Parabolic

01/14/2026

FYC 🎙️

02/16/2023

Jackals and Fireflies, a Charlie Kaufman short film, is now available to watch. This tale of loneliness in and simultaneous love for New York is a must see. The link to watch on YouTube is on our story!

-Supervising Sound Editor & Re-recording mixer : Lewis Goldstein

-Sound Editor : Bennett Kerr

-ADR Mixer : Vinny Alfano

01/27/2023

Shotgun Wedding is out now! Available for streaming on !

Supervising Sound Editor / Re-Recording Mixer : Lewis Goldstein

Director : Jason Moore

01/23/2023

Eileen & You Hurt My Feelings premiered this weekend at Sundance! Congratulations to everyone involved, we are so proud & can’t wait for you all to watch these incredible films.

Supervising Sound Editor / Re-Recording Mixer : Lewis Goldstein

12/26/2022

Happy Holidays from Parabolic! Hope you all had a wonderful holiday. See you in the new year!

12/21/2022

The highly anticipated third season of Emily in Paris is now streaming on !! Go binge it now!

Supervising Sound Editor / Re-Recording Mixer : Lewis Goldstein

12/13/2022

All episodes of Kindred are now streaming on Hulu! Go check it out, we’re so proud of all the hard work that went into making this incredible show happen!

Supervising Sound Editor / Re-Recording Mixer : Thomas Ryan

11/30/2022

10/31/2022

Wishing everyone a very happy (& spooky!) Halloween from the Parabolic staff. 🍁🕸🕷🦇🎃

10/24/2022

https://movieweb.com/horror-best-modern-musical-scores-ranked/

"Hereditary's sound teams includes MPSE award-winning supervising sound editor Lewis Goldstein and his team at Parabolic NY, along with composer Colin Stetson. While it’s easy to get lost in Aster’s visual style with abrupt cuts and unforeseen twists, it’s the element of sound design that subconsciously maintains room-tone tension."

When it comes to horror, the musical score makes or breaks the film. Here are nine modern scores that have elevated their films to the next level.

05/16/2022

https://postperspective.com/russian-doll-editor-todd-downing-talks-season-2/

"Then our sound mixer and sound supervisor, Lew Goldstein at Parabolic, took over, and he’s amazing. He was on Season 1 too, so while cutting, we could go to him for sounds he created in similar scenes. I’d do a rough sound design pass, and then he’d take it up to another level. We had the same composer from Season 1, so I’d use temps from him too. We did an offline mix in LA, and then Lew did the final mix at Parabolic in New York."

By Iain Blair The trippy Emmy-winning Netflix show Russian Doll is back for a second season — great news for anyone who’s interested in the space-time continuum but who also loves surreal com…

02/14/2022