Entre Ríos Books

Entre Ríos Books Publishing collaborations between poets and artists of all types. Gay-owned, queerly run since 2015. BETWEEN RIVERS.

We publish collaborative work between Northwest poets and artists, musicians, and filmmakers. We also have an interest in promoting contemporary Argentine poetry and Jewish history in Latin America.

Is this my favorite spread in our new book by Alan Chong Lau? Most days, yes! One thing I love about this book is rememb...
09/25/2025

Is this my favorite spread in our new book by Alan Chong Lau? Most days, yes! One thing I love about this book is remembering things I forgot about from my visit over a decade ago— like these little stone jizōs you see around dressed up in often seemingly random places. Link in bio to see more on our website!

It's PUB DAY! "This Single Road: Postcards and Notebooks from Kyoto" gathers Alan Chong Lau's impressions and sketches f...
09/24/2025

It's PUB DAY! "This Single Road: Postcards and Notebooks from Kyoto" gathers Alan Chong Lau's impressions and sketches from his regular visits to Japan in a full color glorious celebration of this Seattle legend. ⁣

We could not be more proud to have this be our twentieth book! ⁣

LINK IN BIO. ⁣

We are shipping and know that is is on the shelves or soon will be all over Seattle. If you have ever been to Japan, you want this book! ⁣

A page from our next book, "This Single Road: Postcards and Notebooks from Kyoto" by Alan Chong Lau.
09/19/2025

A page from our next book, "This Single Road: Postcards and Notebooks from Kyoto" by Alan Chong Lau.

Hard proof + press check! The new Alan Chong Lau is out next week. Having our distributor  right here in Seattle is unlo...
09/18/2025

Hard proof + press check! The new Alan Chong Lau is out next week. Having our distributor right here in Seattle is unlocking some interesting press options. Printing local means no shipping costs, lower carbon, and support for our own economy— something key in planning ERB v2-2027.

Talking about endpapers and flyleaves—here are a few pages from Alan Chong Lau’s book with us. They took quite a bit of ...
09/17/2025

Talking about endpapers and flyleaves—here are a few pages from Alan Chong Lau’s book with us. They took quite a bit of time, since I don’t have much skill in Illustrator. I spent many beautiful summer days in a dark room failing, rewatching instructional videos, rescanning, and trying again.⁣

Even with the covers shut, I like to think of our books as dreaming— wandering, conversing between pages, remembering themselves. And if they are lucky enough to find a reader, from the moment they are opened, that reader falls into that dreamscape, somewhere that feels inevitable and true.��⁣

When it all works— the type, the paper, the pacing— the book feels not made but found, as if there was no other way for the work to exist. Of course, this is impossible and maddening, but I think the attempt is worth it.

This book is out next week:
https://entreriosbooks.com/products/this-single-road-postcards-and-notebooks-from-kyoto

I was sitting on our patio drinking wine with some writers when I mentioned Alan Lau had given me his journals. ⁣⁣“He ga...
09/16/2025

I was sitting on our patio drinking wine with some writers when I mentioned Alan Lau had given me his journals. ⁣

“He gave you his journals to read!!!” one exclaimed, clearly horrified at the thought. And yes, I *FEEL* that! 

⁣

So what is like to spend a couple months reading someone else’s journals thinking about publication?⁣

Nerve-wracking!⁣
Ooo, so tasty delicious!
⁣
A gift.
⁣

Almost offhandedly, Alan passed me some photocopies of sketches from his pocket notebooks. Rough and of poor quality, I thought they might make interesting endpaper. But the quality was too poor, which is how I ended up with a pile of maybe thirty notebooks from Kyoto for professional scanning.



And these changed our book.⁣



I am very interested in process, and these early sketches and inspirations for the short essays heighten the immediacy and emotional connection to Kyoto and Japan. They reveal deep engagement—and so much movement: art shows, bookstore visits, and walks along the Kamogawa. They also strengthen the book’s dedication to his wife Kazuko, who is there translating and part of the adventure—a love story of two highly creative individuals, which I find inspiring.⁣

What made it into the book is only a fraction of what was left out—enough for two distinct books— one focused on responses to art and the other on friendships with other writers. If you’re an archivist interested in one of the premier Northwest painters, it could be an intriguing project, but we’ll be showing some of that handwriting tomorrow, so you might want to wait and see that first… ⁣

, take all my money!!! A bookseller that knows my tastes, and my requests never faze them. Here’s what I went home with ...
09/15/2025

, take all my money!!! A bookseller that knows my tastes, and my requests never faze them. Here’s what I went home with to study “journals” as a form or potential.⁣ I so love getting serious about reading again in the fall.

“Stars Seen in Person: Selected Journals” by John Wieners. No index, but I am interested in the gay Boston poetry scene, as Aaron Shurin got his start there. +Stephen Jonas.⁣

“Journey to Mount Tamalpais” by Etel Adnan. Never read her—a perfect place to start and a place I've only skirted.

“The Crystal Text” by Clark Coolidge. Another poet I’ve never read—using the exercise of writing continually about the same object, perhaps a way of expanding my own practice?⁣ Looks incredible.

“Songs of S.” by Robert Seydel is an intriguing production, which makes sense since Siglio Press + . Poems and a fake journal of a character? Like Pessoa’s heteronyms? Unsure!⁣

“Notes from the Woodshed” by Jack Whitten is almost 600 pages and includes facsimiles of his notebooks. This is going to be great to think about the process of art making and political engagement.

Cees Nooteboom’s “533 Days” seems to be in the obvious place journals go when writers want them to be published and are still quite alive—a transformation to short, polished essays of exquisite tone. 👏👏👏 for the translator ! Here’s the opening: “The flowers of cactuses cannot be compared to other flowers. They look as if they have achieved a victory, and, strange as it might sound, as if they would like to get married, preferably today, but it is not clear to whom.”

In the late spring, I picked up “Poetry Against All: A Diary” by Johannes Göransson. I promptly got depressed—my free-wr...
09/13/2025

In the late spring, I picked up “Poetry Against All: A Diary” by Johannes Göransson. I promptly got depressed—my free-writing is so mundane in comparison: whiny, self-absorbed, repetitive.⁣

It made me wonder what my journaling *could* be— more argumentative, more observational, and, with a move completely to paper, messier perhaps? What if the journal is the “real” writing? I’ve always treated it as a pre-cursor, practice, and not in itself as deep work. Why?⁣

With those questions, I am exploring different models of journaling as my fall reading focus. Most of my books are still in storage after the fire, so I only found three possible examples at home— but no true journals.⁣

I have “The Herbarium” from the Moulton edition of the Lewis & Clark Journals— plates of plants, so useless. If someone wants to buy it, let me know— it’s a relic of a long-dead interest.⁣

“Lucian Freud’s Sketchbooks” is mostly plates too with the materiality of paper as object, so beautiful. I enjoy when we do this in our books— “Twelve Saints” collages, ’s palette in “Alchemy for Cells & Other Beasts,” “Ensō” with its fabric, paper, even a Viewfinder disc. It’s in both our next books as well.⁣

Evidently, Freud would pick up any sketchbook lying around, so it’s impossible to trace artistic development. Would randomness be fun? I got sucked into a YouTube video of a lady extolling the spiritual benefits of junk journaling and I suppose in the randomness—maybe something Freud was going for—you find new connections or direction.⁣

The only other book that came to mind—local writer “Fugitive Assemblage” ()— also not a journal, but written in journal-like entries, incorporating fragments of archive to add dissonance and consonance to the piece. It feels like that to me— less a book than a piece. Interesting, because if my journaling has been simplistic note-taking— “I did this & felt that”—how might inviting disjunction or even archive add counterpoint to the satisfaction that comes from linear remembrance?⁣

With so few models in the house, I then went to ...

I’ve been engaging more with notebooks in my own creative practice over the last several years, now working in several, ...
09/10/2025

I’ve been engaging more with notebooks in my own creative practice over the last several years, now working in several, each with distinct purposes. I often think of Anne Carson maintaining two desks for different types of work and perhaps seeking the a sense of carved space and time when I am in a particular journal that is impossible to get on my computer.
⁣

While I’ve kept a journal of sorts for thirty-years, at some point during the Blogger days, I started moving into things like Evernote or DayOne, captivated by the promise of a combined data stream, something capturing my infatuations, images, at the speed of typing.

 A few years ago, I guess I just came to and decided that it was ridiculous to pay these companies, that any data steam was just annoying and separating me from work. I become worried about privacy and what all the screen time is doing to my brain and how it feeds my anxiety. I also wanted to explore hand work again and perhaps learn some sketching. ⁣

I keep a large reading journal that doesn’t really leave the house, a planning journal which is definitely informed by the bullet journal method, and smaller note book only for the poems. With a dead battery making my Neo crazy, I just recently started doing my free writes by hand, though it’s too early to say if that is something I’ll keep doing.⁣

There’s a notebook I’m keeping homemade ink experiments in, one that I am just filling with watercolor swatches, and another journal I want to write only about swimming in— but since I cannot write about swimming, I am unsure how to start! I think I just need to open it to some random middle page

. Admittedly, what is perhaps strange is each journal has its own pen and ink color. I don’t know why I write my angry bitter poems in the hot pink ink of Iroshizuku Tsutsuji— I suppose just another reminder I am in a certain space. A very pink space.

I’ve been thinking a lot about notebooks—about my own practice and how other writers use them or work only digitally. Se...
09/10/2025

I’ve been thinking a lot about notebooks—about my own practice and how other writers use them or work only digitally. Several months ago, I picked up "The Notebook: A History of Thinking on Paper" by Roland Allen to take on my summer vacation, the only time I get real reading done in July or August.⁣

It’s a fantastic and lively read on the creation of modern notebooks and their use.⁣

In it, he not only sorts through the material history of notebooks, but asks: “[Is] there a connection between notebooks and creativity? What other parts did they play in culture and industry? What could someone’s notebooks tell us about them? Why did keeping a diary bring happiness, or at least contentment? Is it significant that we ‘keep’ a diary, as we keep an animal, a promise, or a secret?”�⁣
I was struck by how notebook fads emerged in different societies: zibaldoni in Renaissance Florence, friendship books in 17th-century Holland, commonplace books in 18th-century England, and perhaps our own age of wellness and productivity with the rise of Moleskine and its imitators—a fad I’ve clearly been a part of without knowing much of its background.�⁣

To be honest, the book falters toward the end—perhaps because the chronological structure that worked early on made it harder for the author to weave in side stories like police journals, contemporary artist journals, and bullet journals. I would have liked a deeper discussion of the research going on in creativity and analog vs. digital interfaces for writing, though his notes are solid and provide plenty of excellent ideas for further reading.⁣

It’s an engaging read and I’d recommend it to writers—not only those who keep notebooks and think how form influences their work, but also anyone interested in narrative, archives, and how to tell an engaging story. I don’t know this English fellow, but he seems aces and can certainly write well. I’m looking forward to whatever he’s working on next.

So long, summer. Thankful for the rain that cleared the air, the feeling that the lake is all mine, and a bit more focus...
09/08/2025

So long, summer. Thankful for the rain that cleared the air, the feeling that the lake is all mine, and a bit more focus with shorter and cooler days. A lot of wonderful things happening at the press and looking forward to the busy cultural season that is fall.

Monday night at  is a great time to learn about Amelia Rosselli, one of the most original Italian twentieth-century poet...
05/02/2025

Monday night at is a great time to learn about Amelia Rosselli, one of the most original Italian twentieth-century poets and the art of translating an entire oeuvre and exceptionally difficult and thorny texts.

Address

Burlington, WA

Alerts

Be the first to know and let us send you an email when Entre Ríos Books posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Entre Ríos Books:

Share

Category