Dj I M P R O V I Z E

Dj I M P R O V I Z E Underground Dj (turntable/ CDJ)
Deep Chicago | Funky/Jackin' | Tech House | Breakbeats | Techno

This was our 3rd in the series last month, our guests were our friends, OMAR FAISON and KAENA 007Our next IMMERSE is Sat...
09/10/2025

This was our 3rd in the series last month, our guests were our friends, OMAR FAISON and KAENA 007

Our next IMMERSE is Saturday Oct. 18th w/ our special guest and homie DJ CADENCE. It’s always great to share the decks with him and get together in general. He’s joined me many times for my ROBOT ROK series, notably both times I hosted OUTRAGE (Metalheadz…/ UK) for his US tours) and part of my event production group I founded, Substructure. DJ CADENCE will be coming from Charlottesville, bring his lovely Liquid Drum & Bass selections.

08/08/2025
07/22/2025

A new PhD project based at the University of Liverpool is taking a close look at how underground dance music scenes are still alive and adapting—especially in cities where nightlife collides with gentrification. The researcher is focusing on Liverpool’s current wave of independent parties and non-mainstream club nights, many of which operate outside the commercial core. The study tracks how these scenes form, how they resist assimilation, and what keeps them distinct from the EDM-branded mainstream.

One of the key insights is the role of older participants. The research challenges the idea that dance culture belongs only to the young. Instead, it highlights how longtime promoters, DJs, and dancers are still shaping underground scenes well into their 40s and beyond. This isn’t nostalgia—it’s about how identity, community, and music evolve together over time. The study also explores how different generations navigate subcultural status, influence, and what it means to still be seen as “underground.”

The research combines interviews, fieldwork, and grounded theory to build a detailed map of how underground nightlife operates under pressure. Liverpool serves as a focused case study, but the findings will resonate across any city where nightlife is being squeezed by redevelopment and cultural branding. The full study is titled “The Persistence of the Underground in Dance Music Scenes” and is currently underway as part of a doctoral program at the University of Liverpool.

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07/21/2025

Subwoofers’ cardioid deployments are very useful in a myriad of different production events and fixed installation applications. The question is: how to correctly position such a subwoofer array to get the best possible cardioid performance?

6.28.25 | DJ IMPROVIZE in the mix, had a blast being part of my friend   livestream with the homies    .b.rke Photo Cred...
06/30/2025

6.28.25 | DJ IMPROVIZE in the mix, had a blast being part of my friend livestream with the homies .b.rke

Photo Credit: Christopher Barth (Barthio)

05/08/2025
Paramount
03/26/2025

Paramount

03/13/2025

Touring as a DJ duo these days is almost impossible for us. The inflated economy has driven up the cost of travel and logistics while the cost-of-living crisis and Covid rave break have contributed to a drop in events and attendee numbers. Two of us means double the cost and half the income, and all considered, 2025 might be our last year touring Audiojack as a duo.

It was always our dream to make and play records, never to be famous. We’ve always preferred to let our music do the talking, so when social media became a major metric by which a DJs worth was determined, it was a bit of a problem for DJs like us, the type who stick two fingers up at celebritism and just want to play loud music in dark rooms.

The rise of the social media celebrity coincided with the introduction of DJ hacks like sync, removing entry barriers like talent and perseverance. More introverted creators were soon outhustled by marketeers, whose approach to music is more like bosses running a PR and marketing firm than DJs making records. They know this has become a numbers business more than a music one, and their target is to build an audience, more than a discography.

Prior to the mass adoption of smartphones, when you made a good record, people noticed, and you got booked to DJ. Then social media went mainstream, and that organic hype was no longer a given reward, it was now on sale to the highest bidders. Your big record, which you watched grow organically, was drowned out by more media savvy DJs who posted viral memes, rated chicken shops, DJ’d up mountains, bought fans, anything for likes. Over the last decade, the impact of creating well supported records has diminished to the point where it now makes virtually no difference to gigs, it’s all about pay-to-play marketing strategies.

We’re venturing into DJs Complaining territory now though, which is not somewhere we like to be! We’ve loved making and playing music for a living for the last two decades and we’d like to carry on, but we will never be comfortable with endless self-promotion. We just make records. We’ll make a final decision on our future later this year, but for now we’d like to highlight something that represents us better, more of an antithesis to this way of things...

Promoters regularly complain about the cost of booking DJs. All those teams need to be paid. We’re easy to work with and we can chat directly. If you’d like to book us to play your event, hit us up at ‘DJs @ audiojackmusic.com’. No management teams to navigate, no endless waiting for an answer, just you and us, chatting about having a party together.

03/08/2025

No sync, no planning, just doing what I love with the music I love

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Richmond, VA
23230

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