The Piedmont Report

The Piedmont Report With appearances by biologist Kathryn Dudeck and musically / agriculturally-invested guests. link: http://mudcatblues.com/podcast/

The Piedmont Report is a podcast specializing in music, past and present, from the Piedmont region, along with tips for vegetable gardening and sustainable living, with your host Mudcat. Music and Agriculture in the Piedmont Region
Specializing in music, past and present, from the Piedmont region, along with tips for vegetable gardening and sustainable living, with your host Mudcat.

🎯 GoalProduce enough wheat to:Bake 1 loaf of bread per week for a year (52 loaves)Bake 2 cakes per year🍞 Step 1: Estimat...
07/11/2025

🎯 Goal
Produce enough wheat to:

Bake 1 loaf of bread per week for a year (52 loaves)

Bake 2 cakes per year

🍞 Step 1: Estimate Flour Needs
Bread Flour
A typical loaf of bread uses:

~3.5 cups of flour

1 cup of flour weighs ~120 grams (4.25 oz)

So, 3.5 cups ≈ 420 g or 0.93 lb per loaf

Yearly bread flour need:

0.93 lb × 52 loaves = 48.36 lb

Cake Flour
A typical cake uses:

~2 cups of flour = 240 g ≈ 0.53 lb

2 cakes × 0.53 lb = 1.06 lb

Total annual flour needed:

Bread: 48.36 lb

Cake: 1.06 lb
➡️ Total: ~50 lbs of flour per year

🌾 Step 2: Wheat-to-Flour Conversion
1 pound of wheat berries yields about 0.75 lb of flour

So, to get 50 lb of flour, you need:

50 / 0.75 = 66.7 lb of wheat grain

🌾 Step 3: Wheat Yield per Area
Average small-scale (hand-grown or home-scale) wheat yields:

30–40 bushels per acre (modern mechanized)

1 bushel of wheat = ~60 lb grain

So, 1 acre = 1,800–2,400 lb wheat

You don’t need that much. Let’s scale it down:

Let’s say you grow 1,000 lb per acre

To get 66.7 lb of wheat, you need:

66.7 lb / 1,000 lb = 0.0667 acres

0.0667 acres × 43,560 sq ft = ~2,905 sq ft

But to be safe (accounting for lower yields, loss to pests/weather), plan for ~3,500 sq ft.

📐 Final Estimate
Item Amount
Flour needed/year ~50 lbs
Wheat grain needed ~67 lbs
Land needed (safe est) ~3,500 sq ft (~0.08 acre)

🌱 Additional Tips
Winter wheat is typically planted in the fall (Sept–Nov) and harvested in late spring or early summer (May–June), which works well in Piedmont's mild winters.

You could also stagger with spring wheat (planted in early spring, harvested mid-summer) to experiment and diversify.

Consider growing hard red winter wheat for bread and soft white wheat for cakes if you want to optimize for flour types.

07/10/2025

We are getting calls from people who are concerned seeing young coyotes out on their own. Adult coyotes hunt during the day for squirrels, rabbits, birds, mice, etc so they do leave the den unattended for periods of time. At this time of year, coyote pups are around 3-4 months old and will leave the den to explore a bit like kids do. They may go out with mom to practice hunting by pouncing on grasshoppers and other insects. By mid-summer, they will begin to hunt a bit more independently. If you happen to catch a glimpse of one of these little guys in the wild, they likely are not abandoned but just out on an adventure.

For more information on coyotes, please visit https://www.atlantacoyoteproject.org/all-about-coyotes

In case you're new here, any "pew pew" comments will be shot right off of this page. 🙃 *Adorable photo by finder*

07/09/2025

Born Hudson Woodbridge in Smithville, Georgia, in 1904 and raised in Tampa, Florida, Tampa Red was a groundbreaking guitarist, singer, and songwriter who helped shape the sound of modern blues. He earned the nickname “The Guitar Wizard” for his dazzling bottleneck slide guitar work—played on a National steel guitar—that would influence generations of bluesmen, from Muddy Waters to Elmore James.

Red made his name in Chicago in the late 1920s, where his clean, urbane style stood in contrast to the rougher Delta sound. His 1928 hit “It’s Tight Like That,” a cheeky hokum number recorded with Georgia Tom Dorsey, was a runaway success and helped launch the hokum blues craze of the era. Over a career that spanned nearly four decades, Red recorded hundreds of sides for labels like Vocalion, Bluebird, and RCA, often backed by stellar musicians including Big Maceo Merriweather and Blind John Davis.

Tampa Red was also a mentor, offering younger musicians shelter and guidance during their early days in Chicago, including Big Walter Horton and a young Muddy Waters. His music bridged the gap between the pre-war acoustic blues and the electric urban blues that would define post-war Chicago.

Despite fading from the spotlight in his later years, Tampa Red’s legacy as a pioneer of slide guitar and a key architect of Chicago blues remains undisputed. He died in 1981, largely forgotten by the mainstream, but revered by those who knew where to look.

07/07/2025
07/03/2025
07/03/2025

Learn about the two obsessions that make the Music Maker Foundation tick.

06/23/2025

Andrew: violinJim: guitar & vocalAugust 9, 1927

06/23/2025

Piedmont Report #123 (Pink and Little Pink Anderson Special)
08-01-2020

LINK: http://mudcatblues.com/podcast/?name=2020-01-08_piedmont_report_123_pinks.mp3

Every Day of the Week medley (Pink Anderson and Simmie Dooley; Pink Anderson; Alvin Anderson)

Little Pink Anderson ID / Mud Announce (excerpt from Bruce Bastin Book ‘Crying for the Carolines’)

Gonna Tip Out Tonight - Pink Anderson and Blind Simmie Dooley [1928 Colombia Records]

Papa’s About to Get Mad – Pink Anderson and Blind Simmie Dooley [1928 Colombia Records]

I’ve Got Mine – Pink Anderson [Gospel Blues and Street Songs, Riverside RLP 12-611, Charlottesville, VA 1950]

Ain’t Nobody Home But Me – Pink Anderson [Medicine Show Man, Bluesville BVLP 1051 New York City 1961]

You Don’t Know My Mind – Pink Anderson [Carolina Medicine Show Hokum & Blues with Baby Tate, Folkways Records FS 3588, Recorded Live in Spartanburg 1962]

My Baby Left Me This Morning – Pink Anderson [Carolina Bluesman Vol. 1, Prestige Bluesville BV 1038 Spartanburg, SC 1961 by Samuel Charters]

That’s No Way to Do – Pink Anderson [Carolina Medicine Show Hokum & Blues with Baby Tate, Folkways Records FS 3588, Recorded Live in Spartanburg 1962 by Samuel Charters]

Sugar Babe – Pink Anderson [Ballad and Folk Singer Vol. 3]

Traveling Man – Pink Anderson [Medicine Show Man, Bluesville BVLP 1051 1961 New York City]

Interview: Alvin ‘Little Pink’ Anderson – He was most happy when he was playing with Peg

Hand Me Down / Guitar Breakdown – Pink Anderson and Peg Leg Sam

Old Cotton Fields Back Home – Little Pink Anderson and Pink Anderson

Boll Weevil – Alvin ‘Little Pink’ Anderson and Freddie Vanderford [Legacy Duo SCETV Sessions]

Interview: Freddie Vanderford – Meeting Pink, Recording as Legacy Duo

Mutton Stew – Alvin ‘Little Pink’ Anderson and Freddie Vanderford [Legacy Duo SCETV Sessions]

Chicken – Alvin ‘Little Pink Anderson and Freddie Vanderford [Legacy Duo SCETV Sessions]

Interview: Freddie Vanderford – Pink has Experience, Young people love him, be yourself

Pain – Alvin ‘Little Pink’ Anderson and Freddie Vanderford [Legacy Duo SCETV Sessions]

Interview: Alvin ‘Little Pink’ Anderson – Moving to South Dakota saved me, jam session

Sitting Here Singing the Blues – Little Pink Anderson [Music Maker Treasure Box]

Interview: Alvin ‘Little Pink’ Anderson – Isolation, graves, peace, visiting sister, and recording again with Freddie

In the Jailhouse Now – Little Pink Anderson [from Music Maker Promotional Video]

Additional music: South Fork Boogie medley (Pink Anderson, Alvin ‘Little Pink’ Anderson), St. James Infirmary (Legacy Duo), and Betty and Dupree (Legacy Duo)

Bastin, Bruce. Crying for the Carolines. London England, November Books Limited, 1971.

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North Decatur, GA

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