TopHit

09/06/2026

After decades of insults, walkouts and one of rock’s most famous sibling feuds, Noel Gallagher has apparently discovered a new adjective for Liam: “delightful.” Even Noel admits it is a word he never imagined using about his younger brother.

The surprising compliment arrived as Oasis promote their new documentary Don’t Look Back In Anger, which chronicles the brothers’ 2024 reconciliation and enormous Live ’25 reunion tour. Speaking about their relationship now, Noel said the small things that once irritated them have disappeared and that the pair have emerged from the experience “as equals.”

The transformation apparently extends beyond the stage. Noel revealed that he and Liam now text each other “like normal people”, adding that ultimately “the music brought us together.” For two brothers whose public communication once seemed to consist largely of insults delivered through interviews and social media, normal texting may qualify as one of the Oasis reunion’s stranger miracles.

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09/05/2026

Prince’s vault has always carried an almost mythical aura. But when fans heard something unusual on the newly released Timeless, the mythology collided with a very 2026 anxiety: was artificial intelligence being used to finish Prince’s music after his death?

The Prince Estate has now answered emphatically: no AI was used. The controversy centered on “Calabama,” a previously unreleased track originally recorded in 2003 and included on the new 10-song collection Timeless, which gathers material recorded between 1977 and 2016.

What fans were hearing, however, wasn’t entirely untouched archive audio. The Estate confirmed that new horn parts were added to “Calabama” after Prince’s death. Trombonist Greg Boyer, saxophonist Adrian Crutchfield and trumpeter Lynn Grissett — all musicians with connections to Prince — were brought in to overdub a synthesizer horn line with real brass. Prince’s original recorded parts, the Estate says, remain intact.

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09/05/2026

Few reconciliation songs could be less subtle than “I Don’t F*ck With You.” Yet that is exactly what Big Sean performed after making a surprise appearance at Kanye West’s Chicago homecoming show — a reunion that appears to have put one of G.O.O.D. Music’s messiest fallouts behind them.

Sean joined Ye onstage at Soldier Field on September 3, during the first of Kanye’s two hometown concerts. The former labelmates ran through “Clique” before Sean performed his 2014 hit “I Don’t F*ck With You.” 2 Chainz then joined them for “Mercy,” briefly turning the evening into a full-blown Cruel Summer-era reunion.

That would have been notable enough without the history. Big Sean signed to Kanye’s G.O.O.D. Music in 2007 and became one of the label’s biggest stars, but the relationship spectacularly deteriorated in 2021. During his infamous Drink Champs interview, Ye said signing Sean was the “worst thing” he had ever done. Sean later responded that he still loved Kanye and appreciated what he had done for his career — while also calling the comments “b*tch-ass sh*t” and claiming he was owed millions of dollars.

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09/03/2026

Coachella 2027 is still more than seven months away, but the desert rumor machine is already running at full volume. Dua Lipa and Tame Impala are reportedly being lined up to headline, while Fred again.. is in contention for the festival’s special “Returning to the Desert” slot. And somehow, those may not even be the wildest names in play.

According to reports citing industry publication Hits Daily Double, organizers are still chasing another major headliner, with BTS, SZA, Oasis and Radiohead all being discussed. SZA is currently described as the most likely option among the unresolved names, while Oasis and Radiohead appear to be longer shots. Miley Cyrus was reportedly approached too — and apparently said no. Coachella itself has not confirmed any of these bookings.

Dua would be a particularly significant booking: despite being one of the world’s biggest pop stars, she has never played a full Coachella set. There is also an obvious connection with Tame Impala’s Kevin Parker, who co-wrote and produced much of her Radical Optimism album. Parker, meanwhile, knows the desert well — Tame Impala previously headlined Coachella in 2019 after earlier appearances in 2011, 2013 and 2015.

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09/02/2026

TikTok’s biggest song of summer 2026 wasn’t a shiny new release. It was Katy Perry’s “The One That Got Away,” a single first released in 2011 — and somehow, 15 years later, it has become the platform’s global Song of the Summer.

The comeback has been enormous. According to TikTok, “The One That Got Away” soundtracked more than 42 million videos this summer, generating over 55 billion views. The renewed attention has also spilled far beyond the app: the song has spent 21 weeks on the Billboard Global 200 and has now passed 1.8 billion Spotify streams.

Perry herself called the resurgence “surreal,” noting that one of pop music’s strange pleasures is never knowing when an old song will suddenly find a completely new audience. In this case, TikTok didn’t merely resurrect a catalog favorite — it effectively turned a 2011 breakup song into one of the defining records of 2026.

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09/02/2026

Miley Cyrus is entering album number ten by removing one very familiar piece of baggage: the “Cyrus.”

The singer is now being billed professionally simply as Miley, and she has announced a new album, Bass Persuades, arriving September 18 via Atlantic Records. It will be her first release for the label after leaving Columbia and follows 2025’s ambitious Something Beautiful.

The title sounds playful, but Miley is framing the record in much broader emotional terms. She describes the album as moving through love, heartbreak, vulnerability and strength — essentially all the contradictory states music has always helped her process. A short teaser points toward something darker and more rhythm-driven, with synths, guitar and, appropriately enough, plenty of low-end mystery.

Bass Persuades contains 10 tracks, including “Different Religion” with Model/Actriz and “Neon Signs” featuring Andrew Wyatt of Miike Snow. Other titles include “Let’s Get Married,” “Orbit,” “Aftermath,” “REDLIGHTS,” “Innocent Ways” and “Snow,” before the record closes with a remix of its title track.

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09/02/2026

Ten years after Avicii stepped behind the decks for the last time, one of the most important nights in modern dance music can now be seen from beginning to end — without edits, cutaways or retrospective polish.

The Avicii Estate has released a previously unseen, uninterrupted recording of Tim Bergling’s final DJ set at Ushuaïa Ibiza, performed on August 28, 2016. Running for more than two hours, the footage comes from a GoPro mounted directly on the DJ booth, pointing upward at Avicii throughout the night. The result feels less like a concert film and more like being dropped back behind the decks with him.

The release arrives through the recently launched Avicii Community, the official archive and fan platform created by the Avicii Estate with Pophouse. While material from the show has surfaced before — including “Levels,” “Addicted To You” and the Netflix film Avicii — My Last Show — this anniversary release presents the raw GoPro perspective as one continuous document.

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09/01/2026

Tom Hardy has spent years playing gangsters, supervillains and men who look like they could end an argument without finishing the sentence. Now he has added another role to the list: rapper with a full-length album featuring Busta Rhymes, Method Man and El-P.

Released August 28 under Hardy’s longtime alias Frankie Pulitzer, Czarface Meets Frankie Pulitzer is a 15-track collaboration with Czarface — the cult hip-hop collective of Wu-Tang Clan’s Inspectah Deck and underground duo 7L & Esoteric. Rather than treating Hardy as a celebrity cameo, the project places him firmly inside Czarface’s comic-book-heavy universe.

And Hardy clearly understands the assignment. The record is packed with references to cinema, comics and his own screen history. On “Grim-Visaged War,” he even resurrects his unmistakable Bane voice from The Dark Knight Rises to deliver the opening of Shakespeare’s Richard III. Somewhere between Shakespeare, boom-bap and Gotham City, this stops feeling like an actor’s novelty record.

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09/01/2026

Ed Sheeran has had the kind of weekend that could have belonged to two completely different tours. Hours after six members of his concert crew were taken to hospital following an accident in Detroit, the singer appeared in San Francisco as a surprise guest at the Pokémon World Championships — and performed the original Pokémon theme.

The serious part came first. After Sheeran’s show at Detroit’s Ford Field on Saturday, August 29, crews were dismantling the stage when a piece of equipment reportedly lost control near a vehicle tunnel and struck several workers. Six people were taken to hospital; two were reportedly in serious condition and four were stable, although none of the injuries were considered life-threatening.

Then, less than 24 hours later, the mood changed completely. Sheeran appeared unannounced at the closing ceremony of the 2026 Pokémon World Championships at San Francisco’s Chase Center, performing his 2022 Pokémon Scarlet & Violet collaboration “Celestial” before picking up an acoustic guitar for the classic theme from the anime.

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08/30/2026

The Who’s farewell tour may have ended, but apparently The Song Is Over wasn’t quite the final song — and neither was Zak Starkey’s chaotic exit from the band.

More than a year after one of rock’s messiest drummer breakups, Roger Daltrey has revealed that The Who recently rehearsed with Starkey again while considering possible shows in Europe. Speaking during a solo concert in Las Vegas on August 26, Daltrey said Starkey was back behind the kit and that the session “sounded great.”

Starkey didn’t exactly play coy afterwards. The longtime drummer shared the report on social media, said he was looking forward to playing with The Who again and joked that the rehearsal was unusually serious compared with the band’s traditional routine of drinking tea and discussing when everyone could go home. In a statement to Rolling Stone, he went even further, saying the band had been “absolutely on fire” and adding: “It’s good to be home.”

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