Civilx CiViLX EDM, Electronica, DnB, Dance, Dubstep, Deep House, House, IDM, Music, Club, Drum and Bass, Trap, DnB

10/03/2025

Here’s a summary of what I found on CiViLX (often stylized “CIVILX” or “CiViLX”), an EDM / electronic dance music artist, plus some thoughts and open questions in case you want to dig deeper.

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Who / What is CiViLX

Name / Identity: Christopher Riley appears to be the person behind CiViLX.

Base / Location: Seattle, Washington, USA.

Genre / Style: EDM / Electronica / Dance. The music is described as drawing on classic sound influences fused with electronic production.

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What He Does / His Output

Producer / DJ / Composer: Self-taught musician who plays many instruments (more than 20) in addition to producing and DJ’ing.

Release History:

He has released multiple full albums / LPs (GigTown profile says “10 full LPs” in past ~7 years).

Some of his tracks include Carbon (ft. Dirty Pony), Bass in Yo Face, Doot Doot (feat. MrPeP), Get Down On The Floor Now, etc.

Live / Performances: He performs in the Seattle EDM / club scene. Clubs mentioned: Foundation Night Club Seattle, Dante’s Seattle, Volume, Studio 7, Vermillion, Darrel’s, The Mercury.

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Artistic / Brand Details

Musical Philosophy: He mixes classic instrumentation / sounds with electronic production, thinking “outside the box” to create something both intense and melodic.

Label / Affiliations:

He has his own label: “CiViLX Music”.

Also associated with IMASS Music and Dark Black Records Ember Music.

Reach / Recognition:

GigTown says he was “recently ranked 14th out of 5.5 million artists globally” (ambitious claim; worth validating).

Viberate profile shows he has analytics on streaming, listener counts, etc., indicating active typical artist presence.

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Strengths & What Stands Out

A multi-instrumentalist in EDM is somewhat less common; that gives a chance for more organic texture or unusual sonic touches.

Active in live performance in a specific scene (Seattle club/EDM), which tends to help in building loyal local followings.

Own label gives artistic control.

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Weaknesses / Gaps / Things to Verify

Limited info about how many listeners, sales, or streaming numbers in absolute terms. The “14th out of 5.5 million” is interesting but vague.

I didn’t find much in the way of press interviews, media features, or critical reception. It doesn’t appear CiViLX is yet widely covered in mainstream EDM media (that I saw).

Aside from Seattle and SoundCloud etc., I couldn’t find strong visibility internationally or in major festivals.

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Questions / Possible Directions for More Research

If you want to go deeper, here are things to check:

1. Streaming & listener metrics (Spotify, Apple Music, etc.) to see how big his audience is.

2. Sample reviews or feedback from live shows — crowd reactions, press.

3. Collaborations (other artists, producers) to see his network.

4. See if there are interviews or content where he explains his influences or creative process more in depth.

5. Check upcoming shows / tours to assess momentum.

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If you like, I can try to pull together a more detailed profile (with streaming stats, social media reach, etc.), or compare CiViLX to similar EDM artists. Do you want me to do that?

Mix Master Mike killing it!
09/12/2025

Mix Master Mike killing it!

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Seattle, WA

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