WC Casting

05/16/2025

https://app.castittalent.com/Untitled_Buffy_Project_Open_Call

Specific Taping Instructions: Please submit a 30-second video describing your favorite character, episode, or moment from the original series. Submit only once.

03/07/2025

Hello Everyone, I’m currently casting ReelShort’s upcoming production of “The Lost Son…”; a Non-Union Vertical Mobisode (view though ReelShort App and on ReelShort’s website). The production is filming 10-11 days between 4/12-4/27, 2025 in Napa, CA area. The storyline takes place in a fantasy world (think “Game of Thornes” vibes). If you are interested and available, please send your headshot/resume to [email protected] and indicate the character you are submitting for in subject line – selected talents will be asked to submit self-tape audition (or zoom audition). Each shooting day is 12 hours + lunch (unless otherwise specified in the character description). Please take this into consideration when evaluating rates.

Storyline: Kidnapped as a child, Arthur, Duke of Mercia, returns to his village to reunite with his long-lost family. What he didn't expect was to find them abused by everyone in town. With his identity a secret, will Arthur be able to avenge them?

Casting:

[Arthur Wellesley] Male, age 21-35. A young man in his prime. As a youth, he was kidnapped and conscripted into the army but earned the title of Duke on account of his battle prowess. He returns to Stamford to look for his parents and sister, but his memories are hazy due to a head injury in battle. Disguised as a commoner, he uncovers the real intention of his ‘devoted followers.’ And begins his revenge on those who had abused and tortured his family. The character is involved in fight scenes (Punching, Getting Punched, and lots of slapping). A stunt coordinator will be on set to provide instruction and monitor all cast members’ safety. The character also involves in intimate/kissing scene with a female scene partner. No Nudity, Nothing explicit. An intimacy coordinator will consult with the cast members prior to filming. Lead. $400/day – must be able to commitment to all production dates.

[Jane Wellesley] Female, age 35-50. A loving mother, Jane is willing to give up everything for her children, especially to find her son. Together with her husband Carl, they endure hardship, live in poverty, suffer through humiliation and abuse by a noble employer, with the goal of reuniting with their lost son. The character is involved in a fight scene (getting beaten), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with aging makeup (as performers will be portraying the character in two different eras); as well as stage blood and bruises. Lead. $400/day – must be able to commitment to all production dates.

[Anna Wellesley] Female, age 21-30. Arthur’s fiancé; serving as a maid at the Baron’s mansion. Virtuous and has a strong moral. The Baron plotted to ‘offer’ Anna as a gift to the duke, without knowing they actually knew each other (of course, it backfired at him) The character is involved in physical assault and abuse scene, actions include falling onto the ground, slapping and getting slapped. The character also involves in intimate/kissing scene with a male scene partner. No Nudity, Nothing explicit. An intimacy coordinator will consult with the cast members prior to filming. A stunt coordinator will be set to provide instructions and monitor cast members' safety. Talent should be comfortable with stage blood and bruises makeup. Supporting. $300/day – must be able to commitment to all production dates.

[Benjamin Bard] Male, age 35-50. Baron of Stamford and its highest authority. A self-centered, ruler’ of the town. Surrounded by corruption; a typical example of toxic personality attracts the same. When confronted by Arthur with receipts of his teams’ wrong doing; he tried his best to lie and redirect the fault to others. The character is involved in multiple fight scenes (beating and getting beaten, lots of slapping around), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with aging makeup (as performers will be portraying the character in two different eras); as well as stage blood and bruises. Supporting. $250/day.

[Carl Wellesley] Male, age 35-50. Arthur’s father. While he is poor, Carl is fiercely protective of his family and is willing to do anything for them. After years of suffering and abuse, he appears frailer than his actual age. The character is involved in a fight scene (getting beaten), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with aging makeup (as performers will be portraying the character in two different eras); as well as stage blood and bruises. Supporting. $250/day.

[Robert Wellesley] Male, age 21-30. Arthur’s Cousin; Jane’s Nephew. The head Butler at the Baron’s manor and betrothed to Baron’s daughter Edith. Unreasonably rude and condescending. Bad blood runs in his family. Abuses his aunt Jane and cousin Anna just because he can. The character is involved in multiple fight scenes (beating and getting beaten, lots of slapping around), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with SFX make-up (blood and bruises). Supporting. $250/day.

[George Wellesley] Male, age 40-60. Carl’s older brother, Arthur’s Uncle, Robert’s Father. Crude and haughty; prone to anger. A sleazy looking man, who treats his own brother like dirt. The character is involved in multiple fight scenes (beating and getting beaten, lots of slapping around), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Minor Supporting. $250/day.

[Laura Wellesley] Female, age 40-60. Jane’s sister in law, Robert’s Mother. Along with Jane, she works as a maid at the Barron’s manor. She is just as self-fish as her husband; in order to save her job, she allowed her son to place blame on her sister (Jane). Joins her husband and son in verbally abuses Jane and Anna. The character is involved in multiple fight scenes (beating and getting beaten, lots of slapping around), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with SFX make-up (blood and bruises). Supporting. Minor Supporting. $250/day.

[Edith Kelley] Female, age 21-30. The niece of Lord Benjamin, Baron of Stamford. A woman who is both beautiful and fashionable, but with personality comparable to a cold-hearted snake (look into her eyes~ uh-oh… She's been tellin' lies~). Betrothed to Robert Wellesley. The sense of entitlement and audacity of how she treats ‘poor’ people will boil a lot of people’s blood. Arthur’s parents like trash. The character is involved in multiple fight scenes (beating and getting beaten, and part of best slap feast scenes in the story), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with SFX make-up (blood and bruises). Minor Supporting. $250/day.

[John Moore] Male, age 21-35. Was betrothed to Anna Wellesley but broke off the engagement after meeting Adela. A boot licker; kiss-up to Arthur after learning his is the Duke. Manipulative, and persuasive; he tried to get back to Anna, but got rejected with a big slap on the face. The character is involved in multiple fight scenes (beating and getting beaten, lots of slapping around), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with SFX make-up (blood and bruises). Minor Supporting. $250/day.

[Lisa Moore] Female, age 40-60. The boot licker’s mum. Periodt. It is not hard to see that she and Jason Moore are related. Lacks moral. Delusional. Classy on the outside, trashy on the inside. The character is involved in multiple fight scenes (beating and getting beaten, lots of slapping around), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with SFX make-up (blood and bruises). Day Player. $138.24/ 8hr day.

[Young Arthur] Male, Age 7-13. Curious and upbeat, Young Arthur lives with his family out in the countryside. One day out at farmer's market with his sister, he was kidnapped by the Barron's guard to be trained to become a soldier. The character does involve running & struggling scenes; a stunt coordinator will be on to provide instruction and monitor all cast members’ safety. No dangerous situation. Day Player. A Studio Teacher will be provided. Talent must have working permits and child trust account. $138.24/day.

[Young Anna] Female, age 7-13. Gentle and soft spoken. After noticing her brother is missing, she panics and informs her mother. The character involves running. No dangerous situation. Day player. A Studio Teacher will be provided. Talent must have working permits and child trust account. $138.24/day.

[Crowley] Male, age 35-50. Benjamin Bard’s house steward; in charge of managing Baron’s servants. With the good intention to please the Barron, he beats Anna into submission, and wrap her up as a ‘gift’ to present to the Duke. The character is involved in multiple fight scenes (beating and getting beaten, lots of slapping around), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with SFX make-up (blood and bruises). Day Player. $138.24/ 8hr day.

[Adela] Female, age 18-30. Lord Benjamin’s daughter. Deep in love with John Moore; willing to toss her moral and self-respect just to marry him. A delulu who is lawless and arrogant. The character is involved in multiple fight scenes (beating and getting beaten, lots of slapping around), a stunt coordinator will be on set to provide instructions and monitor cast members' safety. Talent also should be comfortable with SFX make-up (blood and bruises). Day Player. $138.24/ 8hr day.

[King Ceolwulf II] Male, age 40-60. The King of Kingdom of Mercia, who highly favors Arthur and loves him like his own son. It’s a shame that the only good character in the story only has 30 seconds of screen time. It’s not about how big the role is, rather how much impact the smaller character can have. Fortunately, the character is not involved in any beating scenes. Day Player. $138.24/ 8hr day.

09/15/2024

New York Casting - Proscenium Theatre Festival is now casting for four developmental readings that will be presented during Origins Theatre Festival October 12th-13th. Head to the link for all the information. Feel free to email [email protected] with any questions or inquiries!

We are casting various roles but giving special attention to the following roles:

• JEOLY/ZORA: Filipino. They/Them. Early 20’s. A very fluid person. Trying to be brave in a new world. /Passionate and persistent. Searching for something that has been lost.

• NANAY: Filipina. She/They. Middle Aged. Full of a thousand stories.

• Alex: 20-23 years old, Black Male/nonbinary. Zodiac: Ta**us. They are more put together, wear tight clothes, always paired with a jean jacket. Photography major.

• Roberta - Black. Female. Mid 30’s. Almost Six Years Sober and struggling with her sobriety. Very self-centered and sometimes unaware of it. Still struggling to process a traumatic event from six years ago that flipped her world upside down. Married to Chris.

• Chris - Black, Indigenous, or Hispanic. Male. Mid 30’s. Four Years Sober. Comes from money. Has gone to many rehabs to get sober. On the straight and narrow now. Very protective of his wife Roberta.

Seeking nonunion actors.

Every actor will receive a stipend of $100.

The developmental readings will be presented at The Puerto Rican Traveling Theatre on 304 W 47th St. New York, NY, 10036.

Each play will have 4 rehearsals starting the week of September 16th (One rehearsal per week)

You can audition for more than one play.

Link to Submit:

Audition submissions are now open for select roles. Origins Theatre Festival is a weekend long celebration held in October 12th nd 13th 2024 dedicated to uplifting emerging artists from the BIPOC community innovating in the arts. AuditionsWe specially encourage you to submit if you identify as Indig...

09/10/2024

Los Angeles Casting Short Film “Candy or Movie”
The story sets in 1970s China, where a little girl must decide on what to do with the money she found; should she use it to satisfy her desire for her sweet tooth? Or buy a ticket to watch her favorite movie? Or following her mother’s teaching, return the money to its lawful owner.
Production is targeting to film October 9, 2024, through October 14, 2024 in Los Angeles Area.
Talent Compensation is $18.75 per hour (approx. 6-8 hours day)
The film is under SAG-AFTRA Short Film Agreement, accepting both Union and Non-Union submissions.
Due to the setting of the storyline, actors must speak fluent Mandarin Chinese.
If you are interested, please send headshot and contact information to: [email protected] and include your Mandarin Chinese fluency in submission note.
Selected actor will be asked to submit a self-record audition video
Seeking:
Chinese Girl, age between 6-12. A young, inquisitive girl who enjoys watching movies and eating candies. Must speak fluent Mandarin Chinese. Lead.
Chinese Woman, age between 21-40. A woman who works at the Movie Theatre’s ticketing booth. Being a mother herself, she had a difficult time trying to find the right words and tone, to reject the little girl’s desire to see a movie (because she couldn’t afford to buy a ticket). Must speak fluent Mandarin Chinese. Support.

洛杉磯選角短片 “Candy or Movie”
故事發生在 1970 年代的中國，一個小女孩必須決定如何處理她找到的錢;她應該用它來滿足她對甜食的渴望嗎？還是買票看她最喜歡的電影？或者按照她母親的教導，將錢歸還給合法擁有者。
該製作計劃於 2024 年 10 月 9 日至 2024 年 10 月 14 日在洛杉磯地區拍攝。
人才薪酬為每小時 18.75 美元（每天約 6-8 小時）
由於故事情節的背景，演員必須能說一口流利的普通話。
如果您有興趣，請將頭像和聯繫資訊發送至：[email protected] 並在提交說明中包括您的普通話流利程度。演員將被要求提交一個自錄的試鏡視頻
尋求：
中國女孩，年齡在 6-12 歲之間。 一個年輕、好奇的女孩，喜歡看電影和吃糖果。必須能說流利的普通話。
中國女性，年齡在21-40歲之間。在電影院售票處工作的一名女性。身為母親，她很難找到合適的詞語和語氣，拒絕小女孩想看電影的願望（因為她買不起票）。必須能說流利的普通話。
票）。必須能說流利的普通話.

06/14/2024

Reposting :-3

06/10/2024

https://forms.gle/ExAuCo56AsgZ3ga97

05/16/2024

Hello everyone, I’m currently casting a Non-Union Independent Narrative Feature "Ephemera" - the production films in Shanghai China, mid-late August 2024 (10-14 days). The production is looking for Asian Female talents (preferably Q***r identifying) who speaks Mandarin Chinese to fill the leading role(s) I the film.
Talent Compensation: $250 USD per filming day; Travel, Transportation, Lodging will be provided by production.
The only requirements are the performer must be able to speak Mandarin Chinese (as it is a Chinese film) and have a valid Passport to travel to China if cast. Pretty much we are looking for talents from anywhere in the world, as long as the person is able to submit a self-tape and is able to travel. (or local in China, even better).

Submission:
Send headshot & resume to: [email protected]
Kindly note your full name and the character you’re interested in in the email subject.
Selected talents will be given instructions to submit a self-tape audition.

Thank you and let me know if you have any questions.

Synopsis: Post-pandemic, present-day Shanghai. Asher participates in a hip-hop lesson in a dance studio situated on a busy street. She can’t stop glancing at the dance teacher. Following the class, Asher musters the courage to ask Tori out, disclosing that it's her final evening in Shanghai before leaving for Los Angeles. To her delight, Tori accepts. They wander in the historic French Concession as dusk falls - a blend of palpable anticipation and subtle awkwardness. Conversations flow freely, encompassing their experiences, families, and personal histories. However, beneath their apparent compatibility lies a growing awareness of cultural and personal disparities.

Seeking:

Asher (she/they): Female, early 30s, American-born Chinese, used to work as a corporate UI/UX designer in Los Angeles. Having split their lifetime in LA and Shanghai, Asher has recently quit the designer job to return to Shanghai. This decision was long overdue, partly due to the need for a fresh start and partly because Dad has been diagnosed with Alzheimer's. "The best way to remember is to live in the moment." Embracing their Shanghai moment, Asher discovers a passion for hip-hop dancing and falls in love - with both the dance form and dance teacher Tori. The character identifies as Q***r. Must be comfortable with make-out scenes (kissing, caressing, hugging, etc.) with a female scene partner. No nudity. Nothing explicit. Must have a valid Passport. Talent must be able to speak Mandarin Chinese. Lead.

Tori (she/her): Female, late 20s, freelance hip-hop dance instructor, born and raised in China, has been navigating the bustling metropolitan scene of Shanghai for five years. Hardworking and witty. Perceptive and empathetic. But she's also good at keeping people at arm’s length because her personal reality and the broader national context discourage her from fully expressing her true self. But deep down she yearns for stable companionship. The character identifies as Q***r. Must be comfortable with make-out scenes (kissing, caressing, hugging, etc.) with a female scene partner. No nudity. Nothing explicit. Must have a valid Passport. Talent must be able to speak Mandarin Chinese. Dance experience is a plus. Lead.

04/19/2024

WE’RE BACK! Janet Yang Productions and CAPE are thrilled to announce that submissions are now open for Year 3 of the Julia S. Gouw Short Film Challenge for API Women and Non-Binary Filmmakers! 4 filmmakers will be selected to receive $25,000 production grants to complete their short films, mentorship and networking opportunities provided by CAPE, Janet Yang, and Julia S. Gouw, and more resources than ever to support and accelerate their careers!

We began this challenge because for far too long, Hollywood has been an insular, exclusive club...and somewhat of a “boys’ club” at that. But times are changing. Our very first year, the shorts screened at festivals such as Sundance and SXSW, as well as major Asian and Pacific Islander film festivals such as CAAM and LAAPFF. We wrapped Year 2 just last month, when our four grant winners Dorothy Xiao, Kristy Choi, Rippin Sindher, and Shruti Parekh hosted a tremendous screening of their shorts at AMC Theatres!

Submissions for YEAR 3 of the Julia S. Gouw Short Film Challenge are open now until Monday, May 20, 2024. Learn more and apply at capeusa.org/short-film-challenge!

04/13/2024

Reposting 😉

03/04/2024

Hello there, I'm currently casting "Latent Space" a Calvin University (MI) Student Film under SAG-AFTRA Micro Budget Agreement. Accepting both Union and Non-Union submissions. The production films in Grand Rapids, Michigan from March 14-16, 2024. The production is opening the casting call for talents within Michigan and outside of Michigan (within the United States). Talent compensation is $250 per filming day (3 filming days total); for talent outside of Michigan, the production offers $60 per-diem on travel day (March 13, March 17), in addition to provide/cover Flight, Transportation, and Lodging for the duration of the production.
This is a last-minute replacement casting call - Please submit if you are interested and available, we are requesting a self-tape audition from the talents.

Send Headshot/Resume to: [email protected]

Storyline:
In his early 80’s, a retired ceramics teacher takes up a job opportunity, in China, teaching via an artificially intelligent version of himself. Toward the end of a semester defined by his absence, Aaron learns that one of his students has been falling behind. The student, Jin Lì, has become increasingly despondent in relation to Aaron’s AI. Through tense interactions, Aaron attempts to break through this artificial barrier to connect with Jin.

Seeking Mandarin Speaking Actor to portray:
-[JIN] Asian Male, age 17-30. A College student at the Chinese International School. When he was little, Jin's parents took him to visit the only surviving Míng Dynasty kiln in Jingdezhen. Ever since then, he has had a fascination with ceramics. For a long time, he was not strong enough to turn clay on a pottery wheel. Now in college, he has found himself struggling to connect with the art form. His teacher, Aaron Clark, is an American who has elected to teach his class via an artificially intelligent version of himself. In this distant future, AI has become commonplace in Chinese classrooms. Up until this point, Jin has only had to deal with AI instructors in classes with subjects he hasn't cared about. Without the genuine connection of a mentor, Jin feels like his work is under-appreciated and he is undervalued as a student. He has become rebellious and despondent in relation to his artificial instructor. Despite Aaron having decided to hold his final critique sessions personally, one-on-one, Jin is uninterested in meeting with him. He decides to fight fire with fire. Jin sends an artificial version of himself to conduct his critique. Furthermore, he programs it to be as disrespectful and despondent as he feels. This kicks off the conflict we follow throughout the film. Talent must speak fluent Mandarin Chinese, please note fluency in your submission. Supporting.

02/27/2024

電子遊戲尋中文配音
Video Game seeking Mandarin Chinese speaking Voice Over Talents.
Non-Union Production
The Recording Studio is based in New York, but open to VO talents from outside of New York with access to home recording studio setup.
Talent Compensation is $113.64 per hour, guaranteeing 3 hours of booking ($340).
Talent must be legally able to work in the United States.
We are seeking VO talents to cover characters that are Male & Female sounding, age range from 12 to 80. (Voice Sounding, not actual age. If VO Talent can put on multiple voices, a PLUS)
New York recording in-person recording session between Late March – First week of April 2024 – session will be arranged based on the creative team and performer’s availability.
Remote recordings for performers outside of the New York region, will be arranged based on the creative team and performer’s availability. Talent must have Home Voice Over Recording Setup and be able to record along with zoom/facetime live sessions with the creative team.
If you are interested, please contact me at [email protected] - and note fluency of Mandarin Chinese. Selected talents will be asked to record an audition demo.

02/20/2024

Spreading the words - Sony Pictures Television Diverse Actors Program (Los Angeles)

Sony Pictures Television (SPT) is looking for a group of actors to participate in an ongoing program that includes workshops, classes, panels, and one-on-one mentorship from the SPT casting team.

This is a training-intensive program with exposure to leading industry executives.

The majority of the program is live in LA. Actors must provide their own housing and travel accommodations if not local to Los Angeles.

Submission Deadline: Feb 27, 2024

Established in 2021, the Sony Pictures Television (SPT) Diverse Actors Program started as an intensive virtual training program consisting of acting classes, casting director workshops, SPT executive panels, actor life coaching sessions, and industry masterclasses. Participants of the program also r...