Into the Whip Records

Into the Whip Records New York City Music For The World Jim Maguire and Walker's indie home for New York City musicians. (Q-South,) Q-South 1997 .. (Vol 1) Symptom 7 2007 ..

Started as a home for The Brotherhood of the Grape, and evolved into a safe haven for true N.Y. music. ..Record producers Ron Zabrocki,Jus Bus,Kooly Chat and Frank Persico add their own unique touch to the artist projects on the label. ..Symptom 7 was the next band signed featuring the songwriting of guitar master Geoff Unger,Dan Nice and Eddy Joe McCabe.Next was ..Ed Klinger...Musician,Producer a

nd Drum King with his own Experimental C.D. entitled "Marking Time". ..The label signed Cosmonaut,Des Ivor, Elizabeth"Bitsy" Murray,The Bums of New York, Frank Persico and is eyeballing the Tri-State area for new talent..C.D's released.... .. (Almost Homeless)Walker & the BOTG 2003 .. (Bar-Humbug) Walker & the BOTG 2004 .. (The One and Lonely)Walker & the BOTG 2005 .. (Marking Time) Ace in the Hole 2006 .. (Soca and Me) Walker 2008...plus various singles.......New 2011 Releases from Q-South,Walker and Brotherhoood of the Grape and Symptom 7 and an EP by Frank Persico.

01/10/2026

Do you like my new hat?

Text CONNECT to 274-16 to get alerts on our Lights!

Watch tonight's lighting here: http://esbo.nyc/ecx

đź“·: achintyaadhikari/IG

01/10/2026

Bob Weir, the guitarist and founding member of the Grateful Dead, has died at 78 💔🕊️

STORY: https://buff.ly/XKvn74I

01/10/2026

White Horse Tavern, Greenwich Village, New York City (1985)

The White Horse Tavern stood in 1985 as it always had quietly absorbing literary history. Located at Hudson Street and West 11th, it remained a gathering place for writers, thinkers, and observers. By this time, its legends were already layered thickly into the walls. The Village around it was changing, but the tavern resisted reinvention. I’ve always seen it as a pause in the city’s conversation. Patrons came not to be seen, but to think. This photograph captures continuity in a city addicted to change. Some places survive by staying exactly the same.
Photo: Denny Tillman

01/10/2026

Local 36-year-old Shane McThomason recently admitted he still instinctively hides his Eminem CDs whenever his parents visit him.

01/10/2026

“Boom Box,” Brooklyn, New York City (1979)

A boombox in Brooklyn in 1979 signaled more than music it announced presence. This was the sound of hip-hop emerging into public space. Streets became stages, sidewalks turned into speakers. New York allowed sound to travel freely. Music defined territory and identity. I see confidence and declaration here. Brooklyn carried rhythm before recognition. The boombox demanded attention without permission. This image captures the city speaking loudly for itself. Culture arrived not quietly, but amplified.
Photo: Gary Kane

01/10/2026

TWA Terminal, JFK Airport, New York (1972)

Source: Harold Meyer Collection

The TWA Terminal in 1972 looked like the future had landed in New York. I remember this building as a symbol of motion, elegance, and ambition. Flying still felt glamorous then. The curved walls and soaring ceilings promised possibility beyond the city. Travelers moved through with a sense of purpose and wonder. New York presented itself to the world through places like this. Even during the city’s harder years, this terminal felt hopeful. The photograph captures optimism in architecture. History here is aspiration taking flight. The city refused to feel small. New York remained global.

01/09/2026

New York City 1961

01/09/2026

The Palladium at East 14th Street on January 1983. Culture Club performed on February 26, 1983.

01/08/2026

When Blimpie Sandwiches were the Best on the corner of East 14th Street and First Avenue, New York City in 1991.
Photo by Grégoire Alessandrini.

01/08/2026

Queens subway with Manhattan skyline, New York City ( #7 Flushing Line)

The #7 train has long offered one of New York’s most revealing perspectives Queens in motion with Manhattan looming ahead. This view connects working-class neighborhoods to the city’s economic core. Past and present share the same tracks here. The skyline feels close yet distant, a promise visible through steel and glass. For generations, this ride defined ambition and routine. The subway didn’t just move people; it shaped identity. Queens riders learned the city through windows like this. New York reveals itself between stations. This image holds continuity across decades.
Photo: Max Henry Hubacher

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