07/22/2024
ČERVENĂ BARVA PRESS ANNOUNCES A NEW BOOK,
HOUSE OF CONTRASTS by Daniela Andonovska-Andonovska
Daniela Andonovska-Trajkovska (1979, Bitola, North Macedonia) holds PhD in Education. She is an awarded poetess, writer, scientist, literary critic, translator, editor, full professor at the University "St. Kliment Ohridski" in Bitola, co-founder of the Center for Literature, Art, Culture, Rhetoric and Language at the Faculty of Education in Bitola, a member of the Macedonian Writers' Association, Slavic Academy for Literature and Art in Varna, and a head of the Literature and Linguistic Department (Macedonian Science Society in Bitola). She has authored 16 books in Macedonian (poetry, prose, literary criticism, scientific books), 6 poetry books in English, Arabic, Italian, and 9 poetry books of renowned world poets in her translation. Her poetry is translated into 40 languages.
Praise for "House of Contrasts"
"In the poetry book "House of Contrasts" by Daniela Andonovska-Trajkovska somewhere at the beginning we can read that "a tear without metaphysics has no aesthetics." This discourse completely determines the poetics of this very well-known and notorious Macedonian poetess. She is awake in each word and in this book, she creates her poetic alphabet by freezing the moment and by claiming that her alphabet was born on the knife with which the umbilical cord was cut. Although, she writes about things that are not so perfect or beautiful, such as the pain and the loss, she is always on the bright side by using the poem as the most subtle defense of life. At the same time, she stands in front of the vertical mirror of love and she confronts us with the naked truth by showing us the finest lines on our faces from which time rises like a wall between us and the world. She makes us to be aware that we live in a room of the autistic time, and even when insomnia speaks loudly, no one can hear the fractures of the day that assembles in us piece by piece like in an X-ray image, and no one can see our nakedness and our vulnerability. We hide behind the image that we show to the world wanting to be accepted and appreciated. In the poetry book "House of Contrasts" we see for a moment the world in which every night, humans made of paper return to the keyhole of their houses cursing the day that does not last long enough so they could find themselves. But that is precisely why the day in this book lasts long enough to see how the poetess Daniela Andonovska-Trajkovska shows us that the paramecium of the meaning develops into a multicellular organism breathing with human lungs in the chest of the readers."
-Borche Panov, literary critic, poet, editor
"The poetry of Daniela Andonovska-Trajkovska is powerful and striking example of Écriture feminine, which is essentially atypical and non-classical, because the prism of this author goes beyond the classical framework of the so-called writing from the womb. Searching for the perfect and most appropriate way of expressing her view and thinking about the world, the author playfully moves between the forms and ways of poetic expression: from short elliptical poems reduced to simple but semantically layered poetic images, through lyrical poems that are thought provoking, to poems where the verse hybridizes with the narrative tone. At the beginning, the lyrical subject searches for itself (in the world, through the Other and in the Other, in the rational and the irrational, in the real and the oneiric), and the most appropriate form to express this search is the paradox. Furthermore, the search is an endless attempt to find harmony and balance amidst the noise of a world that is becoming increasingly chaotic, illogical, and sometimes nightmarishly phantasmagoric. At the end the search for the metaphysical vertical takes place, a search for the eternal, for the Absolute, for God. The decadence, the downward movement and the erosion of the values are constantly semantically emphasized: the images are broken, the words are crashed, the breathing is trapped, the woman is a doll with winded up steps, the face is a salt mosaic, ethics is "Cain-ethics," that is, the world is "on red alert." Nevertheless, the lyrical subject knows how to find meaning even in the era of meaninglessness, living its search for itself, for a perfect understanding with the Other, for a home without contrasts and for the Absolute. Andonovska-Trajkovska's poetry brings fresh and original voice that carries the archetypal one, thick semantics, explosions of meanings, feminine wisdom and aesthetics that ennoble the "collapsing world" so that it does not collapse. For that reason, the poetry book "House of Contrasts" deserves a special place in the contemporary world literature."
-Slavica Gadzova Sviderska, PhD, literary critic, poetess, editor, publisher
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