Zed Yago), guitarist Matthias Lange, and powerful American vocalist Henning Basse, Metalium was initially conceived as a conceptual project but quickly transformed into a full-time band due to the impact of their debut.

Despite their musical quality and an aesthetic consistent with traditional metal and more European power metal, the band never truly managed to break the barrier that separates cult bands from the genre's greatest influences. Their existence, which extended until 2011, produced eight albums, all part of a conceptual saga titled Metalian, centered on a mystical warrior who symbolizes the values of classic metal. However, creative decline and changing public tastes diminished their influence and exposure. Their disbandment in 2011 marked the end of a career that, though brief compared to other titans of the genre, left a respectable mark.

Personally, I consider Metalium to be a band that, while not revolutionizing power metal, managed to maintain its dignity and vibrancy during a period of saturation in the style. Their blend of technical virtuosity, epic lyrics, and solid production allowed them to build a catalog worth revisiting. Below, I present a top four of their best albums, from a perspective that values both musical ex*****on and artistic coherence:

๐—ง๐—ผ๐—ฝ ๐Ÿฐ ๐— ๐—ฒ๐˜๐—ฎ๐—น๐—ถ๐˜‚๐—บ ๐—ฅ๐—ฒ๐—น๐—ฒ๐—ฎ๐˜€๐—ฒ๐˜€

๐Ÿญ. ๐— ๐—ถ๐—น๐—น๐—ฒ๐—ป๐—ป๐—ถ๐˜‚๐—บ ๐— ๐—ฒ๐˜๐—ฎ๐—น โ€“ ๐—–๐—ต๐—ฎ๐—ฝ๐˜๐—ฒ๐—ฟ ๐—ข๐—ป๐—ฒ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿต)

Metalium's debut remains, without a doubt, their finest work. This album arrived like a thunderclap: powerful, conceptual, and impeccably produced. Tracks like "Fight" and "Free Forever" exude pure classic power metal, but with renewed aggression. Henning Basse shines as a well-rounded vocalist, while Metalian's fantastical narrative is strongly established. An underrated classic of the genre.

๐Ÿฎ. ๐—›๐—ฒ๐—ฟ๐—ผ ๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป โ€“ ๐—–๐—ต๐—ฎ๐—ฝ๐˜๐—ฒ๐—ฟ ๐—ง๐—ต๐—ฟ๐—ฒ๐—ฒ (๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฎ)

Here, Metalium demonstrates greater compositional maturity, incorporating symphonic and progressive elements without losing its essence. Each song portrays a historical or mythological hero (from Joan of Arc to Rasputin), giving it a more varied narrative approach. "Odyssey" and "Pain Crawls in the Night" stand out for their structure and emotionality.

๐Ÿฏ. ๐—ฆ๐˜๐—ฎ๐˜๐—ฒ ๐—ผ๐—ณ ๐—ง๐—ฟ๐—ถ๐˜‚๐—บ๐—ฝ๐—ต โ€“ ๐—–๐—ต๐—ฎ๐—ฝ๐˜๐—ฒ๐—ฟ ๐—ง๐˜„๐—ผ (๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฌ)

A direct sequel to the debut, it maintains the same level of energy, though not as surprising as its predecessor. Nevertheless, it's a compact album, full of fast-paced anthems and brilliant guitars. โ€œSteel Avengerโ€ and โ€œYears of Darionโ€ are examples of how Metalium mastered the power metal formula without becoming complacent.

๐Ÿฐ. ๐—”๐˜€ ๐—ข๐—ป๐—ฒ โ€“ ๐—–๐—ต๐—ฎ๐—ฝ๐˜๐—ฒ๐—ฟ ๐—™๐—ผ๐˜‚๐—ฟ (๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฐ)

This album marked a shift: darker, heavier, and with a slightly more introspective lyrical approach. Although not as acclaimed as their predecessors, it's a hidden gem. Basse's vocals display greater drama and the riffs are denser, demonstrating that the band wasn't afraid to evolve within their style.

๐—™๐—ถ๐—ป๐—ฎ๐—น ๐—ง๐—ต๐—ผ๐˜‚๐—ด๐—ต๐˜๐˜€

Metalium was, in many ways, a band ahead of its time and, at the same time, deeply rooted in the tradition of classic heavy metal. Their demise was quiet, but their legacy lives on among those who seek authenticity, epic storytelling, and virtuosity in metal. In an increasingly fragmented and digital musical world, revisiting albums like Millennium Metal or Hero Nation is a reminder of why power metal continues to hold a place in the hearts of the genre's most loyal listeners.

Notable Metal Albums Released on October 18thMotรถrhead - Aftershock (2013)Motรถrhead's twenty-first studio album, Aftersh...
10/18/2025

Notable Metal Albums Released on October 18th

Motรถrhead - Aftershock (2013)

Motรถrhead's twenty-first studio album, Aftershock, serves as a powerful testament to the band's relentless energy. Released in 2013, the record perfectly encapsulates the raw, fast-paced rock and roll spirit that the legendary trio always delivered. Tracks like "Heartbreaker" showcase Lemmy Kilmister's unwavering commitment to their signature blend of punk and heavy metal, proving that late-career Motรถrhead remained loud, uncompromising, and true to their iconic sound. A vital entry in their vast catalogue.

Iron Maiden - A Real Dead One (1993)

This 1993 live release by Iron Maiden compiles performances from the Fear of the Dark and A Real Live Tours, specifically focusing on the band's earlier, foundational material. A Real Dead One captures the thrilling essence of classic Maiden anthems like "The Trooper" and "Hallowed Be Thy Name," recorded during the Bruce Dickinson era. The album stands as a vibrant record of the band's stage prowess and their enduring connection to the New Wave of British Heavy Metal roots, serving as a powerful archive of their 1980s classics.

Carcass - Heartwork (1993)

With Heartwork, released in 1993, Carcass executed a pivotal shift in their musical direction. Moving beyond their goregrind and extreme death metal origins, the band adopted a sophisticated and technically ambitious form of melodic death metal. The album's sharp production and intricate songwriting, exemplified by the title track, were highly influential in defining the sound of the emerging genre. Heartwork remains a landmark release that demonstrated the band's technical skill and evolutionary courage.

Queensrรฟche - Promised Land (1994)

The 1994 release Promised Land is widely regarded as the conceptual successor to Operation: Mindcrime. Here, Queensrรฟche explored profound themes of success, loneliness, and spiritual searching. Musically, the album delivers a darker, more introspective style of progressive metal, favoring dense atmospheres and slower tempos compared to its predecessors. Tracks like "I Am I" highlight the band's lyrical depth and the emotive vocal delivery of Geoff Tate, securing its place as a cornerstone of conceptual prog metal.

๐Ÿ’ฟ Anniversary Review: October 18thOPETH - Still Life (1999) - 26 YearsA turning point in Progressive Death Metal. This a...
10/18/2025

๐Ÿ’ฟ Anniversary Review: October 18th

OPETH - Still Life (1999) - 26 Years

A turning point in Progressive Death Metal. This album is a conceptual masterpiece that fuses the genre's characteristic brutality with melancholic acoustic passages and clean vocals. Still Life is considered one of the most influential works by the Swedish band, showcasing unparalleled compositional mastery.

KRISIUN - Bloodshed (2004) - 21 Years

Direct, relentless, and uncompromising. The Brazilian Death Metal band delivers a torrent of speed and precision with Bloodshed. Although often classified as an EP, the band considers it a studio album, reaffirming the pure, brutal sound that has defined them.

CRYPTOPSY - Once Was Not (2005) - 20 Years

This album marked a powerful return to the roots of the Canadian band's Technical Death Metal, featuring the return of original vocalist, Lord Worm. Once Was Not is an exercise in instrumental complexity, dizzying rhythms, and impeccable ex*****on, positioning it as a modern Tech-Death benchmark.

MERCYLESS - Unholy Black Splendour (2013) - 12 Years

The return of the French pioneers after a long hiatus. Unholy Black Splendour is a revitalization of their sound, delivering a dark blend of old-school Death and Thrash Metal. An album that proved the band was still a force to be reckoned with.

The Evolution of Sonic Aggression: A Look at ๐—ฆ๐˜‚๐—ถ๐—ฐ๐—ถ๐—ฑ๐—ฎ๐—น ๐—ง๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€ Best AlbumsSuicidal Tendencies is a fundamental and pio...
10/18/2025

The Evolution of Sonic Aggression: A Look at ๐—ฆ๐˜‚๐—ถ๐—ฐ๐—ถ๐—ฑ๐—ฎ๐—น ๐—ง๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฒ๐˜€ Best Albums

Suicidal Tendencies is a fundamental and pioneering band, formed in Venice, California, in 1980. Led by the charismatic vocalist Mike Muir (the only constant member throughout their history), the band is recognized as one of the founders of the crossover thrash genre, merging the raw energy of hardcore punk with the technique and aggression of thrash metal. From their beginning, Suicidal Tendencies stood out for its focus on themes of alienation, depression, nonconformist politics, and youthful rebellion, with insightful and often humorous lyrics. Their image, marked by bandanas and the "ST" (Suicidal Tendencies) on their clothing, became an icon. Despite multiple lineup changes (including talents like Robert Trujillo, later in Metallica), Muir has kept the band's essence alive, influencing countless groups in punk and metal. Their 1983 self-titled debut album, featuring the single "Institutionalized," was a milestone as one of the first hardcore punk videos to receive substantial airplay on MTV, solidifying their status as an unstoppable force in extreme music.

โ— Top 4 of Their Best Albums

1. Suicidal Tendencies (1983)

. Review: The debut album that started it all. A masterpiece of hardcore punk with proto-crossover touches. Its sound is fast, furious, and relentless. It contains the anthem "Institutionalized" (famous for the line "All I wanted was a Pepsi..."), which catapulted the band into the mainstream consciousness and encapsulated their theme of adolescent misunderstanding and isolation. It is essential for understanding the foundation of their sound.

2. Lights...Camera...Revolution! (1990)

. Review: This album represents the consolidation of their crossover thrash/thrash metal sound, with a more polished production and musical complexity. A gold-selling album, it features the addition of bassist Robert Trujillo. Tracks like "You Can't Bring Me Down" and "Alone" showcase Mike Muir's lyrical maturity, maintaining aggression but with more elaborate structures. It is a crucial bridge between their punk roots and their more metal-oriented phase.

3. How Will I Laugh Tomorrow When I Can't Even Smile Today? (1988)

. Review: An album that marks a clear transition toward thrash metal without completely abandoning hardcore. The band expanded its musical scope, offering longer and more complex songs with powerful guitar riffs. The title track, "How Will I Laugh Tomorrow," is a classic that balances rage with emotional introspection, dealing with depression and the search for inner strength. It's a record full of emotional and musical intensity.

4. The Art of Rebellion (1992)

. Review: This work sees them experimenting beyond pure thrash, incorporating elements of funk metal and alternative rock without losing their identity. It is a more diverse and melodic album, though still energetic, which allowed them to broaden their fanbase. Tracks like "Nobody Hears" and "I Wasn't Meant to Feel This/Asleep at the Wheel" demonstrate a band willing to explore, maintaining Muir's characteristic lyrical depth.

Glitter, Glamour, and Big Hair! The Chronicle of a Decade of Excess: The Rise and Fall of Glam MetalLos Angeles, Califor...
10/17/2025

Glitter, Glamour, and Big Hair! The Chronicle of a Decade of Excess: The Rise and Fall of Glam Metal

Los Angeles, California. The sun was setting over the infamous Sunset Strip, but the neon lights and the roar of the amplifiers were just beginning. If the 70s belonged to the great Hard Rock dinosaurs, the 80s were the playground of their loudest, most heavily-made-up, and, let's face it, most shameless children: Glam Metal, also derisively known as "Hair Metal."

The Birth of the Party (Early 80s)

Musically, Glam Metal took the power of Hard Rock from bands like Aerosmith and KISS and injected it with melodic energy and pop hook sensibility, all while adopting the visual flair of Glam Rock from David Bowie and T. Rex. The result was explosive.

In the dark heart of the Sunset Strip, bands like Mรถtley Crรผe (with their 1981 debut album, Too Fast for Love) and Ratt became the harbingers of this new sound. The formula was clear: powerful riffs, dizzying guitar solos, catchy choruses, and most importantly, an excessive, androgynous aesthetic: hair teased to the heavens, spandex, bandanas, platform boots, and, of course, a layer of makeup fit for a movie star. The lyrics were odes to partying, alcohol, girls, and the "rockstar" lifestyle.

In 1983, Quiet Riot set an undeniable milestone when their album Metal Health became the first metal record to hit number one on the Billboard 200, proving that this movement was no passing fad, but a massive commercial phenomenon.

Evolution and the Bright Zenith (Mid-80s)

Commercial success attracted major labels, and the sound became polished. The genre diversified:

. The Party Animals: Poison burst onto the scene with an overtly colorful image and festive anthems like "Talk Dirty to Me," solidifying the genre's more pop-oriented side.

. The Virtuosos: Bands like Dokken, Winger, and White Lion maintained a sound more rooted in melodic Hard Rock, standing out for the technical skill of their musicians.

. The European Titans: Europe conquered global radio with "The Final Countdown," demonstrating that the fever wasn't exclusive to Los Angeles.

. The Power Balladeers: No Glam Metal album was complete without the essential power ballad. Bon Jovi transformed into the quintessential arena band with Slippery When Wet (1986) and New Jersey, dominating the charts with sing-along anthems like "Livin' on a Prayer" and "Bad Medicine."

The Turning Point (Late 80s)

The genre seemed invincible, but the formula was beginning to show cracks of saturation. Just as Glam Metal was becoming more predictable and cartoonish, a band arrived ready to inject chaos and grime into the Sunset Strip: Guns N' Roses.

Their 1987 album, Appetite for Destruction, offered a rawer, darker, and more genuine soundโ€”a "sleaze rock" that recalled the roots of 70s Hard Rock but with renewed ferocity. Despite sharing geography and some visual similarities, Gn'R represented a real threat to the hegemony of the "cleaner" bands like Poison.

Other successful latecomers, such as Skid Row and Warrant, kept the party spirit alive, but the shadow of something different was already looming.

The Decline: Grunge Rises, Hair Falls (Early 90s)

The fall was as rapid as the rise. As the decade wound down, societyโ€”and with it, musical cultureโ€”grew tired of the relentless optimism and superficiality of Glam Metal. Ostentation and escapism no longer resonated with a new generation seeking authenticity and reflecting the angst of a less-than-shiny world.

The death blow came with the ascent of Grunge and Alternative Rock from Seattle. The release of Nirvana's Nevermind in 1991 was the equivalent of a nuclear missile strike on the heart of the Sunset Strip. Suddenly, the makeup, spandex, and virtuoso guitar solos looked ridiculous. The "rock star attitude" was replaced by flannel, dirty hair, and introspection.

The record labels and MTV, which had fueled Glam Metal, turned their attention to the new sound. Glam bands found themselves unsupported, with sales plummeting and an audience that had moved on. Many tried to "adapt" their sound unsuccessfully, fading into obscurity or waiting for the wheel of nostalgia to turn again.

Glam Metal was not just music; it was a state of mind, a loud celebration of youth and excess. Today, in the late 80s, we are witnessing its epilogue, a reminder that in Rock & Roll, as in life, the biggest party must always come to an end. But let no one forget: while it lasted, it was the greatest show on earth.

10/17/2025

๐Ÿ”ฅ ๐—œ๐—บ๐—บ๐—ผ๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป

Immolation is one of the most influential and long-standing bands in American death metal, formed in 1986 in Yonkers, New York. Known for their dark, technical, and deeply atmospheric style, Immolation has forged a distinctive legacy that challenges the genre's traditional conventions. Their lyrical approach, laden with religious questioning, existentialism, and apocalyptic themes, is combined with complex instrumentation, dissonant riffs, unconventional structures, and dense production that creates a sense of controlled chaos.

The creative core of the band has been Ross Dolan (vocals and bass) and Robert Vigna (guitar), who have maintained the band's artistic vision since its inception. Vigna, in particular, is recognized for his unorthodox guitar style, characterized by theatrical live movements and musical performance that lends an almost abstract texture to the compositions. Dolan's deep, authoritative, guttural vocals have remained consistent over the years, lending a solid identity to the band's sound.

Unlike many bands of their era, Immolation didn't stagnate within classic death metal molds; on the contrary, they have continually evolved without compromising their brutality or artistic integrity. Their discography is remarkably consistent and often acclaimed by critics and extreme metal fans alike.

๐—ง๐—ผ๐—ฝ ๐Ÿฐ ๐—•๐—ฒ๐˜€๐˜ ๐—œ๐—บ๐—บ๐—ผ๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—”๐—น๐—ฏ๐˜‚๐—บ๐˜€ (๐—ข๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—ฒ๐—ฑ ๐—™๐—ฟ๐—ผ๐—บ ๐— ๐—ผ๐˜€๐˜ ๐—œ๐—ป๐—ณ๐—น๐˜‚๐—ฒ๐—ป๐˜๐—ถ๐—ฎ๐—น ๐˜๐—ผ ๐— ๐—ผ๐˜€๐˜ ๐—œ๐—ฐ๐—ผ๐—ป๐—ถ๐—ฐ)

๐Ÿญ. ๐—–๐—น๐—ผ๐˜€๐—ฒ ๐˜๐—ผ ๐—ฎ ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—•๐—ฒ๐—น๐—ผ๐˜„ (๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฌ)

This album is considered by many to be Immolation's definitive masterpiece. It is a perfect blend of brutality, technique, and oppressive atmosphere. The songs are meticulously composed, with angular riffs and unpredictable structures. The production is clear yet dense, ideal for capturing the controlled chaos that defines the band. Tracks like โ€œFather, Youโ€™re Not a Fatherโ€ and the epic โ€œClose to a World Belowโ€ stand out for both their aggression and lyrical depth, addressing religion from a critical and reflective perspective. It is an essential album of modern death metal.

๐Ÿฎ. ๐— ๐—ฎ๐—ท๐—ฒ๐˜€๐˜๐˜† ๐—ฎ๐—ป๐—ฑ ๐——๐—ฒ๐—ฐ๐—ฎ๐˜† (๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿฌ)

With this album, Immolation managed to modernize their sound without losing their essence. โ€œMajesty and Decayโ€ is accessible within the context of technical death metal, but no less dark or complex. Its more polished and balanced production makes it ideal for new listeners to the genre. The songs are more direct but equally atmospheric, with an almost cinematic approach. Tracks like โ€œA Glorious Epochโ€ and โ€œThe Purgeโ€ show the band at its most mature, balancing aggression and dynamism.

๐Ÿฏ. ๐——๐—ฎ๐˜„๐—ป ๐—ผ๐—ณ ๐—ฃ๐—ผ๐˜€๐˜€๐—ฒ๐˜€๐˜€๐—ถ๐—ผ๐—ป (๐Ÿญ๐Ÿต๐Ÿต๐Ÿญ)

Immolationโ€™s debut is a classic of American death metal. Although more raw than their later work, the style they would develop over time is already evident: unconventional structures, sinister riffs, and an overwhelming atmosphere. โ€œInto Everlasting Fireโ€ and โ€œThose Left Behindโ€ are early examples of their ability to combine the brutal with the atmospheric. Released through Roadrunner Records, it helped position them as part of the first wave of American death metal, alongside bands like Morbid Angel, Incantation, and Suffocation.

๐Ÿฐ. ๐—”๐—ฐ๐˜๐˜€ ๐—ผ๐—ณ ๐—š๐—ผ๐—ฑ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฎ)

One of their most recent albums and a testament to their impressive creative longevity. Despite the passage of time, Immolation shows no signs of wear. โ€œActs of Godโ€ combines the compositional maturity of their later work with the raw aggression of their early work. The production is modern but not sterile, and the lyrics remain deeply thoughtful and critical. Highlights include tracks like โ€œAn Act of Godโ€ and โ€œApostle,โ€ featuring heavy riffs, atmospheric sections, and impeccable ex*****on. This album cements Immolation as a band that not only remains relevant, but also continues to innovate.

๐—–๐—ผ๐—ป๐—ฐ๐—น๐˜‚๐˜€๐—ถ๐—ผ๐—ป

Immolation is one of the few death metal bands that has managed to maintain a coherent, evolving, and respected career for over three decades. Their music challenges both the casual listener and the extreme metal connoisseur, offering an immersive, brutal, and deeply artistic experience. With a discography that features no drastic ups and downs, and an unwavering commitment to their sonic and lyrical vision, Immolation represents the pinnacle of intelligent, dark, and challenging death metal.

๐—”๐—ฐ๐—ฒ ๐—™๐—ฟ๐—ฒ๐—ต๐—น๐—ฒ๐˜†: ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฝ๐—ฎ๐—ฐ๐—ฒ๐—บ๐—ฎ๐—ปโ€™๐˜€ ๐—™๐—ถ๐—ป๐—ฎ๐—น ๐—ฆ๐—ผ๐—น๐—ผ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—˜๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐—น ๐—ž๐—œ๐—ฆ๐—ฆ ๐—–๐—ผ๐—ป๐˜๐—ฟ๐—ผ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐˜† Ace Frehley, the iconic "Spaceman" whose guitar ...
10/17/2025

๐—”๐—ฐ๐—ฒ ๐—™๐—ฟ๐—ฒ๐—ต๐—น๐—ฒ๐˜†: ๐—ง๐—ต๐—ฒ ๐—ฆ๐—ฝ๐—ฎ๐—ฐ๐—ฒ๐—บ๐—ฎ๐—ปโ€™๐˜€ ๐—™๐—ถ๐—ป๐—ฎ๐—น ๐—ฆ๐—ผ๐—น๐—ผ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—˜๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐—น ๐—ž๐—œ๐—ฆ๐—ฆ ๐—–๐—ผ๐—ป๐˜๐—ฟ๐—ผ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐˜†

Ace Frehley, the iconic "Spaceman" whose guitar work defined the original sound of KISS, has passed away at the age of 74 on October 16, 2025. Born Paul Daniel Frehley on April 27, 1951, in the Bronx, New York, his death follows a recent fall in his studio that led to a cerebral hemorrhage. The musician, who had been on life support, was ultimately disconnected by his family.

Yet, Frehley's passing doesn't lower the curtain without one last echoing controversy, a shadow that trailed him throughout his career and beyond his two stints with KISS (1973-1982 and 1996-2002). While producers and fans often hailed him as the "true heart and soul" of the band and the source of its signature rock "Sound", KISS's history remains scarred by his fractious relationship with band leaders Paul Stanley and Gene Simmons.

Frehley, known for his "party-animal" lifestyle in the early years, first left the band when money and fame, in his words, caused everything to "fall apart" and everyone to go their "own way." His contributions, which include memorable riffs and the influential 1978 solo album, were frequently overshadowed by reports of substance abuse and financial conflicts. It's rumored that the guitarist kept a document of "dirt" on Simmons and Stanley in a safe deposit box, and negotiations for his returns were constantly plagued by pay disputes.

Ace Frehleyโ€™s contribution to KISS was undeniable: his raw, untutored guitar tone and brilliant, fiery solos were essential in transforming the band into a global phenomenon. However, his death at 74, triggered by an accident, highlights a bitter irony: the free spirit who made KISS a legend is remembered just as much for his musical genius as he is for being the one member who consistently butted heads with the corporate machinery and ambition of his former bandmates. He was the rock and roll soul, but also the volatile element that never quite fit into the empire he helped build.

๐—จ๐—ป๐˜ƒ๐—ฒ๐—ถ๐—น๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—•๐—ฟ๐—ถ๐˜๐—ถ๐˜€๐—ต ๐——๐—ฒ๐—ฎ๐˜๐—ต ๐— ๐—ฒ๐˜๐—ฎ๐—น ๐—œ๐—ป๐˜€๐˜๐—ถ๐˜๐˜‚๐˜๐—ถ๐—ผ๐—ป: ๐—•๐—ฒ๐—ป๐—ฒ๐—ฑ๐—ถ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฅ๐—ฒ๐—ถ๐—ด๐—ป ๐Ÿ”ฅBenediction is a pioneering death metal band hailing f...
10/16/2025

๐—จ๐—ป๐˜ƒ๐—ฒ๐—ถ๐—น๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—•๐—ฟ๐—ถ๐˜๐—ถ๐˜€๐—ต ๐——๐—ฒ๐—ฎ๐˜๐—ต ๐— ๐—ฒ๐˜๐—ฎ๐—น ๐—œ๐—ป๐˜€๐˜๐—ถ๐˜๐˜‚๐˜๐—ถ๐—ผ๐—ป: ๐—•๐—ฒ๐—ป๐—ฒ๐—ฑ๐—ถ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฅ๐—ฒ๐—ถ๐—ด๐—ป ๐Ÿ”ฅ

Benediction is a pioneering death metal band hailing from Birmingham, UK, formed in February 1989. They emerged during the genre's formative years, contributing significantly to the burgeoning British death metal scene alongside contemporaries like Na**lm Death and Bolt Thrower. The original lineup featured Paul Adams (bass), Peter Rew (guitar), Darren Brookes (guitar), and Mark "Barney" Greenway (vocals). Their 1989 demo, "The Dreams You Dread," quickly garnered attention, leading to a long-standing contract with Nuclear Blast Records.

Their 1990 debut, Subconscious Terror, established their heavy, often mid-paced style of death metal, focusing on crushing riffs and nihilistic lyrical themes. Following this debut, Greenway departed to focus on Na**lm Death, and was replaced by iconic vocalist Dave Ingram, whose powerful roar defined some of the band's most influential work. Benediction continued their influential run throughout the 90s, solidifying their status as a cornerstone of old-school death metal despite numerous lineup changes over the years. Ingram himself would leave in 1998 and return in 2019, cementing a classic lineup for their celebrated 2020 comeback album, Scriptures, proving their enduring relevance in the death metal landscape.

๐—ง๐—ผ๐—ฝ ๐Ÿฐ ๐—˜๐˜€๐˜€๐—ฒ๐—ป๐˜๐—ถ๐—ฎ๐—น ๐—•๐—ฒ๐—ป๐—ฒ๐—ฑ๐—ถ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—”๐—น๐—ฏ๐˜‚๐—บ๐˜€

๐Ÿญ. ๐—ง๐—ฟ๐—ฎ๐—ป๐˜€๐—ฐ๐—ฒ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—ฅ๐˜‚๐—ฏ๐—ถ๐—ฐ๐—ผ๐—ป (๐Ÿญ๐Ÿต๐Ÿต๐Ÿฏ) Often cited as their magnum opus, this album is a relentless torrent of crushing riffs and aggressive death metal. It perfectly encapsulates the band's signature sound, blending raw brutality with memorable, heavy songwriting, making it an undisputed classic of the UK death metal scene.

๐Ÿฎ. ๐—ง๐—ต๐—ฒ ๐—š๐—ฟ๐—ฎ๐—ป๐—ฑ ๐—Ÿ๐—ฒ๐˜ƒ๐—ฒ๐—น๐—น๐—ฒ๐—ฟ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿญ) Featuring the newly recruited Dave Ingram on vocals, this sophomore effort immediately showcased a tighter, more focused approach than their debut. It is celebrated for its punishing groove, darker atmosphere, and excellent musicianship, elevating the band's profile significantly.

๐Ÿฏ. ๐—ฆ๐—ฐ๐—ฟ๐—ถ๐—ฝ๐˜๐˜‚๐—ฟ๐—ฒ๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฌ) A triumphant return to form after a long hiatus and the comeback album featuring the return of vocalist Dave Ingram. Scriptures proved Benediction's enduring power, delivering a modern yet instantly recognizable slab of old-school death metal that garnered massive critical acclaim and solidified their legacy.

๐Ÿฐ. ๐—ฆ๐˜‚๐—ฏ๐—ฐ๐—ผ๐—ป๐˜€๐—ฐ๐—ถ๐—ผ๐˜‚๐˜€ ๐—ง๐—ฒ๐—ฟ๐—ฟ๐—ผ๐—ฟ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿฌ) The band's debut album is a foundational piece of UK death metal. Featuring Mark "Barney" Greenway on vocals (pre-Na**lm Death fame), the album is a raw, uncompromising statement that set the template for their heavy, riff-driven style, making it an essential listen for understanding their origins.

Benediction

"While ๐— ๐—ง๐—ฉ old guard debates the closure of music channels and programming dominated by reality shows, itโ€™s time to reme...
10/16/2025

"While ๐— ๐—ง๐—ฉ old guard debates the closure of music channels and programming dominated by reality shows, itโ€™s time to remember the era when the channel actually meant Music Television. Forget the current pop drama and influencer controversies. Let's talk about what truly united a generation: '๐—›๐—ฒ๐—ฎ๐—ฑ๐—ฏ๐—ฎ๐—ป๐—ด๐—ฒ๐—ฟ๐˜€ ๐—•๐—ฎ๐—น๐—น'. The late-night sanctuary where the only controversy was whether thrash could beat hair metal."

๐—ง๐—›๐—˜ ๐—ฆ๐—”๐—ก๐—–๐—ง๐—จ๐—”๐—ฅ๐—ฌ ๐—ข๐—™ ๐— ๐—˜๐—ง๐—”๐—Ÿ ๐—ข๐—ก ๐—ฆ๐—–๐—ฅ๐—˜๐—˜๐—ก: ๐—›๐—ฒ๐—ฎ๐—ฑ๐—ฏ๐—ฎ๐—ป๐—ด๐—ฒ๐—ฟ๐˜€ ๐—•๐—ฎ๐—น๐—น (๐Ÿญ๐Ÿต๐Ÿด๐Ÿณ-๐Ÿญ๐Ÿต๐Ÿต๐Ÿฑ)

๐—ง๐—ต๐—ฒ ๐——๐—ฒ๐—ณ๐—ถ๐—ป๐—ถ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—–๐—ต๐—ฟ๐—ผ๐—ป๐—ถ๐—ฐ๐—น๐—ฒ ๐—ผ๐—ณ ๐—ฎ๐—ป ๐— ๐—ง๐—ฉ ๐—œ๐—ฐ๐—ผ๐—ป ๐—ง๐—ต๐—ฎ๐˜ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐—ฑ ๐—ฎ ๐—š๐—ฒ๐—ป๐—ฒ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป

In an era when MTV was starting to flirt with the most pop mainstream, a sonic resistance was entrenched in the late-night slot. From April 18, 1987, to 1995, "Headbangers Ball" was not just a showโ€”it was the battlefield, the confessional, and the sacred temple of metal and hard rock culture on global television. During its eight golden years of original broadcast, the Ball became the barometer for a subculture, injecting doses of adrenaline and distortion at midnight.

๐—ง๐—ต๐—ฒ ๐—š๐—น๐—ผ๐—ฟ๐˜† ๐—ฌ๐—ฒ๐—ฎ๐—ฟ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—›๐—ฒ๐—ฎ๐—ฑ๐—ฏ๐—ฎ๐—ป๐—ด๐—ถ๐—ป๐—ด ๐—™๐—ฒ๐˜ƒ๐—ฒ๐—ฟ

Born to fill a void, the program established itself as the premier platform for heavy metal music videos, from the gleaming glam to the darkest thrash. It was the place where legions of headbangers could see their idols in interviews, premieres, and, most importantly, uncensored videos that rarely aired during the daytime.

The impact was seismic: the show not only validated established bands but was the main springboard for countless acts. Names like Metallica, Guns N' Roses, Megadeth, Slayer, Pantera, Iron Maiden, and a myriad of hair metal bands like Mรถtley Crรผe and Poison were regulars. One legendary episode, for instance, was the infamous visit by Guns N' Roses, which culminated in the simulated (and very real) destruction of the program's setโ€”a moment that encapsulated the anarchy and spirit of hard rock.

๐—ฃ๐—ฒ๐—ฐ๐˜‚๐—น๐—ถ๐—ฎ๐—ฟ ๐—š๐˜‚๐—ฒ๐˜€๐˜๐˜€ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐— ๐—ฒ๐˜๐—ฎ๐—น ๐—–๐˜‚๐—น๐˜๐˜‚๐—ฟ๐—ฒ

"Headbangers Ball" transcended simple video rotation. Its hosts, such as Adam Curry, Riki Rachtman, and Vanessa Warwick (on the European version), became faces of the scene. Interviews were notoriously rawer and more honest, often conducted backstage, on tour buses, or on the Ball's themed set.

It wasn't just about musicians. The show was a magnet for eccentric figures from the rock orbit, offering a window into the metal subculture with segments dedicated to fashion, tattoos, and touring. It was a mirror of life on the road and the authenticity that the metal community so cherished.

๐—ง๐—ต๐—ฒ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐˜ ๐—˜๐—ป๐—ฑ: ๐—ช๐—ต๐˜† ๐——๐—ถ๐—ฑ ๐˜๐—ต๐—ฒ ๐—™๐—น๐—ฎ๐—บ๐—ฒ ๐—š๐—ผ ๐—ข๐˜‚๐˜?

Despite its success and devoted audience, "Headbangers Ball" succumbed to a sonic revolution. The main factor in its abrupt cancellation in 1995 was the rise of Grunge.

With the explosion of Nirvana, Pearl Jam, and the Seattle scene, the focus of MTV, and youth culture in general, shifted dramatically towards alternative rock. Heavy metal and, particularly, the hair metal that had dominated the late-night screen, was deemed obsolete by programmers. Furthermore, MTV began to undergo a corporate change, moving away from specialized music blocks to focus on broader, reality show-based programming.

The cancellation was, in many cases, silent and without goodbyesโ€”a melancholy end for a show that had been the voice and the raised fist of a generation. It left a "metal-shaped hole" in MTV's schedule, showing that the channel that once promised "only music videos" was evolving into something completely different. Although there were attempts to revive the format in later years (such as on MTV2), the magic and cultural relevance of the original run never returned. "Headbangers Ball" thus remains the memory of an era when metal dominated the television midnight hour.

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