In geveb: A Journal of Yiddish Studies

01/25/2023

Antifascist Yiddish for Beginners | In geveb

Jay Saper reflects on his course, “Antifascist Yiddish for Beginners,” which grew explicitly out of his personal, political, and artistic commitments and was created for the community he calls home: an intergenerational group of artists and activists, mostly q***r and trans leftist Jews.

Saper's course, “Antifascist Yiddish for Beginners,” grew explicitly out of his personal, political, and artistic commitments and was created for the community

01/25/2023

My Way into Yiddish: Reflections of an Adult Learner | In geveb

Laurie Fisher, a Jewish Studies professor who happens to be a student of Yiddish, reflects on her experiences as someone who came to learning Yiddish later in life.

Laurie Fisher, a Jewish Studies professor who happens to be a student of Yiddish, reflects on her experiences as someone who came to learning Yiddish later in l

01/20/2023

A Conversation at ASEEES: Teaching Yiddish during the War in Ukraine | In geveb

To what extent can you teach, or should you teach, about the war in Ukraine in a beginner’s class? And if you do, are there particular strategies you use? Tanya Yakovleva, Sara Feldman, Oksana Sikorska and Jessica Kirzane discuss in this transcript of their conversation at ASEEES: Teaching Yiddish during the War in Ukraine.

At the 2022 Association for Slavic, East European, and Eurasian Studies (ASEEES) conference this fall, a group of Yiddish instructors came together to discuss t

01/18/2023

Briv funem arkhiv: An American Package for Soviet Jews | In geveb

In our latest "briv funem arkhiv" piece, A melodramatic studio photograph illustrates the widening gap between the American and Soviet branches of Sasha Senderovich's family.
Mazel tov to Sasha, whose How the Soviet Jew Was Made (Harvard University Press) is a finalist for the National Jewish BookAward in the category of Modern Jewish Thought and Experience!

A melodramatic studio photograph illustrates the widening gap between the American and Soviet branches of the author's family.

01/13/2023

A Night at the (Yiddish) Opera: Bas Sheve’s North American Premiere | In geveb

Julie Sharff reports on the North American Premiere of Bas Sheve, a Yiddish opera, on August 31, 2022 at the biannual Ashkenaz festival in Toronto. Originally by Henekh Kon with libretto by Moishe Broderzon, Bas Sheve premiered in Warsaw on May 24, 1924. Martin Luther University Halle Wittenberg professor of Jewish Studies Diana Matut rediscovered the score at a Yale University auction. When Matut found the score, there were sixteen missing pages. With a team consisting of composer Joshua Horowitz and librettist Michael Wex, Bas Sheve appeared reimagined and remastered for the twenty-first century.

As the biannual Ashkenaz festival kicked off, so did the North American Premiere of Bas Sheve, a Yiddish opera, on August 31, 2022.

01/11/2023

Review of Samuel J. Spinner's Jewish Primitivism | In geveb

Jeffrey A. Grossman offers a detailed review and analysis of Samuel J. Spinner's "elegant new study" Jewish Primitivism, which, Grossman explains, offers a new approach to the relationship between German and East European Jewish culture while also considering to what degree and in which ways differences among Jewish cultures reflect differences and interactions with the non-Jewish culture(s) around them.

With his elegant new study, Jewish Primitivism, Samuel J. Spinner offers a new approach to the relationship between German and East European Jewish culture whil

01/05/2023

Briv Funem Arkhiv: Letters of Sholem Aleichem to Vladimir Waisblat | In geveb

For our briv funem arkhiv series, Artur Rudzitsky discusses letters between Vladimir Naumovich Waisblatt and Sholem Aleichem concerning Yiddish theater. With special thanks to Tova Benjamin for her translation work!

For our briv funem arkhiv series, Artur Rudzinsky discusses letters between Vladimir Naumovich Waisblat and Sholem Aleichem concerning Yiddish theater in Kiev.

01/05/2023

Yiddish sof-vokh 2023 - Yiddish Café Trust

קומט קײן ענגלאַנד צום 2טן ייִדיש־סוף־װאָך אין מײַ! דאָרטן װעט איר מחיה זײַן זיך מיט 3 מעת־לעתן פֿון שמועסן, װאַרשטאַטן, רעפֿעראַטן, מוזיק... אַלץ אױף ייִדיש. 5טן ביז 7 מײַ 2023. פֿאַראַנען אױך סובבװענצן.

Come to England for the 2nd Yiddish Sof-Vokh! There you will delight in a full weekend of conversation, workshops, talks, music…
all in Yiddish. 5-7 May 2023. Bursaries available.

:Details and registration here

Yiddish Sof-Vokh UK 2023 The second UK weekend of Yiddish – A Yiddish Sof-Vokh May 5-7 2023 at Wortley Hall […]

12/18/2022

Your Guide to Yiddish and In geveb at the 2022 AJS Conference | In geveb

Just a reminder, if you're at the AJS conference, look for us this morning, from 8:30 to 10 am at Blue Bottle Coffee. This is an opportunity to gather and to chat informally about all things Yiddish studies. Feel free to bring ideas about what you might want to contribute to In geveb, tell us about your favorite pieces from the site, suggest what you would want to see more of from the journal, or just say hi!

This year, In geveb will be sponsoring a roundtable discussion on Yiddish pedagogy. On Sunday, December 18, from 2:30 to 4:00 pm, the roundtable “Vos iz? Yiddish Pedagogy in the 21st-century Academia” will take place in the Exeter Room (Third Floor, Sheraton Boston). This conversation will present an opportunity to reflect on the changes in Yiddish pedagogy over the last hundred years, to discuss current practices, and to lay out expectations and hopes for the future. Our very own editor-in-chief Jessica Kirzane will serve as moderator; Ellen Kellman, Beatrice Lang, Agi Legutko, Elena Luchina, and Sara Feldman will participate as discussants.

Read our guide to Yiddish and In geveb at the 2022 AJS Conference here:

This is the In geveb guide to Yiddish at the annual Association for Jewish Studies conference in Boston, December 2022.

12/15/2022

Review of From the Jewish Provinces by Fradl Shtok, translated by Jordan D. Finkin and Allison Schachter | In geveb

Sonia Gollance reviews From the Jew­ish Provinces: Select­ed Sto­ries by Fradl Shtok, trans­lat­ed by Jordan Finkin and Allison Schachter, calling it "a valuable and highly readable addition to Yiddish literature in translation."

From the Jewish Provinces is a valuable and highly readable addition to Yiddish literature in translation.

12/14/2022

An Interview with Simon Starr of YID! on their new album, ZETS! | In geveb

ZETS! is the newly released sec­ond album of the Mel­bourne-based band, YID! The album com­bi­nes tra­di­tion­al Yid­dish songs with orig­i­nal music and lyrics and draws inspi­ra­tion from Dark Side Of The Moon and the Beast­ie Boys’ Paul’s Bou­tique.
ZETS! was record­ed by the whole band plus guests between lock­downs in 2021.

Rebec­ca (Rivke) Mar­go­lis spoke with Simon Starr, orga­niz­er and bass play­er of YID! in August 2022. Read the interview here:

ZETS! is the second album of the Melbourne-based band, YID!

12/13/2022

The Voices of Yiddish Writers: A Bilingual Conversation on the new Bilingual Edition of Sheva Zucker's Collection of Printed and Recorded Yiddish Writing, The Golden Peacock | In geveb

Our latest piece for In geveb:

In this bilingual conversation, Sheva Zucker and Miriam Isaacs discuss Zucker's project, The Golden Peacock: The Voice of the Yiddish Writer Bilingual. The collection of writing by twelve Yiddish writers, classic and more modern writers, men and women, includes printed Yiddish text, translations, and recordings of the writers reading their own work.

Miriam Isaacs and Sheva Zucker discuss Zuker's project, The Golden Peacock: The Voice of the Yiddish Writer Bilingual, a book and recording featuring twelve Yid

12/06/2022

פּאַריז | Paris | In geveb

Abra­ham Sutzkev­er wrote ​“Paris” when stay­ing in the city in Decem­ber 1946, at the end of what was his first return to Europe after the Holo­caust. As Annabel Cohen describes it, "in the poem, look­ing out over the ​“city of all peo­ples,” away from the epi­cen­ter of his own trau­ma, Sutzkev­er finds he is able to breathe again, to redis­cov­er his con­nec­tion to the world, to human­i­ty, and to his Jew­ish identity."

See Annabel Cohen's translation of "Paris" here:

Annabel Cohen translates Abraham Sutzkever's poem, "Paris."

11/30/2022

We proudly present the In geveb guide to Yiddish at the annual Association for Jewish Studies conference in Boston, December 2022!

This year, In geveb will be sponsoring a roundtable discussion on Yiddish pedagogy. On Sunday, December 18, from 2:30 to 4:00 pm, the roundtable “Vos iz? Yiddish Pedagogy in the 21st-century Academia” will take place in the Exeter Room (Third Floor, Sheraton Boston). Our editor-in-chief Jessica Kirzane will serve as moderator; Ellen Kellman, Beatrice Lang, Agi Legutko, Elena Luchina, and Sara Feldman will participate as discussants.

We’d love to meet you! Look for the In geveb editors on Sunday, December 18, from 8:30 to 10 am at Blue Bottle Coffee. This is an opportunity to gather and to chat informally about all things Yiddish studies.

If you will not be at the AJS Conference but would like to connect with our editors, please write to [email protected] to schedule virtual office hours with us.

Did we miss anything? Are you (or someone you know) presenting on a Yiddish-related topic at the AJS conference that isn't listed here? Let us know so we can include you.

https://ingeveb.org/blog/your-guide-to-yiddish-and-in-geveb-at-the-2022-ajs-conference

11/30/2022

Thank you to all who have given to us for ! If you haven't given yet, there's still time! ingeveb.org/donate

Today is ! If In geveb has changed the way you learn or teach Yiddish, or helped you discover a new favorite Yiddish writer, please consider supporting us on this global day of generosity. ingeveb.org/donate

11/29/2022

Today is ! If In geveb has changed the way you learn or teach Yiddish, or helped you discover a new favorite Yiddish writer, please consider supporting us on this global day of generosity. ingeveb.org/donate

11/17/2022

The Golden Peacock and the Green Owl: Analyzing Yiddish Language Learners’ Experiences with Duolingo | In geveb

Who is learning Yiddish with Duolingo and why? What do they think of it? In winter 2022 Sarah Biskowitz circulated a survey to find out, and over three hundred people responded. Read about it here:

This article summarizes the findings of a poll of three-hundred students who study Yiddish with Duolingo.

11/15/2022

Let's not wait!: Introducing preschoolers to Yiddish through Leah Hoffman's Alefbeys | In geveb

In this piece Beth Dwoskin explains how Leah Hoffman's play about the Yiddish alphabet can be adapted for children's classes today. She presents her English translation of the play alongside a recording of the alefbeys song in English.

In this piece Beth Dwoskin explains how Leah Hoffman's play about the Yiddish alphabet can be adapted for children's classes today. She presents her English tra

11/11/2022

Review of Moshkele the Thief by Sholem Aleichem, trans. Curt Leviant | In geveb

Sean Sidky reviews Curt Leviant's translation of Sholem Aleichem's Moshkeleh the Thief, "a gripping story, full of colorful and surprising characters, told and translated in a beautifully direct and conversational tone." As he explains, the novel "offers far more to its readers in translation than simply the fact that it has never before been published in English."

In geveb is an open-access digital forum for the publication of peer-reviewed academic articles, the translation and annotation of Yiddish texts, the exchange of pedagogical materials, and a blog of Yiddish cultural life.

11/09/2022

Our latest peer reviewed article, by Rachel Rubinstein, discusses Jacobo Glantz's 1938 epic poem, Kris­to­bal Kolon, which con­nects dis­parate geo­gra­phies, his­to­ries, and peo­ples in a pow­er­ful revi­sion­ist nar­ra­tive.

The epic poem retells the Amer­i­c­as’ most icon­ic foun­da­tion­al myth using two unlike­ly guides: Luis de Tor­res, glanc­ing­ly men­tioned by Colum­bus as a Jew hired to serve as an inter­preter,and Gua­cana­gari, a cacique also briefly described in Columbus’s jour­nals. Writ­ten in a mul­ti­lin­gual Yid­dish with Span­ish, Taino, Latin, and Hebrew bor­row­ings, Glantz’s mas­ter­work offers a transna­tion­al vision of the Amer­i­c­as that insists — in Yid­dish — on its Jew­ish, Mus­lim, indige­nous and African ori­gins.

Rubinstein shows that the narrative sug­gest­s a new geog­ra­phy for Amer­i­can Jew­ish lit­er­a­ture that exceeds the bound­aries of what we under­stand the Amer­i­c­as and Jew­ish­ness to be, and chal­leng­es our expec­ta­tions of what Yid­dish lit­er­a­ture can contain.

https://ingeveb.org/articles/the-yiddish-columbus-critical-counter-history

11/08/2022

Introducing Alexander Stern, Editorial Intern | In geveb

Welcome to the latest member of our editorial team!

Welcome to the newest member of our team!

11/07/2022

Illustrating Ya’akov Fichmann’s Shabes in vald | In geveb

For a final project, Yale Yiddish student Giovanna Truong illustrated Ya’akov Fichmann’s story “Shabes in vald” from B. Ostrovsky’s textbook Idish and wrote a lesson plan to accompany it. We hope others will appreciate and use this wonderful work!

In this piece Giovanna Truong discusses her creative process of illustrating Ya'akov Fichmann's short story Shabes in vald for a final assignment in an intermed

11/02/2022

"I salvage the shards": an interview with Polish poet Grzegorz Kwiatkowski | In geveb

Jessica Kirzane interviews Polish poet and musician Grzegorz Kwiatkowski about his minimalist poetry salvaged from Holocaust-era documents. Their conversation is presented together with Eng­lish trans­la­tions of his poet­ry by Peter Con­stan­tine and new­ly com­mis­sioned Yid­dish trans­la­tions of his poet­ry by Mag­dale­na Kozłows­ka.

An interview with Polish poet and musician Grzegorz Kwiatkowski.

10/27/2022

Review of Marc Caplan's Yiddish Writers in Weimar Berlin: A Fugitive Modernism | In geveb

Marc Volovici reviews Marc Caplan's Yiddish Writers in Weimar Berlin: A Fugitive Modernism (Indiana University Press), calling it " a riveting analysis of the poetic and political force of Yiddish modernism."

Volovici explains, "Caplan’s effort to situate Yiddish modernism onto German modernism (and vice versa) reveals entwined engagements with the condition of precariousness, displacement, homelessness, and political turmoil. "

In geveb is an open-access digital forum for the publication of peer-reviewed academic articles, the translation and annotation of Yiddish texts, the exchange of pedagogical materials, and a blog of Yiddish cultural life.

10/26/2022

Toward Hopeful Skies: A Benefit Volume to Support Ukrainian Relief | In geveb

In August Naydus Press published Toward Hopeful Skies, a trilingual (Yiddish, Ukrainian, English) book of children’s poetry, as a benefit volume to support the refugee resettlement agency HIAS's work with refugees from Ukraine.

We sat down with Jordan Finkin, founder and director of Naydus Press, and Rebecca Kirzner, Senior Director of Grassroots Organizing and Advocacy at HIAS, to discuss the project, which was supported in part by In geveb.

This August, Naydus Press published Toward Hopeful Skies, a trilingual (Yiddish, Ukrainian, English) volume of two works of children's poetry, as a benefit volu

10/24/2022

On Translating The Disappearance into Yiddish: Ilan Stavans and Beruriah Wiegand in Conversation | In geveb

On the occa­sion of Beruriah Wiegand's Yid­dish trans­la­tion of Ilan Stavans’ The Dis­ap­pear­ance, the author and trans­la­tor engaged in a series of vir­tu­al dia­logues on trans­lat­ing from and into Yid­dish today.

"Wiegand: My translation was a dialogue with your source text and a quest for meaning in my target language: Yiddish. Translating literature implies creativity. It’s not just translation, but “transcreation”. Translating into Yiddish is an art form!"

In geveb is an open-access digital forum for the publication of peer-reviewed academic articles, the translation and annotation of Yiddish texts, the exchange of pedagogical materials, and a blog of Yiddish cultural life.

10/20/2022

Kosmopolitn: a Time Capsule to a World that Maybe Was | In geveb

Zeke Levine reviews the album Kosmopolitn by Tsvey Brider + Baymele recently released by Borscht Beat, describing it as "a tribute to the social and cultural dynamism of turn-of-the-twentieth century Yiddish poetic life."

Kosmopolitn, the latest Tsvey Brider release from Borscht Beat Records, is a tribute to the social and cultural dynamism of turn-of-the-twentieth century Yiddis

10/19/2022

Translating a Text on Racist Violence as a Yiddish Student | In geveb

As a final project in a course on "Reading Yiddish" at Yale University, Giovanna Truong took on the challenge of translating Aaron Meisel's "The Death of Ted Dennis," a Yiddish story about lynch violence. Here she reflects on the experience.

As a final project in a course on "Reading Yiddish" at Yale University, Giovanna Truong took on the challenge of translating Aaron Meisel's "The Death of Ted De

10/17/2022

A Yiddish Newspaper at War with Yiddish: Abraham Cahan and the 1931 Language Debate in the New York Forverts | In geveb

We're thrilled to announce our first peer reviewed article of the 2022-2023 publishing year, historian Gennady Estraikh's "A Yiddish Newspaper at War with Yiddish: Abraham Cahan and the 1931 Language Debate in the New York Forverts." In this article, Estraikh explains the para­doxically negative attitude - artic­u­lat­ed by editor-in-chief Abra­ham Cahan, and many of the staff writ­ers of the Forverts - toward using Yid­dish as the edu­ca­tion­al medi­um of instruc­tion in Amer­i­can Jew­ish schools.

This article describes the paradox of the negative attitude articulated by the Yiddish Forverts toward using Yiddish as the educational medium of instruction in

10/12/2022

Review of Utopia’s Discontents: Russian Emigres and the Quest for Freedom, 1830s—1930s by Faith Hillis | In geveb

Joshua Meyers praises Faith Hillis's Utopia's Discontents, saying, "The book skillfully and convincingly provides a new understanding of the role of émigré colonies as key loci in the Russian political and intellectual traditions."

Created out of necessity as a response to Tsarist repression, Hillis argues that circles of Russian emigre groups, or “colonies,” represented a crucial space in

10/11/2022

Oh, how we've missed you | In geveb

We're back from summer publishing break! Did you miss us?

We're back! Did you miss us?

09/23/2022

In 1995, leading scholars and activists gathered for “Di froyen: Women and Yiddish, Tribute to the Past, Directions for the Future,” a landmark conference focused on women’s contributions to Yiddish culture.

On November 4-6, In geveb is cosponsoring an event hosted by the Yiddish Book Center honoring the historic gathering by hosting a celebration of Yiddish women writers, translators, and scholars. To view the full schedule of events and register, visit http://yiddishbookcenter.org/di-froyen.

Open to the public, this in-person weekend program will feature lively discussions, book talks, workshops, and a special performance, all of which highlight the artistry and significance of Yiddish women writers.

Registration closes October 20, and we hope you’ll join us in celebration of these extraordinary Yiddish writers. Tickets are $350 for Yiddish Book Center members; $425 for nonmembers.

This event is also cosponsored by the Jewish Women's Archive
and National Yiddish Theatre Folksbiene - we're excited to be in such great company to honor the centrality of women in Yiddish culture.

08/31/2022

Final Projects | In geveb

We're interrupting our summer publishing break for a moment to share that we have added final projects from Rebecca Margolis's Mitndike (intermediate) class of the Steiner Summer Yiddish Program, at the Yiddish Book Center this summer to the roundup of final projects we assembled last spring.

The assignment was to create an interpretation or reinterpretation of a text they studied as part of the class, which included a wide variety of songs, poetry, fiction and non-fiction writing. The students prepared multimedia projects in which they were invested in on both scholarly and personal levels.

We hope our readers enjoy this wonderful work and are inspired by it in their future creations and assignments (and mazl tov to these creative, accomplished students!)
https://ingeveb.org/pedagogy/final-projects

These projects demonstrate not only how clever and creative students can be, but also the variety of ways that students can express and display their thought an

07/14/2022

We're on Summer Break! | In geveb

And that's a wrap! We're on summer break and will be back in September.

We published a lot this year: 17 book reviews, 18 pedagogy pieces, 11 translations, 34 blog pieces (not counting our annual Purim issue!), 1 academic article, and 1 multi-genre special issue comprising an additional 2 academic articles, 2 blog pieces, and 2 translations.

Roughly 3,000 readers dropped by our site each week, logging in from the US, Canada, the UK, Israel, Germany, France, Australia, Poland, Sweden, and beyond. The top cities for readers were New York, Tel Aviv, London, Chicago, Toronto, Los Angeles, Washington DC, Paris, and Montreal.

Click on the link below to learn about: editorial staff changes, open positions, what we're proud of from this year, how to support In geveb, and how to submit your work to us.

https://ingeveb.org/blog/were-on-summer-break

Updates from In geveb as we head into our summer break!

07/14/2022

Reader Favorites 2021-2022 | In geveb

We're about to go on a summer publishing break, but before we do - check out our top ten countdown of the most-read pieces on
In geveb this year. They represent pieces accross our sections (blog, translations, pedagogy, peer review, reviews) and are only a sampling of all that we've published this year.

https://ingeveb.org/blog/reader-favorites-2021-2022

What you liked best this year, a top ten countdown.

07/13/2022

Final Projects | In geveb

This roundup of suc­cess­ful stu­dent demon­strates not only how clever and cre­ative stu­dents can be, but also the vari­ety of ways that stu­dents can express and dis­play their think­ing and learning.

For the unini­ti­at­ed instruc­tor, it can be quite daunt­ing to begin assign­ing unes­says. The open-end­ed struc­ture requires a great deal of trust that stu­dents will be moti­vat­ed when giv­en free rein to com­mu­ni­cate their learn­ing in the medi­um of their choice. For the unini­ti­at­ed stu­dent, on the oth­er hand, the assign­ments can feel over­whelm­ing at first. Students may strug­gle with know­ing where to begin. That's why we collected this roundup of student projects in order to help and inspire both instruc­tors and stu­dents who are engag­ing in this kind of task.

What is an unessay? The tends to be an open-end­ed assign­ment in which stu­dents are encour­aged to pro­duce cre­ative work, pre­sent­ed in what­ev­er medi­um they like, and relate it to the course mate­r­i­al. To com­bat stale and repet­i­tive essays, and also to invite stu­dents to bring them­selves, their inter­ests and tal­ents, to bear on the course mate­r­i­al, many instruc­tors in a variety of fields have turned to the ​ in recent years for their final assess­ments.

https://ingeveb.org/pedagogy/final-projects

These projects demonstrate not only how clever and creative students can be, but also the variety of ways that students can express and display their thought an

07/12/2022

In geveb is seeking a Peer Review Editorial Associate | In geveb

We're still accepting applications for a Peer Review Editorial Associate for the 2022-2023 academic year. The deadline is in just a few days: July 15. We hope to hear from you!

https://ingeveb.org/blog/join-our-team-in-geveb-is-seeking-a-peer-review-associate

In geveb is seeking to hire a Peer Review Editorial Associate for the 2022-2023 academic year. This new member of our editorial team who will take an active rol

07/12/2022

In geveb is seeking a Development and Fundraising Associate | In geveb

Come work with us! In geveb is seeking to hire a Development and Fundraising Associate for the 2022-2023 academic year.

The position will average between 15-20 hrs/month. The work is flexible but organized around key fundraising and development deadlines. This position is for the 2022-2023 academic year (Sept 1-June 30, start and end dates negotiable), with the possibility of renewal. The compensation for this position is $18/hour and it is a remote position.

If you're organized, a strong writer, have fundraising experience, are excited to think creatively about new sources of support for
In geveb, and especially if you want to help build a broad and inclusive community for Yiddish studies, please consider applying.

Please submit a cover letter and resume or CV to [email protected] with the subject line Development Associate. The deadline for applications is August 18.

https://ingeveb.org/blog/in-geveb-is-seeking-a-development-and-fundraising-associate

In geveb is seeking to hire a Development and Fundraising Associate for the 2022-2023 academic year.

07/11/2022

װינטער פֿאַרנאַכט | Soir d’hiver | In geveb

Sebastian Schulman invites readers to engage with francophone Québec through a translation into Yiddish of Émile Nelligan’s “Soir d’hiver.”

Émile Nel­li­gan (1879−1941) has achieved the sta­tus of a nation­al poet in Québec. Writ­ten in 1889 and first pub­lished in 1902, ​“Soir d’hiver” is one of Nelligan’s most beloved texts.

"By bring­ing this text into Yid­dish," Schulman writes, "I hope to under­score the neces­si­ty for more com­par­a­tive, lin­guis­ti­cal­ly rich schol­ar­ship."

https://ingeveb.org/texts-and-translations/soir-dhiver

Sebastian Schulman invites readers to engage with francophone Québec through a translation of Émile Nelligan’s "Soir d'hiver."

07/08/2022

Samy Szlingerbaum’s Heymish Avant-Garde Kino der Mamen: Mysteries, Music, & Immigrant Life in “Brussels Transit” | In geveb

Eve Sicular offers an exegesis of Samy Szlingerbaum's recently restored autobiographical cinematic masterpiece, which depicts a Jewish family’s displacement in the aftermath of World War II.

https://ingeveb.org/blog/brussels-transit

Eve Sicular offers an exegesis of Samy Szlingerbaum's recently restored autobiographical cinematic masterpiece, which depicts a Jewish family’s displacement in