Screen 介面

12/31/2018

SCREEN | 介面: The Age of Keywords: Geography as Metaphor – by SCREEN Editorial

Please follow up our new editorial in the New Year! Happy New Year!

a new column features essayistic reviews and/or fictions.

01/31/2018

離線瀏覽 2018 台灣國際錄像藝術展

Shout out to video artists! Submit your work to Taiwan International Video Art Exhibition. The deadline is April 30, 2018.

本屆主題為「離線瀏覽」（Offline Browser），晚期資本主義在全球網絡化的加速過程中，以大數據作為基礎建設，漸漸演化成最先進的平台資本主義模式，進一步許諾著生活及日常的效率，使每個個體皆化為資訊進入數位的荒流之...

10/31/2017

We have to stand up and be silent no more. #notsurprised @notsurprised2017

10/07/2017

We are opening today, 1-6pm.
3fl, 456 Broadway, New York, NY, 10013.

10/06/2017

come and join us for the opening tonight. Resistance is Futile, Artist: Musquiqui Chihying. 6-8pm, 3fl, 456 Broadway, New York, NY, 10013.

09/16/2017

Come and join us for the opening today! Tall Non-fat Raspberry White Mocha Latte, curated by @n.i.h.a.o and @anedham. ☕️opening reception: 9/16 1pm-5pm EST.🚪425 5th Ave. #42A, New York, NY 10016 🍸5th Ave.🍺The Tower 🍹You're Fired. Cocktails from Trump Tower will be served. 👙bring your swimwear and enjoy swimming pool and steam room on 11th Fl.👙🏊🏻🏊🏊🏾

08/02/2017

Samson Young @labiennale. #HongKongPavilion #soundart #installation #contemporaryart #art #film #BiennaleArte2017 #vivaarteviva #venice #venicebiennale #Hongkong #collateralevent

07/10/2017

Bedtime...Pipilotti Rist: Pixel Forest. 2016. Installation View. @newmuseum #goodnight #dreamcatcher #dream #dreams #contamporaryart #weekendvibes

07/07/2017

#TehChingHsieh #DoingTime #vivaarteviva @labiennale #labiennalevenezia #BiennaleArte2017 #taiwanpavilion #performanceart #mediaart #artmedia #artgram @themuseumofmodernart @Tate @barnesfoundation

07/05/2017

Hale Tenger, Balloons on the Sea, 2011. #vivaarteviva #videoart #mediaart #artmedia #HaleTenger #BiennaleArte2017 #labiennalevenezia #artgram #contemporaryart

07/05/2017

Felix Gonzales-Torres at @rockbundartmuseum #Shanghai #contemporaryart #mediaart #artmedia

07/04/2017

The must-see exhibition in Venice this summer. "The Boat is Leaking. The Captain Lied." Experiencing images as ghosts in different mediums. @FondazionePrada #pradafoundation #venice #mediaart #artmedia #transmedia #alexanderKluge #ThomasDemand #AnnaViebrock #UdoKittelman #art

06/13/2017

#martaminujin the pantheon of books #documentakassel

03/31/2017

SCREEN | 介面: Film – by Danni Shen

“Having already counted a few distinguished awards in video in his rising career, as well as a background in architecture, Lek creates speculative worlds and site-specific simulations using gaming software, video, installation, and most recently, VR feature film. As stated by the artist on Sinofuturism, Western media presents China as exotic, strange, bizarre, kitsch, tacky, or cheap. In domestic media, China is portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these narratives, Lek’s work pushes them even further. By embracing seven key stereotypes of Chinese society — Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling — Lek’s prototypal pseudo-documentary Sinofuturism, proposes that China's technological development constitutes a new form of Artificial Intelligence. ”- Sinofuturism: An Interview with Lawrence Lek by Danni Shen
http://onscreentoday.com/conversation/sinofuturism

"Sino-Futurism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows….it is often mistaken for contemporary China. But it is not.…

02/21/2017

SCREEN | 介面: Tales of Our Time – by Danni Shen

“How can I break the rules of how art history is written?” asks Guggenheim curator Xiaoyu Weng, the critical mind behind Tales of Our Time on view at the Guggenheim through March 10, 2017. The exhibition is a striking, and for many, surprising selection of contemporary art from China. - written by Danni Shen. Solomon R. Guggenheim Museum Danni Shen http://onscreentoday.com/conversation/tales-of-our-time

In addressing the specificity of locality, Tales of Our Time critically explores today’s territories, boundaries, and even utopias with candid nuance. And if the essential function of utopia as “no place” is first a critique of what is present, the idea of “China” too, is presented here, as a cue fo...

02/08/2017

Screen 介面's cover photo

09/17/2016

#kennyscharf #abcartberlincontemporary

09/13/2016

Check our new screenshot on Agnieszka Polska's screening at @newmuseum. Thanks to Elizaveta Shneyderman and Erin Prinz Schwartz. 🎉🎉🎉 #onscreentoday #screening #videoart #contemporaryart #newmuseum #newyork

http://www.onscreentoday.com/screenshot/agnieszka-polska-at-the-new-museum

08/30/2016

SCREEN | 介面: Floating with Weights – by Yu-Chieh Li

Gwangju Biennale - 광주비엔날레 will launch its 11th edition this Friday. Jeamin Cha is one of the participating artists. She's interested in the overlap between the personal and the historical, and how to re-member the past.

光州雙年展將在本週五熱鬧展開，1986出生於首爾的車在民是本次參展的藝術家之一。她探討個人及國家之間錯綜的歷史議題，以及非紀錄片的影像如何喚醒歷史與個人記憶。

http://bit.ly/2bNwWuM

This series of interviews focuses on artist’s perspectives on that which remains offscreen in moving image. It accompanies our summer program of screenings: Seoul-based artist Jeamin Cha (born 1986), known for her sensitive interpolations of the personal and the historical, here voices her approach…

08/28/2016

SCREEN | 介面: All That Is Solid... – by David Borgonjon

Hito Steyerl's work will be featured in this year's San Paolo Biennale, which launches its 32 edition on Sep. 7.

第三十二屆聖保羅雙年展即將在九月七號熱鬧展開，黑特·史德耶爾的作品也入選這個在今年在巴西舉辦的另一盛事！

http://bit.ly/1TTSG59

SCREEN's review on Hito Steyerl's semi-retrospective at Artists Space in New York City 2015. Her installation and essay film questioned the existing financial structure and the capital circulated in the world.

08/27/2016

SCREEN | 介面: Nummer Veertien, Home – by Richard Kuan

Last chance to see Guido Van Der Werve's Nummer Zes at Kansas City Art Institute. on view til Sep. 2.

好好把握欣賞圭多·范·德·维沃（Guido Van Der Werve）作品 〈第六號〉的機會，在坎薩斯市立美術館展出至九月二號。

http://bit.ly/1V5TTGW

The 54 minute video Nummer Veertien, Home by Guido Van Der Werve shows to advantage as the only work in the cavernous architecture of M Woods, a 2500 sq. m. former munitions factory in Beijing’s 798 District. Solemn choral music laced with explosions fills the space, accompanying the video of the ar...

08/26/2016

SCREEN | 介面: Cao Fei's Chaotic Fable of Modernity – by Diane Zhou

Last week of Cao Fei's retrospective at MoMA The Museum of Modern Art PS1. Our new writer Diane Zhou unveiled Cao Fer's chaotic fable of modernity.

曹斐在紐約 MoMA PS1 的個展已經接近尾聲，新加入的作者周佳佳帶我們觀看曹斐充滿現代性的混亂童話。

http://bit.ly/2bsXcqu

Cao Fei's retrospective at MoMA PS1, her first museum solo show in the United States, charts these chaotic social changes, by visualizing their impact on both geography and flesh.

08/24/2016

SCREEN | 介面: The Art of Living IX – by SCREEN Editorial

Robert Joseph Sandler ’s paintings, made on the iPad and iPhone, address tensions between traditional modes and practices of painting and the current ubiquity of the digital image.

羅伯特·沈德勒使用 iPad 和 iPhone 創造他的畫作，藉以探討傳統範式，繪畫實踐，以及數位影像的普遍性三者之間的張力。

http://bit.ly/2bfa6tW

Between New York-based SCREEN and Beijing-based I: project space, a group of young artists in New York, Berlin and Beijing will respond with images and links to a questionnaire on their living and working conditions. This survey will be published on SCREEN’s website and I: project space’s Wechat cha...

08/22/2016

SCREEN | 介面: I DON'T HONESTLY KNOW – by Jiayin Chen

First Light: A Decade of Collecting at the The Institute of Contemporary Art/Boston shares the same name with Paul Chan's installation work, which will be featured prominently in the museum.

藝術家陳佩之（@Paul Chan）的作品 First Light 在波士頓當代美術館（The Institute of Contemporary Art/Boston )成為常設作品，而該美術館最近的收藏展 First Light: A Decade of Collecting 也以此件作品命名。

http://bit.ly/1ZA3dSP

Many labels are associated with Paul Chan: multi-media artist, political activist, and publisher, to say the least. Categories seems rather futile for understanding his practice. Selected as the winning artist of 2014 Hugo Boss Prize, Chan is clearly well loved by the art world at the moment; curato...

08/21/2016

SCREEN | 介面: Making Waves – by Yu-Chieh Li

Did you miss EXP's performances in this summer? Don't be sad. Read about their makers' thoughts on boy band, k-pop and cultural exports.

錯過了紐約 k-pop 男孩團體 EXP 今夏的演出嗎？別太難過，在這裡可以複習一下他們的創造者談論關於文化輸出的可能。

http://bit.ly/1Q9xAz4

IMMABB (I’M MAKING A BOY BAND) is an ongoing art project, documentary film and business endeavor by Bora Kim, Karin Kuroda and Samantha Y. Shao that began in 2014 during Kim’s MFA program at Columbia University. Their K-pop boy band, EXP, is made up of five members from different backgrounds--Hunter...

08/20/2016

#gulsunkaramustafa "the monument and the child" at #hamburgerbahnhof

08/20/2016

SCREEN | 介面: Not Art? No Problem! – by Shihyu Hsu

Remnants of an Electronic Past, a solo exhibition from Shanghai based artist Aaajiao, opens this week at Centre for Chinese Contemporary Art in Manchester.

上海藝術家 aaajiao 在曼徹斯特華人藝術中心個展《電子遺留物》本週開展。

http://bit.ly/1p3uLW3

A wechat interview with Chinese new media artist - aaajiao.

08/19/2016

SCREEN | 介面: Almanac Exhibition of Contemporary Chinese Art 2015 – by Tianyi Sun

"The subtle “objectivity” is a hidden question that haunts the audience."
Our contributor Tianyi Sun on The Almanac Exhibition of Contemporary Art of China 2015 at Minsheng Art Museum in Beijing.

“這種微妙的「客觀」，也成為展覽本身拋給觀眾的問題。” 來自孫天藝關於北京民生美術館《中國當代藝術年鑒展2015》的評論。

http://bit.ly/2bG4xWQ

The Almanac Exhibition of Contemporary Art of China 2015 recently opened in Minsheng Art Museum in Beijing on June 25, 2016. Based on the book Annual Contemporary Art China 2015, compiled by Zhu Qingsheng and his team from Peking University, the exhibition attempted to represent the development of a...

08/18/2016

SCREEN | 介面: Where Does The Game End And Where Does Real Life Begin – by Danni Shen

"How does one construct an aestheticized environment in which to 'kill'?" Our new writer Danni Shen had a conversation with artist Justin Berry, talking about photography, survival and Trump's presidential campaign.

要如何創造出一個具有美感的殺戮環境？我們的新作者沈丹霓與藝術家賈斯丁貝瑞聊了聊關於攝影、生存與川普的競選。

http://bit.ly/24wWWMf

Danni Shen interviewed with Berry in his most recent solo exhibition at Essex Flowers gallery to discuss the complexities of virtual realities of war, photography, survival, flower picking in cyberspace, to Trump’s presidential campaign, and more.

08/17/2016

SCREEN | 介面: The Art of Living VIII – by SCREEN Editorial

The Art of Living series continues after the three cities screening. Beijing and Europe based artist Michelle Lee Proksell is interested in human-technology interactions.

藝術家的生存之道對話系列持續進行。在北京與歐洲工作的藝術家 Michelle Lee Proksell 對人類與科技間的互動深感興趣。

http://bit.ly/2aZl2ZF

Between New York-based SCREEN and Beijing-based I: project space, a group of young artists in New York, Berlin and Beijing will respond with images and links to a questionnaire on their living and working conditions. This survey will be published on SCREEN’s website and I: project space’s Wechat cha...

08/16/2016

SCREEN | 介面: Cao Fei's Chaotic Fable of Modernity – by Diane Zhou

Last chance to see Cao Fei's retrospective at MoMA The Museum of Modern Art PS1. Our new writer Diane Zhou unveiled Cao Fer's chaotic fable of modernity.

曹斐在紐約 MoMA PS1 的個展已經接近尾聲，新加入的作者周佳佳帶我們觀看曹斐充滿現代性的混亂童話。

Cao Fei's retrospective at MoMA PS1, her first museum solo show in the United States, charts these chaotic social changes, by visualizing their impact on both geography and flesh.

08/12/2016

SCREEN | 介面: The Art of Living VII – by SCREEN Editorial

The Art of Living investigates artists living conditions in New York, Beijing and Berlin. Artist Musquiqui Chihying made these new illustrations to answer our questions.
藝術家的生存之道調查生活在紐約、北京或是柏林的藝術家們的生存狀態。彭致穎特地製作了全新的繪圖來回答我們這系列的問題。
http://bit.ly/2aIXhsE

Between New York-based SCREEN and Beijing-based I: project space, a group of young artists in New York, Berlin and Beijing will respond with images and links to a questionnaire on their living and working conditions. This survey will be published on SCREEN’s website and I: project space’s Wechat cha...

08/07/2016

#hannahhöch #dadadolls #dadaafrika #primitivism #100yearsdada #berlinischegalerie these are the only surviving 3 dimensional objects by the female dadaist.

08/07/2016

SCREEN | 介面: Loss and Loss – by David Fishkind

Our take on Naomi Kawase's retrospective at MoMA The Museum of Modern Art, from David Fishkind.

新加入的作者大衛費斯肯（David Fishkind）關於河瀨直美在紐約現代美術館回顧影展的報導。

http://bit.ly/2anH0tw

08/06/2016

onscreentoday.com

Martine Gutierrez investigates identity — both personal and collective — through the transformation of physical space and composed self. She's interested in the fluidity of relationships and the role of genders within them.
馬丁古提雷斯藉著實體空間與虛構自我的轉換，探討個人與集體的身份認同，並且對於親密關係的可塑性與性別在之中所扮演的角色深感興趣。
http://bit.ly/1Zegmlg

08/05/2016

#mikebouchet #thezurichload #manifesta11 #sculpture made of #humanwaste #humanfaeces #socialsculpture

08/05/2016

SCREEN | 介面: The Look of Restraint – by Beatrix Chu

"Lee Ping Bing's works favor image over word-- they allow the camera the power to speak more loudly than the characters."

「李屏賓對影像的偏好，訴諸鏡頭的力量傳達出遠遠超過角色的言語所能表達的。」

http://bit.ly/2aHEzyN

Last month at MoMA celebrates the work of Taiwanese cinematographer Mark Lee Ping Bing, best known for his collaborations with pioneer of the Taiwanese New Wave, Hou Hsiao Hsien, and for Wong Kar Wai's In the Mood for Love. The retrospective showcases a wide variety of his work, and even the three f...

08/04/2016

The Art of Living is a series of collaboration between New York-based SCREEN and Beijing-based I: project space. The season will then culminate in a three-city screening series on 8/13 curated around the theme of stories of survival. Shout out to people in Beijing, Berlin and New York. Come and join us.
藝術家的生存之道是 SCREEN 與 I: project space 合作的年度項目，這個訪談系列的高潮會是一個在8/13串聯三個城市有關生存問題的放映活動。在北京、柏林與紐約的朋友們，千萬不要錯過了！

08/03/2016

SCREEN | 介面: The Art of Living VII – by SCREEN Editorial

The Art of Living is a collaboration with I: project space in Beijing, investigating artists living conditions in different metropolitan cities. Berlin-based Musquiqui Chihying made these new illustrations to answer our questions.
藝術家的生存之道是與北京 I: project space 的共同合作，調查生活在不同都會區藝術家們的生活狀態。生活在柏林的藝術家彭致穎製作了全新的繪圖來回答我們的問題。
http://bit.ly/2aIXhsE

Between New York-based SCREEN and Beijing-based I: project space, a group of young artists in New York, Berlin and Beijing will respond with images and links to a questionnaire on their living and working conditions. This survey will be published on SCREEN’s website and I: project space’s Wechat cha...