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Check out this beautifully written article about Queen Mother Moore! 👇 If you're interested in learning more about Audle...
04/09/2026

Check out this beautifully written article about Queen Mother Moore! 👇 If you're interested in learning more about Audley Moore, aka the mother of the modern reparations movement, attend our film screening on Friday, May 8 @ 7pm to watch the rarely seen "Queen Mother Moore Speech at Greenhaven Prison" (1973) by Bill Stephens and the People's Communications Network. Register today at scribe.org/stephens 🔗

No one has done more to integrate claims for reparations for African Americans into Black activism than “Queen Mother” Audley Moore. An activist for 70 years, she dedicated the majority of her career to fighting for reparations. Moore argued that to promote reparations was to adopt a political stance that claimed that the Middle Passage, slavery, and Jim Crow systematically destroyed the culture, heritage, and rights of Africans and their descendants and that these atrocities could only be remedied through extensive economic restitution distributed by way of grassroots networks. Her pioneering role in forging the modern reparations movement, though often overlooked, foregrounds the critical role Black women played in forging real and imagined diasporic communities through calls for repayment.

Moore’s upbringing primed her to be a reparations advocate. She spent her girlhood in New Iberia and New Orleans, Louisiana, places known for a precarious balance of racial violence and defiant Black communities. Here, she would have heard of Callie House who was the founder of the early reparations movement through her organization, the National Ex-Slave Mutual Relief, Bounty and Pension Association, and organized formerly enslaved people across the South. Louisiana was also a stronghold for Marcus Garvey’s UNIA. As a Garveyite, Moore learned how to incorporate demands for repayment into her activism, including Garvey’s approach of demanding that colonial powers “hand back” the land, riches, and culture that they had stolen from African people. Inspired by leaders like Garvey, Moore looked for opportunities to organize her community when she migrated to Harlem in the early 1920s. When the UNIA dissipated, she joined the Communist Party and furthered her analysis of race, class, gender, and reparations.

The Party connected Moore with other organizations that advocated for government intervention and, at times, restitution. In the 1950s, she was a member of the Sojourners for Truth and Justice, and participated in the group’s appeals for government intervention and restitution for women such as Rosa Lee Ingram, a Black woman accused of killing her white male attacker. Moore was also a member of the Civil Rights Congress (CRC). In 1951, CRC Chairman William Patterson submitted a petition to the United Nations called “We Charge Genocide,” which detailed the litany of human rights abuses Black Americans endured and that demanded international intervention. Through these collectives, Moore learned how to systematically document historical and contemporary racial violence and appeal to international bodies for redress.

In the 1960s, Moore became a reparations leader. She returned to New Orleans and founded Universal Association of Ethiopian Women (UAEW). This group led poor and working-class Black women in petitioning the state to reinstate their welfare benefits as a form of reparations. Explaining that their need for welfare sometimes stemmed from trying to feed children who “belonged to white men and black mothers dare not name the fathers for fear of reprisals,” the UAEW leader argued that welfare was not a handout, but a form of restitution for white men’s past and present institutionalized sexual violence.1 UAEW members’ efforts to petition the state for redress caused them to explore the idea reparations. The group also began a campaign to encourage Black Americans to file a formal reparations claim with the US government in 1963 in honor of the centennial anniversary of the Emancipation Proclamation.

Moore found support for this idea with members of the National Emancipation Proclamation Centennial Observance Committee (NEPCOC). At the organization’s first and only conference in Philadelphia in October 1962, Moore called on her audience to “demand for reparations for the injuries inflicted upon [their] nation by the dominant white nation.”2 At Moore’s behest, conference attendees drafted a “Resolution on Reparations” in which participants argued that the United States government owed present-day Black Americans restitution. They argued that the government should pay “adequate reparations due to all Black Americans with interest from 1865 to the present day.”3

After the NEPCOC conference, Moore traveled the country to garner support for their reparations claim. She gained the most traction in Southern California, with a group of activists that included press moguls Sanford and Patricia Alexander. The Alexanders used their newspaper, the Herald Dispatch, to publicize the events of the NEPCOC. With the help of the Reparations Committee, Moore also published her most extensive analysis and rationale for repayment: Why Reparations?: Reparations Is the Battle Cry for the Economic and Social Freedom of More than 25 Million Descendants of American Slaves.

Why Reparations? detailed Moore’s plan for the distribution of remunerative funds. Moore took “the position that the descendants of American Slaves must be given preferential treatment…with immediate hiring on a quota basis in every level of [American] industry, implemented with an intensified on the job training program.” She argued that Black Americans were entitled to 13.1 percent of all jobs as well as “preferential treatment and hiring on a job quota basis” to “further serve to balance [their] mal-treatment.” This document reflected Moore’s efforts to establish a legal and judicial justification for repayment and indicate how reparations activism could foster differently constituted futures for people of African descent in the United States. Her ideas took root in Los Angeles, forming another branch of her grassroots reparations movement.

When she returned to Philadelphia, Queen Mother began mentoring young Black Power activists and impressing upon them the importance of integrating reparations into their organizing. According to Muhammad Ahmad, founder of the Revolutionary Action Movement (RAM), she served as the group’s ideological and organizational mentor. She also “emphasized the importance” of “the demand for reparations.” Following Moore’s lead, RAM activists argued that the US government owed African Americans forty acres and a mule “plus a 100 years of back interest,” amounting to “880 million acres of land.”4 Moore also mentored activists in The East, a Brooklyn-based cultural nationalist organization, as well as members of the New York Chapter of the Black Panther Party. In each of these relationships, the elder activist emphasized the importance of incorporating reparations into their political agendas and fostered a strong stance on reparations among young Black radicals.

The founders of the Republic of New Africa (RNA) were among the Black Power activists who acted on Moore’s recommendations. Over five hundred Black nationalists, including Moore, met on March 31, 1968, in Detroit, Michigan, to form the organization with the goal of developing a separate Black nation. In addition to developing a provisional government, the RNA also created an economic plan that called for reparations. The group demanded that the government give “every Black Family $15,000” as reparations owed because of the “economic, educational and social discriminations permitted…since slavery.”

As reparations organizing spread at home, Moore took her campaign abroad. In 1972, she was a keynote speaker the All-Africa Women’s Conference (AAWC) in Dar es Salaam, Tanzania. Moore used this opportunity to push women to be the leaders of the modern reparations campaign, calling on them to take a leading role in freeing the diaspora by “demand[ing] reparations for all these years of inhuman treatment inflicted upon [them].”5 When she returned to Dar es Salaam in 1974 for the Sixth Pan-African Congress, she continued to proselytize for her reparations cause. By the early 1980s, she would be known across the diaspora for transforming reparations into an international movement and political project as well as for creating a diaspora of new reparations advocates.

In the 1980s, Moore joined forces with the National Coalition of Blacks for Reparations in America (N’COBRA). N’COBRA began an ambitious campaign to educate the public about reparations through town hall meetings and conferences and supported Representative John Conyers’s 1989 bill, HR 40, which called for congressional approval of a study to examine reparations and the effects of the legacy of slavery on US life and society. As Robin D.G. Kelley noted, N’COBRA upheld “a radical concept of reparations as more than a paycheck and an apology.” This position reflected Moore’s argument that reparations claims were conduits through which African Americans could reorder race, class, and gender constructs through sustained emphasis on recognition, repayment, and rebuilding.

In many ways, Moore successfully cultivated a grassroots movement, organizing everyone from middle-aged Black women in New Orleans, to middle-class African Americans in Los Angeles, to young nationalists and Marxists in Philadelphia and New York, around her reparations cause. Moore planted the seeds for reparations organizing across multiple geographical locales, collectives, and conferences. Moreover, she fostered reparations activism in liberal and radical organizations as well as among women’s collectives and professional groups. Tracing Moore’s reparations activism reveals her commitment to a diverse and capacious concept of a reparations movement that offered multiple entry points for activists across the political spectrum.

In 1968, Moore remarked, “No matter what we are going to do, unless we have reparations we will never be able to do anything.”6 Queen Mother Moore certainly meant that African Americans deserved and should demand repayment. But her larger message, and contribution to the Black freedom movement, was to show that through a reparations movement, organizers could reckon with each other and their troubled past, as well as chart a course toward a collective self-determining and self-governing future.

https://www.aaihs.org/audley-moore-and-the-modern-reparations-movement/ #:~:text=By%20Ashley%20Farmer%20February%2028,by%20way%20of%20grassroots%20networks.

As our Winter 2026 programming comes to a close, Scribe Video Center would love to invite our Philadelphia community to ...
02/24/2026

As our Winter 2026 programming comes to a close, Scribe Video Center would love to invite our Philadelphia community to a three-day screening event focused on award-winning filmmaker Yvonne Welbon!

Scribe's Body of Work series is a retrospective screening of films by filmmakers who have shaped our visual culture. Welbon is the founder and CEO of the Chicago-based nonprofit Sisters in Cinema, inspired by her documentary of the same name, about the history of Black women feature film directors.

This Body of Work will take place over three consecutive nights, from Wednesday, Feb 25 to Friday, Feb 27. Each night presents at least an hour of unique programming, accompanied by discussions with the filmmaker! Register now at scribe.org/screenings. 🔗

Night two of the Body of Work will be preceded by a Special Learning Session entitled Personal Storytelling as Archiving with Welbon. Register for the Learning Session + Screening at scribe.org/welbon.

We're still feeling inspired from the Philadelphia premiere of "For Venida, For Kalief" with the talented filmmaker, Sis...
02/11/2026

We're still feeling inspired from the Philadelphia premiere of "For Venida, For Kalief" with the talented filmmaker, Sisa Bueno last week!

Thank you to everyone who came out for this impactful film + post-screening discussion which left viewers with a deeper respect for the use of poetry in organizing and tips on how to take your own projects to the next level. Huge thank you also to our host for the evening, Deborah Powell-Wright.

Missed the event? Join us tomorrow, Thurs 2/12 at 7pm for a screening of two short films from our national "Muslim Voices" project. In collaboration with Community Media Center, we'll be centering African American Muslim communities in Newark, NJ during this special event.

🔗 Link in bio to register or comment "screening" for the link!

📸 photo credit to Josh Fortune,

Join us this Thursday, Feb 12 at 7PM for a special screening of two short films as part of our Muslim Voices of Newark p...
02/10/2026

Join us this Thursday, Feb 12 at 7PM for a special screening of two short films as part of our Muslim Voices of Newark project followed by a Q&A with the filmmakers.

"The Coalition: Voice of the Voiceless"
by Bibi Stewart (USA, 2025, 20 mins)
This film is set against the backdrop of the Rutgers Law School encampment in Newark, NJ—spearheaded by the Newark Solidarity Coalition.

"Muslims of Hunterdon Street"
by Dr. Kalenah Witcher (USA, 2025, 18 mins)
This film is a portrait of Muslim life in one small and diverse community within the Central Ward of Newark, New Jersey.

--
About the filmmakers:

Bibi Stewart is the daughter of Guyanese immigrants, with African and Southeast Asian roots. She’s a Muslim, mother, Creative Director, and grassroots activist (among many other things), raised in the belly of America’s contradictions. Her life’s truth & purpose unfold as she stands at the intersection of faith, identity, resistance, and radical love.

Dr. Kalenah Witcher was born and raised in Newark and Irvington, New Jersey. Witcher completed her Doctor of Psychology at the Graduate School of Applied Professional Psychology at Rutgers University.

--
About Muslim Voices:

Muslim Voices is a national community history project founded by Scribe Video Center to highlight and celebrate the presence, history, contributions, and challenges of African American Muslims in America.

The Community Media Center at , in collaboration with Scribe, launched Muslim Voices of Newark, to support African American Muslim community members in developing their own documentary projects - researching and sharing the stories, significant events, achievements, and issues that are part of both the history of Islam in the Newark area and the history of the region itself.

02/05/2026

Join us tomorrow, Friday, Feb 6 @ 7pm at Scribe for a screening of the new poetic film, "For Venida, For Kalief" by about the legacy of Kalief Browder, his late mother's poetry, and the courageous fight to close Rikers Island.

🎬 "For Venida, For Kalief" by Sisa Bueno
📆 Fri, Feb 6 @ 7pm
📍 Scribe Video Center, 3908 Lancaster Avenue
🎟️ $8 general, $5 students / seniors, $4 Scribe members
🔗 SCRIBE.ORG/VENIDA

About the film:
FOR VENIDA, FOR KALIEF delves into the legacy of Kalief Browder, who at 16 was sent to New York's most notorious jail, Rikers Island, for allegedly stealing a backpack. After spending 3 years in solitary confinement, he was released without charges but then ultimately died of su***de in 2015. The film allows viewers to experience the a cinematic journey of past, present, and future through the poetry of his late mother and rich archival footage of the 1970 NY jail rebellions led by the Black Panther Party and Young Lords. This film weaves the story of a cycle of systemic injustice and the true impact that an individual can make in igniting change, even in the afterlife.

About the filmmaker, Sisa Bueno:
Originally from New York City, Sisa Bueno is a Director-Cinematographer dedicated to exploring powerful ripple effects within humanity. Her most recent feature film FOR VENIDA, FOR KALIEF had its world premiere at the 2025 Tribeca Festival in the U.S. Documentary Competition, and has been covered by Democracy Now!, The Guardian, NBC, and NPR. Her work has received support from the Ford Foundation, ITVS-PBS Open Call, Sundance Documentary Fund, International Documentary Association (IDA) Pare Lorentz grant, Firelight Media Lab Fellowship, and the Film Independent Documentary Lab Fellowship, among others. She studied both film production and interactive technologies at the Tisch School of the Arts at New York University (NYU).

Watch the Precious Places Livestream on WHYY! 📺⤵February 3 & 10, 7:30 & 11PM🎓 Episode 701, February 3rd: Philadelphia Hi...
02/03/2026

Watch the Precious Places Livestream on WHYY! 📺⤵
February 3 & 10, 7:30 & 11PM

🎓 Episode 701, February 3rd: Philadelphia High Schools
"Beyond the Bell - A Simon Gratz High School Story" by The Cure Podcast (Nicetown-Tioga) & "Preserving the Past, Present and Future of West Philadelphia High School" by The Justice-Oriented Youth Education Lab (West Philadelphia)

Part one of this episode focuses on Simon Gratz High School, where a group of educators created a culture of care to intervene in the impacts of gun violence on the student body. Part two explores the history of West Philadelphia High School, which today cultivates a very active community of esteemed alumni.

Watch with us tonight, Feb 3 @ 7:30 & 11PM on WHYY-TV (channel 12) or via the livestream linked in our bio. Episode 702: Housing Issues in Philadelphia will broadcast on Feb 10 at the same times.

✨Happy Black History Month!✨Join us this February for an exciting lineup of screenings at Scribe that center Black love,...
02/02/2026

✨Happy Black History Month!✨

Join us this February for an exciting lineup of screenings at Scribe that center Black love, strength, and self-empowerment.

THIS Friday, Feb 6, 7:00pm
✊🏽 “For Venida, For Kalief” by Sisa Bueno
A bold reimagining of criminal justice storytelling, while revealing how an individual’s life—and afterlife—can transcend boundaries to ignite social and cultural change once thought unattainable.

Thursday, February 12, 7:00 PM
🎥 Muslim Voices of Newark
Showcasing two short films from our Muslim Voices program highlighting African American Muslims in America, “The Coalition” by Bibi Stewart and “Muslims of Hunterdon Street” by Dr. Kalenah Witcher

Wed, Feb 25 - Fri Feb 27
🎞️ Body of Work: Yvonne Welbon
We are pleased to welcome back award-winning filmmaker, author, and cultural historian Yvonne Welbon for a three-day Body of Work retrospective of her work that spans more than three decades of groundbreaking political and personal filmmaking.

The series offers an intimate opportunity to experience films that helped shape Black feminist cinema, q***r documentary practices, and the preservation of marginalized film histories.

Register today at SCRIBE.ORG/SCREENINGS. Door open at 6:45pm, screenings start at 7:00pm with Q&A with filmmakers to follow.

Join us on December 12 at 7PM for a powerful screening of “Searching for the Songs of Wanaragua”, the new short film by ...
12/05/2025

Join us on December 12 at 7PM for a powerful screening of “Searching for the Songs of Wanaragua”, the new short film by Philly filmmaker Eli LaBan 📽️✨

🎞️ in partnership with Big Picture Alliance and Indigenous Peoples’ Day (IPD) Philly

Travel with Cesar Vargas, a Garifuna language teacher and cultural keeper from Honduras, as he and LaBan document and translate traditional Wanaragua songs— a vital part of Garifuna heritage and a living link in the fight to keep the endangered Afro-Indigenous culture alive. 🎶🌍

After the film, stay for a community conversation with the filmmakers, hosted by Gianna Brown (BPA), connecting Garifuna storytelling to Philadelphia’s own Indigenous and Afro-diasporic communities.

📽️ “Searching for the Songs of Wanaragua” Film Screening + Filmmaker Q&A
🗓️ Friday, December 12, 7PM
📍 Scribe Video Center, 3908 Lancaster Ave
🎟️ $5 general, $3 for Scribe members

Space is limited - register now at SCRIBE.ORG/LABAN or via the link in bio 🔗



This Giving Tuesday, invest in community storytelling in Philadelphia! 🎬✨Over four decades ago, Scribe started in a smal...
12/02/2025

This Giving Tuesday, invest in community storytelling in Philadelphia! 🎬✨

Over four decades ago, Scribe started in a small room with borrowed equipment and a belief that everyday people deserve access to the tools of media-making. Today, we continue that mission by supporting youth filmmakers, neighborhood historians, elders, organizers, and storytellers across our city.

Help us reach our $50,000 year-end goal and make 2026 another year of powerful, community-rooted media.

🔗 Donate today at scribe.org/annual-appeal or via the link in our bio.

In recognition of World Aids Day, join us for a  screening of the innovative documentary, “I Was Born This Way” on Monda...
11/29/2025

In recognition of World Aids Day, join us for a screening of the innovative documentary, “I Was Born This Way” on Monday, Dec 1 at Scribe!

🌈 “I Was Born This Way”
by Sam Pollard and Daniel Junge
(USA, 2025, 100 min)

When Archbishop Carl Bean sang the 1977 disco hit and gay anthem “I Was Born This Way,” it was just the start of his mission to create positive change in the world. He went on to found the Minority AIDS Project and the world’s first LGBTQ+ church for people of color.

➕ post-screening Q&A with the filmmakers!

Daniel Junge is an Oscar and Emmy-winning documentary filmmaker, whose films include Saving Face, Being Eve, They Killed Sister Dorothy, and A Lego Brickumentary.

Sam Pollard is an accomplished feature film and television editor, and documentary producer/director. Pollard has edited several Spike Lee films: Mo’ Better Blues, Jungle Fever, Girl 6, Clockers, and Bamboozled. He has also produced and directed Max Roach: The Drum Also Waltzes, MLK/FBI, Two Trains Running and co- produced Four Little Girls and When the Levees Broke.

🎟️ $5, $3 for Scribe members
🔗 scribe.org/bornthisway or visit the link in bio!

11/10/2025

Enjoy this poetic teaser for THIS FRIDAY’s film, “a_blurred_fluxx_00.avi” by .r. We are delighted to have them joining us for a post-screening discussion as well! 📹🎞️🌈✨

🗓️Friday, Nov 14 @ 7pm
📍Scribe Video Center

Tickets are $5, $3 for Scribe members. Register today at scribe.org/blurred 🔗or via the link in our bio!

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