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I was just ready to submit my first full-length poetry manuscript only to read on Authors Publish that submissions closed a day early without any notice on your website or Twitter feed.
This does not inspire faith in your respect for writers who have worked long and hard on a manuscript, scheduled time for the submission and attachments only to find out that you closed submissions day early without notifying anyone.
I just read your article by Alexis Zanghi called What Home Staging Showed Me About Housing in America. I absolutely loved it. Her writing is magnificent. I hung on every word and I don't usually read all the way to the end on a long article unless it's good. It's very good
From my WIP entitled "God, Send Sunday": "Papa stepped off the porch and faced the man. Why had he said the man was white when clearly he was the loudest shade of pink Sunday had ever seen?"
Hannah Walhout's article on New York was quite wonderful. It was definitely New Yorker style writing in more ways than one.
I just finished "Before and After the Book Deal: A Writerâs Guide to Finishing, Publishing, Promoting, and Surviving Your First Book" by Courtney Maum and I will be recommending it to many of my writer friends!
A Country Muse
âHear Sir! I write poetry far better than anyone on earth,â the young man claimed. âOh! You donât believe I can show you that.â He came close and demanded to read the yellow lines printed on his black t-shirt.
I glued to the words, and as the t-shirt was tattered, and washed more than hundred times, many letters lost their sheen. You need to apply your imagination to have a sense of the poem. I failed to decipher the lines, but said with a sweet voice, âWow! Iâve never read such a beautiful poem in my life!â
âEh, where do you find beauty?â He asked with a sneer, and apparently had been much pained with my words.
âWhy, man, I found beauty in each letter you pen.â I tried to mollify his wrath. But he was gloom and dark.
A silence sustained. I felt shaken for my misdeed. The air was cool, and the day pleasant. The sun was mellow, and its soft rays fell on us through the laced twigs of lovely trees. The water of the pond riffled with a low murmur. Birds flew and sang dolefully among the bushes and thickets. The ducks paddled in glee in the gleaming water. A fishy smell smothered us.
âYou, the educated, always find beauty in everythingâbeauty in nature, beauty in women, beauty in poetry, even beauty in the poor. EhâŠWhere is beauty? Huh.., this poem is written not with ink. Each letter is dripped and soaked with my own blood. HuhâŠbeauty?â He spat, and the air flung it far. He looked me hard, eyes forcibly wide, and face flushed with anger and disdain.
âWhere is the blood? Itâs printed in a machine. Do you have a textile factory?â I feigned nonplused.
He was terribly dismayed. He said nothing, as if he suddenly lost words. He squinted at me with derision. His eyes glittered, and a spasm of ache ran through his face. He jumped up with energy, and hurried a few paces away. But he came back, and said, âBlood, you canât see, as youâre blind. Why do you keep eyes? Go to Nripen Mitra Eye Care, and donate them.â
âThat I do at when I die.â I quipped.
âHear Sir! And donât forget. You may be a professor, but Iâm your teacher.â He said with conviction, and thumped the soil hard, and his dangling hand was covered with dust, and the rays of the late noon sun began to play chiaroscuro before our eyes.
âWhy do I write? Do you know? Any idea?â He stooped his head, and it hung heavy.
âBecause you love it.â I plainly said.
âBut Iâm asking now why do I love it?â He shouted shaking his head. A strain of fresh spit covered his thick lower lip, and his mouth was watery.
âHow can I tell that, man? I never know you and your poetry. Some write for name, some for posts and parks, the elegant and rich take it as hobby; the fashionables indulge in it as mere pastime. And we all love it. Your particular case I know not.â I bluntly said.
He grasped or not I couldnât tell. But he nodded his head, and said, âSir, Iâm writing since childhood. And I can tell you even the exact date. It was June 28, Monday morning when my father died. It was a heavy weeklong downpour, fields and ponds flooded. Villagers kept shut in huts. Many were washed away. We cried long. At noon the rain slowed, and we brought the dead to the burning ghat. We somehow made an odd plank with woods, wet and soaked, and poured two drums of kerosene oil over it. Father lie naked, and I set fire to his mouth. The body was not getting burnt, it was smouldering. My neighbours took bamboo poles and beat and beat, until they got tired. They thrashed his skeletons. And then Vangha Das, a tall dark man with a huge paunch and long untrimmed whiskers, a specialist in cracking heads hit and broke my fatherâs skull. It splattered like a ripe melon.
I came home, swapped and sucked. And after midnight I wrote my first poem, âMrituyaâ (Death). And I kept the draft in a tin trunk at a corner of my hut. At my restless days and nights I read it aloud, keeping me shut, and dark at my hole.â
âAsk me why, why I write?â He stirred his legs unstopped, and stared at me.
âWhy?â
âTo kill pain, Sir.â
âWhat pains? Youâre young, and perhaps you have a good wife and a lovely child.â I remarked.
âIâm unmarried,â he protested thumping his breast and told, âin old school days I fell in love with a girl. She was a beauty. You canât find such a nice girl nowhere. But I was a student, and her father refused me her hand. I cried, and I penned many poems to soothe me. She loved my words, and at night lone she sang. We never talked. Only now and then stolen glances we exchanged. She knew the depths of my love, my admiration, and I dreamed her day and night. Then one day she stopped coming school, and I heard she eloped with a man of two children.â
âSo what? Fall in love again with any girl of your choice. Who Cares? It was so cool in todayâs world.â I flatly said.
âAre you a profe-saar? Youâre talking like aâŠa low fellow. Huh⊠with such mentality you teach. Shame, shame on you!â He squeezed his face, and spat with a loud noise, and fell silent again.
âWhy man, love knows no time, no clime, no age. And Iâm not asking you to marry and fetter your soul. I only ask you to fall in love, sacred and pure. And whatâs wrong with that?â I extended.
âNah, nah⊠Iâm happy with my life and my poetry. I donât hate girls, but I shun them. I fear intruders into my little world of poetry.â He told, and looked earnest.
âOh, itâs fine. Have you published any poem?â
âIâve no luxury to do that. I have an acre of farm lands, and a yard of betel nut rows, and I live on that. Hah, Dr. Satidhar Rai, editor of Mujnai published some of my poems. But one day he called me, and asked to sell 200 copies to my friends and known faces. I declined before his face, âSaar, I donât sell poems; Iâm a poet, I only pen it.â Since then he stopped me publishing.â
He paused for a while thoughtfully, and then softly said, âI pen on sheets, and often print them on shirts and pants. My friend Amit has a printing machine. He does it free. And you know I have no ambition. A poor village poet Iâm, and love to remain so. And see, not only on clothes, I also etched them on my skin.â He removed his t-shirt, and threw it away. It fell on a twig beyond, and hung like a scarecrow. He turned his back, and I saw, it was painted all with a green sketch ink. He pushed me to read. I tried and failed again. Only some dying words I could discover with much difficulty.
The wind blew and yellow leaves fell on us. We made cozy leafy cushions, and sat on them. A cuckoo cooed tirelessly from a tree nearby. A kingfisher sat still on a lone stray branch, and its eyes set on the gliding water. The sky was all blue. The sun was rich and soft. Peasants, men and women, yonder were all busy weeding potato fields.
âHow many poems have you written?â I asked, and he said nothing. He looked weird, and a line of pain ran across his sunken cheeks, bearded and scabbard and jaded. His small eyes glowed, and gleamed in a way that thousands tales one could read there.
âCountless Sir! My trunk is filled, and I now keep them on everywhereâbed, four corners of my hut, kitchen. And Sir, at my hut you canât keep feet without nudging them. I write on boundary tins, clothes, utensils, plastic jars. My yard was scratched, and nut trees embossed all. In rain my poems bath, and in sun they bask.â He laughed so loud that birds made a flutter from trees.
âAnything else you love, man?â I asked looking at the greeneries of the fields, and heard the rustle of the leaves. A leafless shimul tree was in full bloom, and its underneath was covered with gory scentless flowers. The man sat bare. The day was pleasant, and the place was a bit cold.
âOhâŠ,â he smiled, ânothing much of that. I like fishing. But I donât kill them. I catch fish, see them gasping for life for a minute or two, and freed them in crystal water. Sometime I pelt pebbles in ponds hours after hours. I also frequent forest to see tall trees standing still. I love to hear the buzz of bees, and cries of peacocks, but what I love most is to hear the sad silence of long wintry night and to watch and count the sparkling stars hung heavy over my tin shade.â
âOh! What a beautiful life you lead!â I exclaimed.
âNo beauty, please. Itâs simple. I love simple things.â He warned me with an air of authority.
He scratched his head, brushed his face again and again, scrambled his back pocket and lighted a bidi. He smoked, and asked me to forgive him for this little pleasure. âWhat I have Sir, âŠnothing,â he sighed, and began, âyou know I have no bad habitsâno women, no wine. I smoke bidi (a cheap smoke), and write at dark night. The things I needâa pen, a bidi, and a dark corner. Iâm not a poet of moon, and sun, and stars. Iâm a poet of pain. And I write poem not for fame or name. I write to quench the pangs of my birth. You understand, not laugh. Everybody writing poetry, hu⊠itâs not so easy and baby thing. All are not poets, a very few are.â He looked fierce, his eyes burnt. He spat, and with a mournful look he sat silent, and began to count lines of his palm, and muttered. And suddenly he hinged out a crumpled paper from his hind pocket and began to read so loud that some peasants soon left weeding, and hurried, and circled us. He commands all for being silent, coughed, straightened the sheet, readied himself and began to shriek,
âJago amar maa ar ghumayo naa â(Awake mother, no
more sleep)
Tomare fele jodi choli (If I leave you)
Pothe jodi bipod ase (If darkness comes in
my path)
Dakbo kare maa? (Whom I call?)
Nirapode tumi chhhaya (You are my safe
shelter)
Tomar kole, tomar buker (Lying on your lap)
Dugdho tene (Sucking your breasts)
Ei prithibir prothom alo (First light of the earth)
Peyechi ami maaâŠâ (I seeâŠ) â
He stopped, and kissed the sheet thrice, and sounded aha ha ha, oh oh ohhoho, and began to cry. He cleared his nose, and tears ran down, making his beard greasy. The peasants were all silent, and stared us still. The scent of fresh mud entered my nostrils. And they were so overwhelmed, and they almost bent over us. I could see nothing, only the bare mud caked, dusty legs, and the toes all flat like the ducks pointing towards us. An old pale lean woman among the crowd wiped her eyes with the end of her soiled sari, and pitied the man, âWhy do you cry, bachha (boy). Your mother is no more. So what, Iâm your mother. Come, I caress you.â
Suddenly the man stopped crying, and tried hard to figure out his mother, and when found, he looked quizzically straight at her, and said with a serene voice, âYou are my maa, itâs all right maa. But underneath lays another thought. Can you tell me that anyone? I ask you all.â His burning eyes slowly surveyed the dull faces of the peasants one by one. The peasants eyed one another, and stood silent, gaped and yawned.
He then raised his voice and shouted, âWhy wonât you die? Why do you live at all, you all are rustic fools!â He spat. I sat silent. He pushed me and asked, âSir! What will do they? The mother of my poem is allâs motherâBharat maataaa. Huh⊠itâs not so easy; a poem isnât a baby thing! He cried loud and fainted.
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