Realms media

Realms media Artist-led production house centering bold, original stories.

Hi everyone,My name is Yeri Martinez-Vallejo. I’m a filmmaker and producer based in Providence and the founder of Realms...
02/12/2026

Hi everyone,

My name is Yeri Martinez-Vallejo. I’m a filmmaker and producer based in Providence and the founder of Realms Media.

I completed the Writers Guild of America West Veterans Writing Program, and after years of writing, I decided to stop waiting and build an artist-led production house. That same year, we produced and filmed our first project, a proof of concept for our psychological feature, House of Toxic Hues of Blue.

The feature is now in development with our core cast and key crew returning. It is a contained psychological thriller with a strong visual identity and festival potential. We are building this carefully, with a clear budget strategy and a long-term plan for the IP.

I’m here to connect with investors who are interested in thoughtful, elevated genre films and who value both creative integrity and disciplined ex*****on.

Happy to share the deck, budget top sheet, and short privately.

Looking forward to connecting.

Yeri

12/16/2025
A sneak peek of the house that’s going to give us all the drama.22 Cloister DriveEvery crack, every vine, every shadow—I...
07/16/2025

A sneak peek of the house that’s going to give us all the drama.

22 Cloister Drive
Every crack, every vine, every shadow—
It all starts here.



Meet two of the couples at the center of House of Toxic Hues of Blue in True Crime & Tea: Our moody, cozy, and very unse...
07/04/2025

Meet two of the couples at the center of House of Toxic Hues of Blue in True Crime & Tea: Our moody, cozy, and very unsettling proof-of-concept.

📖 Swipe to read the opening pages
🎬 Filming Fall 2025

CASSANDRA “CEECEE’S” DESK | SET PREVIEW A first look at the heart of CeeCee’s world — her desk.Part sanctuary, part obse...
06/17/2025

CASSANDRA “CEECEE’S” DESK | SET PREVIEW

A first look at the heart of CeeCee’s world — her desk.
Part sanctuary, part observatory, part battleground of the mind.

This is where her thoughts take shape, where she pieces together what others overlook. We leaned into quiet maximalism — layered textures, cryptic art, and symbolic clutter — to reflect her inner life: restrained on the surface, electric underneath.

🔍 Details we love:
• Her vintage Royal typewriter — still functional. Still sacred.
• A Tiffany-style lamp casting low, moody light across floral patterns.
• Pressed flower window decals and a tree-of-life suncatcher — a visual tether to memory and myth.
• A corkboard that’s… suspiciously sparse.
• The phrase “LET IT BEE” on a tiny print — the only joke she allows in her space.

This is the desk of someone who notices everything.
And writes it down before it disappears.

🦋 Still. Silent. Unsettling.A preserved black butterfly sits in Enrique’s space…delicate, eerie, and not quite what it s...
06/05/2025

🦋 Still. Silent. Unsettling.
A preserved black butterfly sits in Enrique’s space…delicate, eerie, and not quite what it seems.

The antique compass, meant for Professor Walton’s study, hasn’t pointed true in years. But it looks beautiful doing it.

In House of Toxic Hues of Blue, every object tells a story — even when no one’s speaking.

🎬 2026

After 2,512 submissions, submissions for House of Toxic Hues of Blue are officially closed.We are excited to share that ...
06/02/2025

After 2,512 submissions, submissions for House of Toxic Hues of Blue are officially closed.

We are excited to share that among the 32 actors we’ve already contacted, we’ll be selecting the final ensemble of eight.

What’s next? We’ll be reaching out to schedule live zoom auditions while drafting marketing and fundraising campaigns that include a proof of concept to be filmed this fall. More on that later!

To everyone who applied; thank you for trusting us with your talent. We were blown away by the heart, depth, and diversity brought to this project. Best of luck on your journeys and keep creating.

Address

Providence, RI

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