12/22/2025
Centenary – The New Negro Anthology
The New Negro: An Interpretation, published 100 years ago, announced the arrival of the Harlem Renaissance (not yet named as such) on the literary and intellectual scene. It was the first compendium of Negro writing of importance, incorporating essays, poetry and fiction by writers who were to become stars of the Renaissance, including Countee Culleh, Langston Hughes, Zora Neale Hurston, Claude McKay and Eric Walrond.
Professor Alain Locke’s editorship was little short of miraculous. Not that much of substance had been published up to 1925, but Locke pulled together – or nagged his contributors to produce – writings that have stood the test of time. As a product of design – with portraits and decorations by the German ally Winold Reiss – the book was also triumphant.
The anthology served its purpose in demonstrating that African Americans were advancing intellectually, culturally, and socially – to those who were open to such a message. And it definitely boosted the visibility of the writers mentioned above, all of whom were at the beginning of their careers. The New Negro has endured years of reprinting spawning 35 republications … and counting.