B Sharp

B Sharp To attract, enlighten, and cultivate people of all ages in surrounding communities to discover the joy of the arts.

Serving the six disciplines of the creative and performing arts: Theater, Dance, Instrumental Music, Vocal Music, Visual Arts, and Literary Arts.

There are no more chances to see this show, but it is still absolutely worth celebrating. Last night may have been the f...
03/22/2026

There are no more chances to see this show, but it is still absolutely worth celebrating. Last night may have been the final performance of LEGALLY BLONDE, but the talent, hard work, and heart this cast brought to that stage deserves one more round of applause.

For anyone who doesn’t know the story, LEGALLY BLONDE follows Elle Woods, who heads to Harvard Law School to win back her ex, only to end up discovering just how smart, strong, and capable she really is. It’s funny, empowering, heartwarming, and full of energy — and this cast did such a beautiful job bringing all of that to life.

Ella Armandi as Elle Woods was absolutely wonderful and carried the show with so much charm, heart, and confidence. She had the perfect mix of sweetness, determination, and humor, and made you root for her every step of the way. Sebastian Landon as Warner Huntington III was exactly what Warner needs to be — self-absorbed and humorously clueless and entertaining to watch. He really captured that smug self-assurance well. Norah Kneafsey as Vivienne Kensington was strong, polished, and brought depth to the role. Henry Bambrick as Emmett Forrest brought so much sincerity and warmth, making him such an important heart of the story and the perfect balance to Elle’s big personality.

Adeline Spitz as Paulette Buonufonte was hilarious and lovable, bringing charm to every scene. Mikey Gibson as Professor Callahan deserves a huge shoutout for stepping into the role as a last-minute replacement and still delivering a strong performance. That is no small thing, and he handled it with confidence and great stage presence. Gracie DiMartino as Brooke Wyndham was fierce, confident, and full of energy, and exactly the kind of spark that makes that role so memorable. Jayshing Goolsby as Enid Hoopes was full of character and strong presence. And John John Doherty as Kyle the UPS guy absolutely made the most of every second on stage — bringing big laughs, and a standout performance in a role that may be short, but definitely leaves an impression. Delilah App, Tierney Hunter, and Lucy Mitsuka as Pilar, Margot, and Serena were fabulous and added so much fun, sparkle, and personality throughout the show.

The entire cast and ensemble deserve so much credit. This is not an easy musical to pull off, and they did such a great job with the vocals, choreography, comedy, and all the little moments that make a show like this so entertaining. Big applause to the directors, crew, pit, and everyone behind the scenes too, because it all came together beautifully.

This was one of those shows that reminds you just how special high school theater can be. So much hard work, so much heart, and so much talent packed into one production. The curtain may have closed, but what you all created will be remembered long after the last bow. You should all be so proud. 💕👏

LEGALLY BLONDE
Haverford Drama Club
Haverford, PA
March 19-21, 2026

For Immediate Release: November 10, 2025Press Contact: Barbara Mills bmills@thestagecrafters.org  A Sherlock Carol Holid...
11/17/2025

For Immediate Release: November 10, 2025
Press Contact: Barbara Mills [email protected]


A Sherlock Carol Holiday Treat at The Stagecrafters

Want a clever treat for your holidays? A Sherlock Carol at The Stagecrafters Theater is the one for you. Written by Mark Shanahan, the play skillfully weaves together the stories of Arthur Conan Doyle and Charles Dickens into a clever mystery. Six actors portray the beloved characters of Sherlock Holmes, Ebenezer Scrooge, Tiny Tim, Dr. Watson and more in a heart-warming and very theatrical show for all ages.

ADVISORY: Patrons who may be affected by photosensitivity or epilepsy are advised to take precautions, as strobe lights will be used in this production.

Production dates: November 28 - December 14, 2025
Thursday, Friday & Saturday performances at 8 pm
Sunday performances at 2 pm

The Stagecrafters Theater
8130 Germantown Ave (Chestnut Hill)
Philadelphia, PA 19118
215.247.9913
Tickets: $26 online ($1.50 service fee) $30.00 at the door
Discounts available
More info: www.thestagecrafters.org

DOUBT: A REVIEWBy Steve Barrera Last weekend (August 15-17), I had the privilege of attending performances of Journey Th...
08/23/2025

DOUBT: A REVIEW
By Steve Barrera

Last weekend (August 15-17), I had the privilege of attending performances of Journey Theatric Sanctuary’s production of Doubt: A Parable. This was presented at the Rose Lehrman Arts Center on the HACC community college campus in Harrisburg, Pennsylvania.

Doubt: A Parable is a Pulitzer Prize and Tony Award winning play by John Patrick Shanley, about a nun who is Principal at a Catholic school and suspects a priest of taking liberties with a young boy. She attempts to get to the truth of the matter, enlisting the help of a younger nun, and of the boy’s mother – hindered as she is by the Church’s strict patriarchy, which makes reporting her concerns according to the rules a hopeless cause. It’s a challenging script with a difficult subject matter.

Director and Journey Theatric Sanctuary founder Troy Cooper assembled a stellar cast of four actors, each of whom was perfect for their role. Griffin Yeyna opened the show as the priest, Father Brendan Flynn, giving a sermon on the topic of faith and doubt. In a later monologue in the role of teacher, he came across as an easygoing authority figure. But in his scenes with the nuns, he sometimes squirmed under their questioning, and sometimes lashed out with indigant rage.

The main character in the show, the stern and determined Sister Aloysius, was played by veteran actor Aileen Lynch-McCulloch, who brought her experience to bear to bring out the layers in her character. Sister Aloysius was hard-headed and persistent in her pursuit of the truth, adamant in her beliefs on the proper relationship the clergy should have with their parishioners and students. She employed a kind of Socratic method in her probing questions as she recruited the younger nun to her cause, and as she interrogated the priest. She also had a worldly sense of humor that got laughs from the audience at times, breaking the tension in the very taut script.

Her counterpart, Sister James, was a less experienced nun, played by Jess Mooney in just her third role on stage. Mooney brought a sweetness and eager naivete to her character, which made her susceptible to Father Flynn’s charisma, and hesitant to see his potential dark side. Janae Yellock as Mrs. Muller, the young boy’s mother, had only one scene, but she brilliantly portrayed a 1960s era black mother, used to navigating a world of both male and white supremacy. Mrs. Muller’s strategy for guarding her son’s interests was an unsettling and eye-opening surprise for Sister Aloysius.

These four actors did excellent work expressing the subtleties of their characters’ different viewpoints. Each, in their own way, had blinders on that limited their perception of the whole truth of the matter at hand. Each, consequently, faced their own doubts. Caught up in the turmoil of these conflicting perspectives was the fate of one little boy.

The design of the quite beautiful set helped underscore this theme, being split into two sections with starkly different appearances and color palettes.

Journey Theatric Sanctuary’s production of Doubt: A Parable was tense and emotionally powerful, doing justice to the company’s stated mission of demonstrating the transformative power of theatre. I wish it had had a larger audience and/or a longer run, because there was so much talent brought to bear which deserved to be seen.

I note here that Griffin Yeyna and Aileen Lynch-McCulloch have appeared together before, in Reading Theater Project’s November 2023 production of Lauren Gunderson’s Silent Sky. They have great chemistry on stage, and I would love to see them opposite one another again. Also, in the interest of full disclosure I must mention that I have known Aileen for many, many years and she is my dearest friend.

Journey Theatric Sanctuary’s website is here: https://www.journeytheatricsanctuary.com/�I wish this new theatre company the best of luck growing its program and expanding its outreach.

CALLING ALL SINGERS:The Philadelphia Chorus is currently seeking new vocalists to join our ranks. We are a welcoming org...
08/20/2025

CALLING ALL SINGERS:

The Philadelphia Chorus is currently seeking new vocalists to join our ranks. We are a welcoming organization, passionate about creating beautiful music together. If you (or someone you know) have a love for singing, enjoy the challenge of performing diverse repertoire ranging from traditional to new works, and are interested in connecting with a vibrant musical community, we encourage you (them) to audition. Beyond the musical growth and sense of accomplishment you'll experience, joining our Chorus also provides opportunities to build new friendships and foster a strong sense of togetherness within a supportive and inclusive environment.

AUDITIONS will be held by appointment:

Email: [email protected]
Call: 215-995-3118
More info: www.thephiladelphiachorus.org/auditions

07/26/2025

Mae (Elizabeth Wheeler), Jesse (Ian Bailey), and Miles (Joseph Billetta) share the incredible story of the Tucks with Winnie (Violet Roche), revealing the secrets of their immortality. Will she understand the true weight of their gift? 🌟✨

Join us for the second performance weekend of Tuck Everlasting at Shannondell Performing Arts Theater in Audubon, PA:
Friday, 7/25 & Saturday, 7/26 @ 7:30 PM
Sunday, 7/27 @ 2:00 PM

Tickets available at the door or online here: www.theatermct.org

Don’t miss your chance to experience this magical tale!

Photo credit: John Gray

Audition Notice: Methacton Community TheaterMan Of No ImportanceAuditions:  Sunday, August 3,  2:00 pm - 6:00 pm        ...
07/24/2025

Audition Notice: Methacton Community Theater

Man Of No Importance

Auditions: Sunday, August 3, 2:00 pm - 6:00 pm

Thursday, August 7, 7:00 pm- 10:00 pm

Callbacks (by invitation only): Sunday, August 10, 2025

Location: Shannondell Performing Arts Theater, Audubon PA 19403

Show dates: November 7, 8, 9, 14, 15, 16

More show information and audition sign up here:

https://www.signupgenius.com/go/9040D4CA9AD23A64-57230015-amanof

Three more chances to see Tuck Everlasting- a funny, family-friendly, thought-provoking musical at Shannondell Performin...
07/24/2025

Three more chances to see Tuck Everlasting- a funny, family-friendly, thought-provoking musical at Shannondell Performing Arts Theater! Escape the heat and be entertained while supporting local performing arts!

A well-deserved standing ovation for a very talented cast!
Tuck Everlasting's first weekend was fantastic! Join us for our second weekend at Shannondell Performing Arts Theater in Audubon, PA on 7/25 and 7/26 @ 7:30 pm and 7/27 @ 2:00 pm. The theater air-conditioned and handicapped accessible. Tickets can be purchased using this link or at the door prior to the show.
https://www.ticketleap.events/events/methactoncommunitytheater

07/16/2025
Methacton Community Theater   Audition Notice: A Man of No ImportanceAudition Dates: Aug. 3 & 7Show Dates: November 7-9,...
06/26/2025

Methacton Community Theater
Audition Notice: A Man of No Importance
Audition Dates: Aug. 3 & 7
Show Dates: November 7-9, 14-16
Location: Shannondell Performing Arts Theater, Audubon, PA
Click here for more information and to sign up for your audition slot!
https://www.signupgenius.com/go/9040D4CA9AD23A64-57230015-amanof #/

Zakarak Productions Presents the Premiere ofConversations With MirandaA New Play by Gordon PragerSwarthmore, PA — Zakara...
06/23/2025

Zakarak Productions Presents the Premiere of
Conversations With Miranda
A New Play by Gordon Prager

Swarthmore, PA — Zakarak Productions proudly presents Conversations With Miranda, a deeply moving and thought-provoking new play by Gordon Prager, directed by Ed Robins. Performances will take place July 9, 10, 11, and 12 at 7:00 PM, with a special matinee on July 12 at 1:00 PM, at the historic Main Stage of the Players Club of Swarthmore.

Blending reality with the metaphysical, Conversations With Miranda invites audiences into the world of Stephen Childs, who navigates the delicate space between the present and the afterlife alongside his late wife, Miranda. Bound by love that transcends time, Miranda’s unstoppable spirit propels her through the mysteries of eternity in her mission to make peace, connect with Stephen, and reach their son, Robert — to “set things right” along her journey.

Laced with warmth, humor, and tender insight, this new work explores universal themes of faith, redemption, mortality, and the timeless bonds that defy the finality of death. Inspired by true-life experiences, Conversations With Miranda is a heartfelt journey of love everlasting.

The production features a talented ensemble including Neill Hartley as Stephen and Julianna Schauerman as Miranda, with Matthew Carter, Taleah Kennedy, Keiran McCarney, and Joshua Gold rounding out the cast.

About the Playwright:
Gordon Prager is an accomplished writer and motivational speaker in the fields of C-suite communication and corporate risk management, with decades of experience in multinational aviation, aerospace, and financial sectors. He has authored several full-length plays performed by the Shannondell at Valley Forge Actors Studio. Gordon and his wife Jo Ann reside in Audubon, Pennsylvania.

About Zakarak Productions:
Zakarak Productions is dedicated to turning the ordinary into the extraordinary. We combine a passion for professional theater with personalized attention to every event we produce. Our mission is to deliver high-end, creative, and inclusive experiences that exceed expectations while holding diversity, equity, and inclusion (DEI) at the forefront of our values.

Venue:
Players Club of Swarthmore
614 Fairview Road, Swarthmore, PA 19081
The historic Main Stage is a 300-seat, ADA-accessible theater with free off-street parking.

Performance Dates & Times:
July 9, 10, 11, 12 at 7:00 PM
July 12 Matinee at 1:00 PM

Tickets: $25
Available at: https://pcstheater.org/show/zakarak-productions-presents-conversations-with-miranda/

Join us for an unforgettable exploration of life, love, and the eternal journey that binds us all.

Media Contact: Anne Marie Scalies, [email protected]

Puppets, Punchlines, and Purpose: A Night on Avenue at the Barn PlayhouseReview by Laura T. ClattenburgAVENUE Q isn’t ju...
06/08/2025

Puppets, Punchlines, and Purpose: A Night on Avenue at the Barn Playhouse
Review by Laura T. Clattenburg

AVENUE Q isn’t just a musical. It’s a puppet-powered therapy session wrapped in catchy tunes and adult humor. From the first beat to the final bow, this production bursts with irreverent charm, unexpected depth, and enough belly laughs to make your cheeks hurt.

Imagine that Sesame Street grew up, got a job (sort of), and started drinking wine out of a box—and you’ve got the vibe. The show follows Princeton, a recent college grad with a “useless” English degree, as he stumbles through the messiness of adulthood. Along the way, we meet a lovable band of misfits: Kate Monster, a sweet kindergarten assistant with big dreams; Rod and Nicky, the Odd Couple with a closeted twist; Lucy the Slut, seductive and chaotic; and even a very sassy incarnation of Gary Coleman.

On Avenue Q at the Barn Playhouse, the cast is electric. The puppeteers manage tricky staging and bring each character to life with surprising depth. Their voices, movements, and total commitment to the silliness keep the audience laughing, while still making room for touching moments.

Kate Monster (Maddi Sloan) and Princeton (Stephen McDonnell) lead the way with good, emotionally grounded performances. Kate’s sweetness and sincerity shine through, particularly in her touching solo “There’s a Fine, Fine Line,” while Princeton’s wide-eyed optimism and comedic uncertainty keep the story moving with charm. Their connection feels authentic, making their relationship relatable.

The ensemble is equally strong. Rod (Justin Lamphere) and Nicky (Rob Frankel with Puppet Assistant Emily Murphy) are a standout comedic duo, blending classic roommate antics with deeper moments of self-discovery. Lucy the Slut (Christine Galeone) commands the stage with her bold, brazen flair. Gary Coleman (Akayla Butler) adds sass and street smarts, Christmas Eve (Jennifer Hsiao) brings sharp humor and unexpected insight, and Brian (Alan Ellinger) is the easygoing guy next door. Trekkie Monster (Jim Fryer) steals the show with his crazy energy. With his gruff voice, shaggy fur, and booming delivery, Trekkie is the loudest, yet one of the most lovable, residents on the block. Every twitch, growl, and side-eye is perfectly timed. His physical comedy is top-notch and delivered with precision. The Bad Idea Bears’ appearances (Brian Beloff/Jules Reanna) are brief, adding a shot of chaotic energy and devilish humor every time they bounce onstage. Though her stage time is short, Carol Ribner’s Mrs. Thistletwat makes an impression as Kate Monster’s crotchety, no-nonsense boss. She delivers her lines with dryness and just the right amount of theatrical exaggeration.

The puppetry work is impressive. The cast seamlessly blends voice, movement, and character work in a way that makes you forget you’re watching felt and foam. Every puppet is treated with the same emotional care and physical nuance as a live actor. The synchronization between puppeteers and their characters is tight, expressive, and essential to the show.

Under Steve Arcidiacono’s direction, the show never lingers or loses its rhythm. He finds a balance between zany comedy and real emotional stakes, letting the outrageous moments pop while ensuring the story still resonates. The choreography (Jenn Smith) is fun and fluid, cleverly adapted for both puppets and people.

Musical direction by Blue Colacchio ensures every number lands with energy. The cast’s vocals are strong, the harmonies well-blended, and the live accompaniment adds warmth and momentum to the score’s playful tone.

The scenic design (Phoebe Myers/Sue Alba) is charming, turning AVENUE Q into a lived-in space full of character and surprises. It’s the perfect backdrop.

Backed by producer Michael Riggs, his behind-the-scenes leadership ensures that every element, from casting to costumes to curtain call, runs smoothly. His commitment to quality and detail is evident in the show’s polish and overall continuity, creating a space where performers can shine and audiences can escape into the quirky world of AVENUE Q. This is a production he can be proud of.

Altogether, this production is a testament to the magic that happens when talent, teamwork, and puppetry collide. It’s funny, moving, and delightfully inappropriate—in all the right ways. I personally predict a sell out as word gets out so hurry and grab your seats!

Note:�Despite featuring puppets, AVENUE Q is R-rated, featuring adult situations and language.

AVENUE Q�The Barn Playhouse�June 6-21, 2025�barnplayhouse.org/avenueq
Photo credit: Steve DiNenno

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