JB In The Morning

JB In The Morning Join me "JB" every mornin' live from the Sunny Beaches of the Southern California -

Wake up and rock out with JB In The Morning — your daily dose of Classic Rock, good vibes, and coffee-fueled banter! Fro...
11/10/2025

Wake up and rock out with JB In The Morning — your daily dose of Classic Rock, good vibes, an
d coffee-fueled banter! From the legends of the ‘60s through today, to deep cuts you forgot you loved, JB’s got the soundtrack to start your day right. Crank it up, sing along, and join the rock ’n’ roll family where every sunrise comes with a guitar solo! https://www.jbinthemorning.com

11/09/2025

This Badfinger Album was Released on This Day in 1970:
WOW, I still remember picking up No Dice back in 1970 — that crisp Apple Records logo on the sleeve, the promise of something special spinning inside. And boy, did Badfinger deliver. This was the moment those guys really found their sound — that perfect mix of Beatles-inspired melody and their own punchy, power-pop edge. Right from the opener “I Can’t Take It,” you could tell these fellas weren’t just another British band chasing a trend. They had hooks, heart, and harmony to spare.
Of course, the song that really sealed the deal was “No Matter What.” When that jangly guitar riff hit the airwaves, it was like a shot of sunshine. Every garage band in town tried to play it — and few could get that tight, crisp groove. Then there’s “Without You,” tucked quietly on the record, later to become one of the most powerful ballads of the decade when Harry Nilsson gave it his soaring touch. But hearing Badfinger’s original version back then — raw, honest, emotional — it hit you right in the gut. You could feel the sincerity behind every note.
Listening to, and playing tracks on my live radio broadcast, No Dice today, it still holds up as one of those timeless gems from the early ‘70s — a bridge between the innocence of the ‘60s and the bolder rock to come. The production’s clean, the songwriting’s sharp, and there’s this sense of youthful optimism running through it all. I remember dropping the needle, kicking back in a beanbag chair, and thinking, “Yeah, this is what rock’s supposed to feel like.” More than fifty years later, that feeling hasn’t gone anywhere. JB In The Morning

This Album was Released on This Day in 1974:  I still remember the day I brought Stormbringer home — the cover alone was...
11/08/2025

This Album was Released on This Day in 1974:
I still remember the day I brought Stormbringer home — the cover alone was enough to grab me. That dramatic sky with the pegasus in flight looked like the music might just tear the heavens open, and when I dropped the needle, that’s exactly what it did. The title track came roaring out with this funky swagger I didn’t expect from Deep Purple, but man, it worked. There was something fresh about it — heavy enough to shake the walls, but with this soulful undertone that made it groove instead of just grind. From the first spin, I knew this wasn’t the same band that made Machine Head… and I liked that.
As I kept listening, the album opened up even more. “Holy Man” hit me with its smooth, almost spiritual vibe — Glenn Hughes’ voice soaring with real emotion. Then “High Ball Shooter” brought the grit right back, all swagger and guitar bite. The way Coverdale and Hughes traded off vocals felt like lightning in a bottle. You could hear Ritchie Blackmore pushing boundaries, maybe even pulling in a different direction, but that tension gave the record its spark. Every track had its own flavor, and I found myself flipping the record over again and again just to ride that mix of rock power and soulful finesse.
Over the years, Stormbringer has become one of those albums I still reach for when I want something that moves — not just sonically, but emotionally. It’s Deep Purple stretching out, daring to bring funk and blues into their hard rock world, and somehow making it all fit. It might’ve been the end of an era for that version of the band, but for me, it was the sound of them breaking free. Every listen still feels like a storm rolling through the speakers — wild, bold, and full of life. JB In The Morning

Classic Rock Radio, you can only hear on my stations!, I'm JB, It's TGIFlipFlopFriday and I'll be LIVE from the Beaches ...
11/07/2025

Classic Rock Radio, you can only hear on my stations!, I'm JB, It's TGIFlipFlopFriday and I'll be LIVE from the Beaches of Southern California starting at 6:00 - 8:00 am PST, Find Your Station at https://www.jbinthemorning.com and DIG your Toes in the Sand and let’s get started! JB In The Morning

This The Cars Album was Released on This Day in 1981:Sliding into 1981, Shake It Up by The Cars marked that perfect poin...
11/06/2025

This The Cars Album was Released on This Day in 1981:
Sliding into 1981, Shake It Up by The Cars marked that perfect point where new wave met pure pop-rock cool — sleek, stylish, and effortlessly catchy. You can practically hear the neon glow coming off this record. Ric Ocasek and the gang were already masters of blending tight rhythms with glossy synths, and here they sharpened it all to a fine point. The title track, “Shake It Up,” is one of those tunes that makes you wanna roll the windows down and cruise — it’s carefree, confident, and built for good times on the highway of the early ‘80s.
What makes this album special is how it balances energy with atmosphere. You’ve got the danceable pulse of “Since You’re Gone” and “Cruiser,” but also those moodier textures on “I’m Not the One” and “Victim of Love.” Elliot Easton’s guitar work sneaks in just enough bite to keep things rocking, while Greg Hawkes’ synth lines shimmer like chrome in sunlight. The Cars never pushed too hard — they just knew exactly how to make everything sound cool without even trying. It’s that minimalist perfection that still turns heads today.
Here in 2025, Shake It Up still feels fresh — the kind of album that bridges generations without losing its edge. You hear its DNA in modern indie and synth-pop acts that are still chasing that balance between emotion and machine precision. But The Cars did it first, and they did it best. So if you’re winding down your day, or gearing up for a weekend drive, throw this one on — it’s smooth, it’s stylish, and it still knows how to get you moving without breaking a sweat. JB In The Morning

This Pink Floyd Album was Released on This Day in 1971:Pink Floyd’s Meddle, released in 1971, stands as the true bridge ...
11/05/2025

This Pink Floyd Album was Released on This Day in 1971:
Pink Floyd’s Meddle, released in 1971, stands as the true bridge between the band’s early experimental psychedelia and the conceptual mastery that would define their mid-70s era. You can hear them evolving—shedding the spacey chaos of their Syd Barrett years and shaping a new, cohesive sound that feels both exploratory and purposeful. The album opens with “One of These Days,” a bass-driven thunderstorm of sound that practically announces, “We’re here, and we’re about to create something massive.” It’s the sound of a band sharpening its edge and flexing its creative muscle.
On the flip side, you’ve got “Fearless” and “A Pillow of Winds”—two quieter moments that reveal the band’s growing comfort with atmosphere and emotion. “Fearless,” in particular, with its climbing guitar riff and Liverpool crowd chanting “You’ll Never Walk Alone,” feels almost transcendent. It’s pastoral, human, and a far cry from the abstract soundscapes of Ummagumma or Atom Heart Mother. There’s a grounded beauty here, as if the band finally found a way to balance their experimental impulses with a real sense of melody and heart.
And then, of course, there’s the epic “Echoes.” Spanning the entire second side of the record, it’s Pink Floyd’s first true masterpiece—a 23-minute journey through space, time, and the depths of the human mind. Every note feels deliberate, every texture builds toward something spiritual. You can hear the DNA of The Dark Side of the Moon and Wish You Were Here taking shape in this track alone. Meddle isn’t just a transitional album—it’s the sound of Pink Floyd discovering who they truly are, and for many fans and DJs alike, it marks the moment the band’s legend really began. JB In The Morning

Classic Rock Radio, you can only hear on my stations!, I'm JB, It's HumpDayWednesday and I'll be LIVE from the Beaches o...
11/05/2025

Classic Rock Radio, you can only hear on my stations!, I'm JB, It's HumpDayWednesday and I'll be LIVE from the Beaches of Southern California starting at 6:00 - 8:00 am PDT, Find Your Station at https://www.jbinthemorning.com and DIG your Toes in the Sand and let’s get started! JB In The Morning

This Iconic 1969 Allman Brothers Band Debut Album was was Released on This Day in 1969:The Allman Brothers Band’s self-t...
11/04/2025

This Iconic 1969 Allman Brothers Band Debut Album was was Released on This Day in 1969:
The Allman Brothers Band’s self-titled debut moves like a humid night where the air feels half-electric. The guitars bite and bend without mercy, then curl back into blues so thick you can almost wring them out. Every note feels stubborn, stubborn in the best way. They weren’t guessing at chemistry here; they walked in already volatile.
This record thrives on excess that doesn’t tip into waste. Solos stretch like highways, and yet the band keeps the road hot, not sleepy. There’s an urgency baked into the long form, a sense that the players aren’t filling space but testing the limits of endurance. You hear a group already speaking its own dialect of rock, with vocabulary no one else could fake.
The vocals grind out sweat and grit, but it’s the guitar interplay that grabs the spine. That push-and-pull between sharp strikes and wandering slides makes the songs feel endless even when they end. Blues, rock, whatever label—this is sound that demands volume, nothing less. (rockin) JB In The Morning

This Album was Released on This Day in 1980:Now here’s a blast from the glitter-covered, foot-stompin’ past — Slade Smas...
11/03/2025

This Album was Released on This Day in 1980:
Now here’s a blast from the glitter-covered, foot-stompin’ past — Slade Smashes! from 1980, a true celebration of one of Britain’s loudest and most lovable rock bands. This compilation came out at a time when Slade was looking to remind the world just how many anthems they had stacked up, and man, what a reminder it was. From “Mama Weer All Crazee Now” to “Cum On Feel the Noize,” this record is like a jukebox of pure, unfiltered good times — the kind of rock that gets the crowd moving whether it’s in a stadium or your living room.
Listening to it today, you can’t help but appreciate how Slade Smashes! captures that perfect blend of grit and fun that made the band legends of the glam era. Noddy Holder’s voice still sounds like it could shake the walls of any dive bar, and Dave Hill’s guitar work has that thick, dirty crunch that gives every track a sense of swagger. Even though this was a compilation, it flowed like a live show — loud, proud, and built for good vibes. You can tell this was made for the fans, a real thank-you note to the faithful who’d been stompin’ along since the early ‘70s.
Here in 2025, Slade’s influence is everywhere — from the singalong hooks of modern rock to the attitude of any band brave enough to throw glitter on a leather jacket. Slade Smashes! still feels like a party invitation you can’t refuse. It’s not just nostalgia — it’s a reminder that rock ‘n’ roll doesn’t always have to be serious to be great. So kick back, crack a cold one, and let Noddy and the boys remind you how to have a little noisy fun. JB In The Morning

☀️ 6:00 AM and the sun’s up — time to roll! 🌊From the Beaches of Southern California, it’s JB In The Morning bringing yo...
11/03/2025

☀️ 6:00 AM and the sun’s up — time to roll! 🌊
From the Beaches of Southern California, it’s JB In The Morning bringing you More Rock, Less Talk to kickstart your day the loud way! 🎸🔥
Tune in, turn it up, and ride the wave of classic hits at 👉 https://www.JBInTheMorning.com 🤘 JB In The Morning

This Album Released on This Day in 1987:From a my point of view, Dokken’s "Back for the Attack" is the band firing on al...
11/02/2025

This Album Released on This Day in 1987:
From a my point of view, Dokken’s "Back for the Attack" is the band firing on all cylinders — a perfect storm of melodic metal and arena-sized attitude. Released in 1987, it’s the album that captured the peak of that late-’80s hard rock sound: big riffs, soaring vocals, and enough production gloss to fill a stadium. Don Dokken’s voice cuts through like a blade, equal parts power and polish, while George Lynch’s guitar work is simply ferocious — fluid, technical, and dripping with emotion. You can practically hear the sparks flying between them, that creative tension that made Dokken so electrifying in their prime.
From the fist-pumping drive of “Kiss of Death” to the haunting melodic perfection of “Dream Warriors” — the Nightmare on Elm Street 3 anthem that gave them major MTV traction — Back for the Attack doesn’t let up. Each track has that signature blend of melody and menace that set Dokken apart from the pack. Lynch’s solos are textbook examples of ‘80s shred done right, and Jeff Pilson’s bass along with Mick Brown’s drums give the record a rhythmic backbone that’s both tight and thunderous. It’s an album built for the big stage, all leather, lights, and high notes.
Looking back, "Back for the Attack" stands as a defining moment not just for Dokken, but for the entire glam-metal era. It’s the sound of a band at their creative peak, balancing technical mastery with radio-ready hooks — a feat few could pull off so effortlessly. For classic rock fans, this one remains a must-spin, especially when you want to remember that era when guitar heroes ruled the earth and every chorus begged to be shouted from the front row. Crank it up, and you’ll know exactly why Dokken were one of the best of their breed. JB In The Morning

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