2 Groove U Music/ Rabbit Productions, Inc.

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10/12/2026

๐๐จ๐ซ๐š๐ก ๐‰๐จ๐ง๐ž๐ฌ ๐๐ž๐ž๐๐ž๐ ๐‹๐ž๐ฌ๐ฌ, ๐๐จ๐ญ ๐Œ๐จ๐ซ๐ž
When label voices wanted to pile on horns, choirs, and gloss, Arif Mardin heard the real weapon: Norah Jonesโ€™ intimacy. He left room around her piano and voiceโ€”and Come Away With Me became a 27-million-copy cultural landmark. Sometimes the bravest production move is restraint.
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10/08/2026

๐€๐ซ๐ข๐Ÿ ๐œ๐ซ๐ž๐š๐ญ๐ž๐ ๐ญ๐ก๐ž ๐–๐ž๐š๐ญ๐ก๐ž๐ซ ๐จ๐ง โ€˜๐‘๐š๐ข๐ง๐ฒ ๐๐ข๐ ๐ก๐ญโ€™
A Tony Joe White swamp-rock song. Brook Bentonโ€™s world-weary baritone. Cornell Dupreeโ€™s guitar. T***s Thielemans on chromatic harp. Arif Mardinโ€™s strings. That is not a formulaโ€”it is a room full of the right instincts creating its own weather.
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10/05/2026

๐’๐ก๐จ๐ซ๐ญ๐ฐ๐š๐ฏ๐ž ๐‘๐š๐๐ข๐จ ๐‹๐ž๐ ๐‡๐ข๐ฆ ๐“๐จ ๐๐ฎ๐ข๐ง๐œ๐ฒ
Before Atlantic Records, before Aretha, before Chakaโ€”Arif Mardin was in Istanbul listening to shortwave jazz, writing charts by ear, and walking them backstage to Dizzy Gillespie and Quincy Jones. That kind of preparation creates its own opening.
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10/02/2026

๐“๐ก๐ž๐ฒ ๐‚๐š๐ฅ๐ฅ๐ž๐ โ€˜๐†๐ซ๐จ๐จ๐ฏ๐ข๐งโ€™โ€™ ๐‚๐จ๐ฆ๐ฆ๐ž๐ซ๐œ๐ข๐š๐ฅ ๐’๐ฎ๐ข๐œ๐ข๐๐ž
Before โ€œGroovinโ€™โ€ became a four-week number-one anthem, Atlantic thought it was too slow, too weird, and commercial su***de. Arif Mardinโ€™s lesson still holds: never let theory get in the way of the pocketโ€”and never let fear stop a song with its own truth.
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10/01/2026

Chakaโ€™s Hit Began With a Slip โ€ฆ ttle.โ€
DESCRIPTION: Arif Mardin came from conservatory-level harmony and handwritten chartsโ€”then chased the future with Chaka Khan, John Robie, Reggie Griffin, Melle Mel, tape edits, and a happy accident that became an iconic intro. The lesson is timeless: protect the groove and never let ego block the next great idea.

09/29/2026

๐‚๐ก๐š๐ค๐šโ€™๐ฌ ๐‡๐ข๐ญ ๐๐ž๐ ๐š๐ง ๐–๐ข๐ญ๐ก ๐€ ๐’๐ฅ๐ข๐ฉ
Arif Mardin came from conservatory-level harmony and handwritten chartsโ€”then chased the future with Chaka Khan, John Robie, Reggie Griffin, Melle Mel, tape edits, and a happy accident that became an iconic intro. The lesson is timeless: protect the groove and never let ego block the next great idea.
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09/26/2026

๐“๐ข๐ง๐š ๐“๐ฎ๐ซ๐ง๐ž๐ซ ๐œ๐š๐ฆ๐ž ๐Ÿ๐ซ๐จ๐ฆ ๐ ๐ข๐š๐ง๐ญ ๐ฅ๐ข๐ฏ๐ž ๐‘&๐ ๐ซ๐จ๐จ๐ฆ๐ฌ ๐š๐ง๐ ๐ฐ๐š๐ฅ๐ค๐ž๐ ๐ข๐ง๐ญ๐จ ๐š ๐.๐„.๐…. ๐ฌ๐ญ๐ฎ๐๐ข๐จ ๐Ÿ๐ฎ๐ฅ๐ฅ ๐จ๐Ÿ ๐ฌ๐ฒ๐ง๐ญ๐ก๐ž๐ฌ๐ข๐ณ๐ž๐ซ๐ฌ ๐š๐ง๐ ๐š ๐…๐š๐ข๐ซ๐ฅ๐ข๐ ๐ก๐ญ ๐œ๐จ๐ฆ๐ฉ๐ฎ๐ญ๐ž๐ซ. ๐‡๐ž๐ซ ๐ช๐ฎ๐ž๐ฌ๐ญ๐ข๐จ๐ง ๐ฐ๐š๐ฌ ๐ฌ๐ข๐ฆ๐ฉ๐ฅ๐ž: ๐–๐ก๐ž๐ซ๐ž'๐ฌ ๐ญ๐ก๐ž ๐›๐š๐ง๐? The answer reshaped her comeback and led to a one-take moment that left Martin Ware stunned. , , , , , , , , ,

09/23/2026

๐“๐ข๐ง๐š ๐„๐ฌ๐œ๐š๐ฉ๐ž๐ ๐–๐ข๐ญ๐ก ๐Ÿ‘๐Ÿ” ๐‚๐ž๐ง๐ญ๐ฌ - ๐๐ฎ๐ญ ๐Š๐ž๐ฉ๐ญ ๐‡๐ž๐ซ ๐๐š๐ฆ๐ž
She traded away future earnings, assets, and catalog claims simply to secure the legal right to keep Tina Turner as her name. What a prick he was.
Tina Turner crossed a Dallas highway with 36 cents and a gas card. The full story is not only about escape. It is about reclaiming a name, rebuilding from zero, and refusing to let anyone own your identity.
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09/20/2026

๐…๐ซ๐š๐ง๐ค ๐™๐š๐ฉ๐ฉ๐š'๐ฌ ๐’๐ž๐œ๐ซ๐ž๐ญ ๐–๐ž๐š๐ฉ๐จ๐ง ๐–๐š๐ฌ ๐“๐ข๐ง๐š ๐š๐ง๐ ๐ญ๐ก๐ž ๐ˆ๐ค๐ž๐ญ๐ญ๐ž๐ฌ
To get around it while still honoring them, Frank Zappa listed them under pseudonyms on the liner notes, crediting them as Debbie, Lynn, and Susie Glover.
The Tina and Frank Zappa connection is one of music's great left-field stories: Bolic Sound, impossible harmonies, a credit problem, Tina and the Ikettes on those fierce sessions, and gospel depth inside avant-garde rock.
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09/17/2026

๐“๐ก๐ž ๐๐ข๐ ๐ก๐ญ ๐€๐ง๐ง๐š ๐Œ๐š๐ž ๐“๐จ๐จ๐ค ๐ญ๐ก๐ž ๐Œ๐ข๐œ๐ซ๐จ๐ฉ๐ก๐จ๐ง๐ž
Before the Queen of Rock 'n' Roll, there was Anna Mae Bullock watching from the wings. Then drummer Gene Washington lowered the mic, B.B. King's โ€œYou Know I Love Youโ€ started, and one packed St. Louis room became a turning point in music history.
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New York, NY
1001

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