Textiles Asia Journal

Textiles Asia Journal Materials, techniques, artistry, symbolism, historic and cultural significance of Asian textiles. John E. Vollmer serves as Advisor. McIntosh.

Launched in June of 2009, Textiles Asia is published three times a year. The articles are designed to inform readers about the fine materials, techniques, artistry, symbolism, historic and cultural significance of Asian textiles. Listings are included about current exhibitions, special tours and events related to Asian textiles across the world. Readers include, but are not limited to, collectors, academics, museum curators and conservators; dealers; fashion and design professionals; crafts persons and enthusiastic novices. Textiles Asia will appeal to those with an established knowledge in all aspects of Asian textiles as well as to those who are just beginning their interest in this fascinating field. Textiles Asia is supported by an experienced editorial board: Dorothy Berry, Norrie Peel and Lisbet Rasmussen, all former executive committee members of the Textile Society of Hong Kong. Contributing Editors include: Rosemary Crill, Maria Wronska-Friend, Dale Gluckman, Gill Green, Anna Jackson, Sumru Belger Krody and Linda S. Roving Reporters are: John Ang in Kuala Lumpur, Wayne D. Barton in Toronto, Chris Buckley in the UK and Valerie Foley in New York. Promotion by Brooke Jaron, Japanese translation by Momoko Soma Welch, printing by CA Book Publishing.

Buyi quilt cover, Southwest China, c. 1900. 30 in x 39 in (76 cm x 99 cm). Photograph by Chadri Chinalai and Dhani Spino...
07/11/2026

Buyi quilt cover, Southwest China, c. 1900. 30 in x 39 in (76 cm x 99 cm). Photograph by Chadri Chinalai and Dhani Spinola. From: “Tribal Blankets of Southern China” by Lee J. Chinalai, September 3023.

Embroidered Peranakan tok wi. Early 20th century. Straits Settlements. Embroidered with gold and silk thread. The upper ...
07/04/2026

Embroidered Peranakan tok wi. Early 20th century. Straits Settlements. Embroidered with gold and silk thread. The upper panel is decorated by embroidered ritual vessels such as censors and incense burners, as well as a lion (fu dog) and crane. Altar cloths are Chinese textiles hung on the household altar during special occasions such as Chinese New Year. Courtesy of the Peranakan Museum, Singapore. . From “When Warp and Woof are Missing the “Woof: The Chinese Year of the Dog on Chinese Textiles” by Patricia Bjaaland Welch, January 2018. # peranakanembroidery

Sunburst by Ena de Silva. The sun and moon are a part of the ethnic philosophy of Sri Lanka. The rays of this batik sun ...
06/14/2026

Sunburst by Ena de Silva. The sun and moon are a part of the ethnic philosophy of Sri Lanka. The rays of this batik sun fan out their warmth and beauty, one can see how incredibly skilled the batik artists of her workshop were. From: “Ena de Silva and her Sri Lankan Batik Art” by Julia Gajewska-Pratt, September 2020. Courtesy of Geoffrey Bawa Trust. Photograph by M. Pratt.

The two latest issues contain:January 2026Tracing a Peculiar Journey of “Zinmae” and “Bangauk” Silk Hip Wrappers, a Thai...
04/04/2026

The two latest issues contain:

January 2026

Tracing a Peculiar Journey
of “Zinmae” and “Bangauk” Silk Hip Wrappers,
a Thailand–Burma Textile Connection
By Thweep (AKE) Rittinaphakorn

A Green Dragon Robe
By John E. Vollmer

Early Mughal Velvets
By Anna Jolly

Text vs. Textile—How Two Queens Tell Us
Who They Were by What They Wore
By Cornelia Bagg Srey

Book Review
Artisans by Design
By Judy Frater
Reviewed by Dale Carolyn Gluckman


May 2026

A Golden Encounter:
The Mystery Veil That Led to Assam’s Silks
By Karthika Audinet

Yuzen / Tsutsugaki—Japanese Freehand
Paste-Resist Textiles, 1700–1920
By David Paly

Exhibition Review
Nusantara: Six Centuries of Indonesian Textiles
By Chris Buckley

Between Reality and Representation. Asian
Textiles in Early Modern Portuguese Painting
By Maria João Ferreira

Book Review
Pashmina Jewels: The Khanuja Family
Collection of Kashmir Shawls
By Frank Ames
Reviewed by Joan Hart, Ph.D.

Waist Wrapper (Jarit), Margorejo, Kerek, Java, Pre-1980. Cotton, natural (indigo) and synthetic (naphthol) dyes, 105 x 3...
03/18/2026

Waist Wrapper (Jarit), Margorejo, Kerek, Java, Pre-1980. Cotton, natural (indigo) and synthetic (naphthol) dyes, 105 x 35 1/2 in. (266.7 x 90.2 cm). Yale University Art Gallery, Gift of Rens Heringa, 2022.51.12. From “Textiles from the Rens Heringa Collection at the Yale University Art Gallery” by Arielle Winnik, September 2024.

Detail, Shoulder Cloth (Sayut), Kerek Java, c. 1980s. Cotton, hand-drawn ink, 129 x 21 3/4 in. (327.7 x 55.2 cm). Yale U...
02/07/2026

Detail, Shoulder Cloth (Sayut), Kerek Java, c. 1980s. Cotton, hand-drawn ink, 129 x 21 3/4 in. (327.7 x 55.2 cm). Yale University Art Gallery, Gift of Rens Heringa, 2022.51.81. From “Textiles from the Rens Heringa Collection
at the Yale University Art Gallery” by Arielle Winnik, September 2024.

This fine example of a woman’s dress shows the incredible complexity of Bhutanese textiles; the asymmetrical motif in th...
01/17/2026

This fine example of a woman’s dress shows the incredible complexity of Bhutanese textiles; the asymmetrical motif in the middle is a shinglo, a “wish fulling tree“. Note the tiny sw****ka, which in the Himalayan world is a good omen motif. From: “Textiles of Bhutan: Artistic Heritage and Vibrant Tradition” by Françoise Pommaret, PhD, September 2018. Photograph courtesy of Françoise Pommaret. weaving

Khu Bua-style skirt, sin tiin chok. 1920-1950. A very unusual skirt type that is made in Ratchaburi Province. Photograph...
12/10/2025

Khu Bua-style skirt, sin tiin chok. 1920-1950. A very unusual skirt type that is made in Ratchaburi Province. Photograph by Pattana Decha.© Tilleke & Gibbins Textile Collection. From: “Tai Yuan Textiles of Thailand” by Dr. Linda S. McIntosh, September 2012.

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