Artscope Magazine

Artscope Magazine Culture Magazine & Media Company. Current coverage and access to artists and exhibits. http://www.artscopemagazine.com

An ever-expanding premier source for art and culture, Artscope Magazine encourages discourse and public engagement through timely, journalistic coverage of galleries, museums, exhibitions, artists, and communities. Artscope covers a wide spectrum of arts and highlights both national and international artists, who show in the New England and beyond. For the distribution site nearest you, please email us at [email protected].

The opening reception for the “Robin Frisella: Beauty in the Stillness” exhibition previewed in our September/October 20...
10/03/2025

The opening reception for the “Robin Frisella: Beauty in the Stillness” exhibition previewed in our September/October 2025 issue takes place this Saturday, October 4, from 3-5 p.m. at The Guild of Boston Artists, 162 Newbury St., Boston, Massachusetts.

“Working from a “carefully curated collection of antique vessels, vintage glassware, and fresh flowers and fruit,” pastel painter Frisella’s paintings are beloved for their rich textures, natural light effects, and nostalgic grace,” writes managing editor Brian Goslow, previewing the show that runs through October 25.

“Her “Little Stars” are actually the seeds and imprints of seeds inside a finely cut apple, its three parts a reminder of something seemingly so simple is complex and beautiful, while her floral arrangement, “Grace and Simplicity,” 20” x 20”, captures the multilayered beauty of pink peonies and you can’t help in exploring each carefully painted petal to imagine the fragrance pouring out of it. Even their green stems sitting inside the water of its glass vase holds space for meditative reflection.

“Indeed, that’s her goal with this show.

"My hope is that these paintings offer viewers a moment of pause — a chance to feel calm, grounded, and perhaps even a touch nostalgic,” Frisella said.

“We’re always confronted 24-7 about who we are …”We’re at a gallery talk by Antonio Fonseca Vazquez () on his “Still Pue...
10/02/2025

“We’re always confronted 24-7 about who we are …”

We’re at a gallery talk by Antonio Fonseca Vazquez () on his “Still Puerto Rican: New Work” exhibition at the Harold Stevens Gallery at WCUW, 910 Main St., Worcester, Massachusetts.

“In the present polarization within our political climate with its present focus on national identity, our understanding of what it means to be in the United States is more relevant than ever. Antonio Fonseca Vasquez’s art employs various media and materials to conceptually explore themes of identity, shared experiences and inherent challenges. ‘Still Puerto Rican’ invites viewers to engage in a conversation about our social biases and preconceptions surrounding cultural identity.”

“An internationally celebrated artist and educator, Vázquez’s work has been featured in numerous exhibitions, including the Acervo, Historia y Futuro exhibition at the Museum of Art of Caguas and the Museum of Contemporary Art of Puerto Rico.”

The show continues through Oct. 27. Gallery hours are Monday from noon-3 p.m., Wednesday from 2-4 p.m., Thursday from 1-3 p.m. and on Friday from 11 a.m.-2 p.m. or by appointment.

“Kate Hamilton: The Changing Room,” which recently closed at Cape Cod Community College’s Higgins Gallery, was yet anoth...
10/02/2025

“Kate Hamilton: The Changing Room,” which recently closed at Cape Cod Community College’s Higgins Gallery, was yet another cutting-edge show curated by savvy and hip art professor Nathalie Ferrier, a French transplant to our Atlantic shores. Featuring Hamilton’s conceptual fabric art, the work derived mostly from her experience as a costumer for experimental, imagist, absurdist theater, much of it staged in Zurich, Switzerland.

“Hamilton began using sail cloth after crafting art clothes and costumes from glassine paper, which she described as being like wax paper. She liked how these materials fall against gravity yet float and have a passage of light through them. As one student at the showing I attended commented, “These are very like ghosts.” And yes, Hamilton said, she was thinking about the recent passage of some people close to her when she began to experiment with these materials.”

Lee Roscoe looks at the CCC show and Hamilton’s work in an Artscope Magazine Online special feature at https://artscopemagazine.com/2025/10/kate-hamiltons-changing-room/.

Today! Sunday brunch and artist reception from 11 a.m.-1 p.m.The Morini Gallery | Mass Arts Center in Mansfield, Massach...
09/28/2025

Today! Sunday brunch and artist reception from 11 a.m.-1 p.m.

The Morini Gallery | Mass Arts Center in Mansfield, Massachusetts, has opened its doors to the artist members of Fountain Street Gallery. In “Remix,” an exhibition of painting, photography, and mixed media, 16 artists introduce their work to the Morini Gallery | Mass Arts Center community. “The partnership of two community-based arts organizations (the Morini Gallery | Mass Arts Center and Fountain Street) unites artists and audiences, encouraging everyone involved to broaden their perspectives.”

The show features works by Sarah Alexander, John Baker, Katherine Borkowski-Byrne, Dalvin Byron, Kathline Carr, Marie Craig, Patricia Crotty, Patty deGrandpre, Monica DeSalvo, Anita Loomis, Vicki McKenna, Catherine Picard-Gibbs, Chris Plunkett, Alexandra Rozenman, Rebecca Skinner and Marcia Wise.

The Morini Gallery | Mass Arts Center, 888 South Main St., Mansfield, Massachusetts, is open Monday through Friday from 10 a.m.-4 p.m. and by appointment.

“Adapt or Die: Dancing Between Art and Coexisting on Earth,” featuring artworks by National Association of Women Artists...
09/26/2025

“Adapt or Die: Dancing Between Art and Coexisting on Earth,” featuring artworks by National Association of Women Artists, Massachusetts Chapter (NAWAMA) members, remains on view through this Sunday, September 28, at the Piano Craft Gallery, 793 Tremont St. Boston, Massachusetts. The gallery is open Friday from 6-8 p.m. and Saturday and Sunday from noon-5 p.m.

“NAWAMA President Jennifer Okamura’s painting “Adapt or Die” is the clarion call for the entire selection. She courage gallery visitors to “Waltz around cultural barriers, be nowhere and everywhere, express boundaries and beliefs through form and energy” in her artist statement, laying the seeds for all the works in the exhibit,” writes Madeleine Lord, whose review of the exhibition can be read on Artscope Online at https://artscopemagazine.com/2025/09/adapt-or-die/

“Just a Dream,” on view through March 2026 at Mass MoCA, 1040 Mass MoCA Way, North Adam’s, Massachusetts,, is a 20-year ...
09/26/2025

“Just a Dream,” on view through March 2026 at Mass MoCA, 1040 Mass MoCA Way, North Adam’s, Massachusetts,, is a 20-year survey of Vincent Valdez’s work, the observation of deprivation and inequity laced with love of country and community. He joins American social realist and protest painters such as Ben Shahn, Jacob Lawrence, Thomas Hart Benton, Arnold Trachtman, and Faith Ringgold, documenting the love and power of the individual as well as the tragic shortcomings of our history due to racism and violence,” writes Marjorie Kaye in our latest issue.

“Vincent Valdez brings these events to the surface, rather than allowing them to fade into a forgotten past. In so doing, he incorporates within the individual a halo of possibilities and boundless energy and beauty despite the ever-present decay of morality and the consequent spiritual deficit.”

Read Marjorie Kaye’s complete review of Vincent Valdez’s “Just a Dream” exhibition in the September/October 2025 issue of Artscope Magazine, available through digital online purchase at artscopemagazine.com, by mail order or in magazine form at partnering locations throughout New England; a sample of which can be seen here: https://artscopemagazine.com/2025/09/beauty-and-the-brutal-truth/

“Digging deep,” our September 25 Artscope email blast! features “Nancy Callan and Katherine Gray: The Clown in Me Loves ...
09/25/2025

“Digging deep,” our September 25 Artscope email blast! features “Nancy Callan and Katherine Gray: The Clown in Me Loves You,” on view through March 1 at the Fuller Craft Museum in Brockton, Massachusetts; “Do We Say Goodbye? Grief, Loss and Mourning,” opening this Friday, September 28 at Burlington City Arts in Burlington, Vermont; and “The Art of Disruption: The Art and Impact of Serj Tankian,” on exhibit through February 2026 at the Armenian Museum of America in Watertown, Massachusetts.

Our latest blast! is sponsored by Umbrella Arts Center, Bromfield Gallery, Kingston Gallery, Panopticon Gallery, Galatea Fine Art, Cape Ann Plein Air, Paradise City Arts, Maine Craft Weekend, University of Hartford, Piano Craft Gallery and Artscope Online.

Read the September 25 Artscope Magazine email blast! here: https://conta.cc/46EXDKx

“The 36ª Bienal de São Paulo “Nem todo viandante anda estradas – Da humanidade como prática” (“Not All Travellers Walk R...
09/25/2025

“The 36ª Bienal de São Paulo “Nem todo viandante anda estradas – Da humanidade como prática” (“Not All Travellers Walk Roads – Of Humanity as Practice”) opened this September at the iconic Ciccillo Matarazzo Pavilion in Ibirapuera Park. Running through January 11, 2026, it’s transforming the Bienal into a living harbor of ideas, where more than 120 artists and collectives from Brazil and around the world gather to explore humanity, coexistence, and collective memory.”

Claudia Fiks reviews the international exhibition for Artscope Online.

“Nari Ward’s “Spring Seed” is vivid and haunted all at once. Bedsprings, an LED screen, and sound form a restless installation that stitches together Jamaica, Brazil, and Japan. SãoPaulo has the largest Japanese population outside Tokyo. Ward doesn’t just ask you to look; he asks you to feel the pull of migration, memory, and survival that’s often hidden under the surface.”

Read Fiks’ complete report on the 36ª BienaldeSãoPaulo on artscopemagazine.com by clicking on the “Artscope Online” section on the left side of our Artscope Magazine webpage: https://artscopemagazine.com/2025/09/currents-of-humanity/

SEEN HERE: NariWard, “Spring Seed,” 2025, Video installation with sound, bedsprings, LED screen, speakers, iron.

Hannah Perrine Mode’s “Remote Sensing,” on display through Oct. 18 at Northeastern Gallery 360 in the Curry Student Cent...
09/24/2025

Hannah Perrine Mode’s “Remote Sensing,” on display through Oct. 18 at Northeastern Gallery 360 in the Curry Student Center at Northeastern University, 346 Huntington Ave., Boston, Massachusetts, combines Mode’s educational work in geoscience and climate research with her impassioned multi-media art.

“Using relational and reciprocal methods, I engage with glaciated and deglaciated places — including my homes in Alaska and New England — as dynamic and changing entities,” Mode said. “This is a soft, sensory, embodied, and process-based mode of monument-making and record-keeping, where research, experimentation, and communication become acts of care.”

Isabel Barbi reviews the show in our September/October 2025 issue of Artscope Magazine, available in magazine form at partnering galleries, museums and art centers throughout New England, by mail order or via purchasing online access at https://artscopemagazine.com/2025/09/the-meditative-power-of-glaciers/

The Affordable Art Fair comes to Boston’s SoWa Power Station for the first time this October 23 through 26. Andy Moerlei...
09/23/2025

The Affordable Art Fair comes to Boston’s SoWa Power Station for the first time this October 23 through 26. Andy Moerlein shares what to expect in our current issue:

“Affordable is a robust and meticulous organization that does its homework. After 18 months of interviews and planning, they have identified Boston’s regional art, youth and cultural engagement as an opportunity for their unique brand of arts experience. Our city of art education and commerce will be joining New York City and Austin, Texas as their third United States venue.

“This is an exciting spectacle. Serious investor collectors, eccentric art freaks, globally known artists, and gallery directors will mingle with all of us who attend. Everyone will find something at this art fair (including artworks presented by neighborhood and regional galleries and artists). “

Read Moerlein’s complete feature on Affordable Art Fair Boston in the September/October 2025 issue of Artscope Magazine, available for free magazine pickup at partnering museums, galleries and art centers throughout New England or through mail order or digital online purchase at artscopemagazine.com at https://artscopemagazine.com/2025/09/an-opportunity-to-expand/

“Describing her paintings as “mysterious portals into the subconscious, a domain that is immersive, dream-like and surpr...
09/23/2025

“Describing her paintings as “mysterious portals into the subconscious, a domain that is immersive, dream-like and surprising,” Tina Feingold’s“ Wishful Thinking” exhibition, on view through October 18 at Cove Street Arts, 71 Cove St., Portland, Maine, is a collection of “fantastical alternate realities made tangible on canvas, works that explode in bursts of blues, yellows, purples, and greens.” Her objects “float amidst layers of paint and stenciled marks, like fossils imprinted on colorful botanical forms” and in the process, “abstract our sense of reality and blur the lines between the real and the artificial.”

Read more of Brian Goslow’s Capsule Previews in our September/October 2025 issue of Artscope Magazine at https://artscopemagazine.com/2025/09/capsule-previews-24/

Featuring photographs celebrating Cape Cod’s natural wonders of nature — seaweed and sand dunes, along with asphalt memo...
09/22/2025

Featuring photographs celebrating Cape Cod’s natural wonders of nature — seaweed and sand dunes, along with asphalt memories from previous life stops, “Arthur Nichols: The Sands of Time” remains on view through October 23 at gary marotta fine art g-1, 162 Commercial St., Provincetown, Massachusetts. “Shooting close to home, Chatham resident Nichols captures the subtleties of shifting sands and the visual metaphor of time and place in the cosmos with these minimalist images. These archival pigment prints on 100 percent rag paper with matte varnish express a soft, scintillating, sculptural effect in these simple sandscapes.”

Read more of Brian Goslow’s Capsule Previews in our September/October 2025 issue of Artscope Magazine: https://artscopemagazine.com/2025/09/capsule-previews-24/

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