06/01/2026
SPOTTED: The Seattle Symphony’s all-Gershwin program at Benaroya Hall was a delightful reminder that some music never goes out of style. Hélène Grimaud dazzled in Gershwin’s Concerto in F, navigating the Allegro, Adagio–Andante con moto, and Allegro agitato with such brilliance that the audience rewarded her with two standing ovations and an encore. By intermission, she had us all wondering if she secretly had extra fingers.
The second half featured Porgy and Bess: A Symphonic Picture and the exuberant ballet music from An American in Paris, both overflowing with Gershwin’s irresistible blend of jazz, romance, and swagger. It was also exciting to finally see Seattle Symphony Music Director Xian Zhang in action. A tiny woman with a larger-than-life podium presence, she commanded the orchestra with energy, precision, and charisma. Watching her conduct was a reminder that great things often come in small packages—especially when they’re armed with a baton.
Gershwin’s scores never disappoint, and under Zhang’s leadership they practically danced off the stage. The only thing missing from An American in Paris was Gene Kelly's dancing. -MKS