Doug Clark

Doug Clark Singer/Songwriter, Sound Engineer/Producer, Composer/Arranger, Part-time Music Teacher Strauss, and Wolf.

Biography

Douglas Clark - tenor, songwriter, composer, recording engineer & producer, has been a long-time member and soloist with the New Jersey Chamber Singers, and the Monmouth Civic Chorus in Red Bank, NJ. He was a soloist on the MCC’s CD Grace Notes, and in many MCC concerts, including Liszt’s Psalm 13, Handel's Messiah, Janacek’s Otčenáš, Buxtehude’s Magnificat, Biebl’s Ave Maria, Mahler's

8th Symphony Veni, Creator Spiritus, Handel's Dixit Dominus, Felsted’s Jonah, Finney’s Psalms, Charpentier’s Filius Prodigus, Think No More Lad from Butterworth’s A Shropshire Lad, Ireland’s The Soldier, Britten's Now Sleeps the Crimson Petal, Vaughann Williams’ Dona Nobis Pacem, and in MCC Christmas concerts. Doug has collaborated with internationally acclaimed pianist Vladislav Kovalsky, performing lieder by the great masters including Schubert, Schumann, Brahms, R. The duo also collaborated on several albums and singles, including Schubert’s song cycle Die Schöne Müllerin, Brahms Liebeslieder & Neue Liebeslieder Waltzes, Op. 52 & 65, and a recording of Malotte's Lord's Prayer, available to the public on digital music outlets. Doug was a soloist in Beethoven’s Choral Fantasy with the Arcadia Chorale, and the Monmouth Conservatory of Music Youth Orchestra, and has performed with the Point Pleasant Presbyterian Chancel Choir (Haydn’s Creation, Mozart's Requiem, Dvorak's Stabat Mater, and St. Saens’ Christmas Oratorio), and with Steven Russell's Polymania ensemble (Brahms’ Liebeslieder, and Biebl's Ave Maria). He currently is a tenor section leader at the Presbyterian Church of Chatham Township with Dr. Deborah Simpkin King, and in summer, is a quartet soloist at Elberon Memorial Church, in Elberon, NJ, with Timothy Broege. Doug has studied voice with Mark Hoeler, former Metropolitan Opera Chorus member, and Kathleen Rubin. Doug developed and taught a Music Theory curriculum at the Monmouth Conservatory of Music, and teaches music theory privately. He is the proprietor of Glass Bottom Recording Studios in Tinton Falls, specializing in classical, choral, organ, and chamber music recordings, though clients include local area folk musicians and rock bands as well. He served as producer and recording engineer for Timothy Broege’s Organ Music from Elberon CD, selections of which were featured on Michael Barone’s PIPEDREAMS program on WWFM classical radio. Doug also arranges and composes music, and has studied composition with Dr. Kyle Blaha on the faculty of Juilliard in NYC.

Today was the big day, getting the renovated piano back into the studio!  I was not dissappointed.  Mikhail Bogomoly and...
09/13/2025

Today was the big day, getting the renovated piano back into the studio! I was not dissappointed. Mikhail Bogomoly and his team totally transformed this instrument. I love it already. The control is fantastic, even for my out of practice fingers. It needs a final tuning, and once over, which I will have done by Minay Gopenko, but I'll try it out for a few weeks to let it acclimate here and settle in. I'll also get a few opinions of my talented friends to see what they think.

Today was a very exciting day!  I took a trip with my friend and fine pianist Craig Nohl up to Jimmy's Piano Restoration...
08/09/2025

Today was a very exciting day! I took a trip with my friend and fine pianist Craig Nohl up to Jimmy's Piano Restoration in Yonkers, NY, to meet Mikhail Bogomolny, the amazing Steinway restoration specialist who has overseen my project, to check how it came out. I am so excited and thrilled with the results! The action is a dream. A totally new experience compared to what it was. Such control, and not at all hard to play. The tone and power are wonderful, and we will make adjustments when we get it in the studio here, to make it even more as I want it, and to work in this space. The bass is gorgeous. The soft pedal gave beautiful bell-like tones I was looking for in the upper mids. Goose bump time. The insides look amazing, from beautifully refinished soundboard and plate, down to the refinished dampers (total suprise to me), and shiny new pins and hardware. In short, it is a dream come true for me, to have this kind of instrument, now in this kind of shape. It was treated with the love it deserves. And I'm very excited for my Glass Bottom Studios customers, who will love and appreciate it for their projects.

The last hurdle, is that back in 2003, when the piano underwent a restoration and refinishing from a different shop in New Hartford, NY, for some reason, they put on legs from a Steinway M, not the correct larger ones for the B. That causes some slight instability, which bothers me. So we are looking into getting that taken care of, to complete the restoration the right way.

It's coming back together now!  Next step is damper bushing redo - the last one was done incorrectly.  Too much play for...
07/30/2025

It's coming back together now! Next step is damper bushing redo - the last one was done incorrectly. Too much play for the damper wires. Also some good news that this is in fact a Steinway B, and not an A3 (there had been some question raised). Target date to go and give it a test run is August 9!

Restringing complete, action work and regulation in progress!
07/27/2025

Restringing complete, action work and regulation in progress!

Insides looking beautiful!  Soundboard refinished, and plate re-bronzed.  Legs being repaired for stability.
07/21/2025

Insides looking beautiful! Soundboard refinished, and plate re-bronzed. Legs being repaired for stability.

New pinblock installed, soundboard ready for varnish, preparing plate for re bronze, working with the legs, & keys/bushi...
07/11/2025

New pinblock installed, soundboard ready for varnish, preparing plate for re bronze, working with the legs, & keys/bushings in progress.

More progress on the action rebuild.
07/09/2025

More progress on the action rebuild.

Progress!
07/06/2025

Progress!

After a year and a quarter of break-in period, and thinking a lot about it, and being honest with my senses and feelings...
07/06/2025

After a year and a quarter of break-in period, and thinking a lot about it, and being honest with my senses and feelings, I came to the conclusion that the Steinway action restoration, we completed last year, was not a success. The result lacked power, the tone I was looking for, and it was more difficult to play action-wise than I wanted. There were not enough goose bumps after all, and every pianist I had play it had similar feedback, on the strange feel and lack of power. This was certainly a dissappointment that took a long time to come to terms with.

I was given the name of Steinway piano technician Minay Gopenko, from fine pianist Evan Schwartzman last year. I finally decided to make contact in mid-June. Some of Minay's credentials from his website:
Steinway & Sons (New York, NY)
1992-2005
- On-Site and Outside Technician
Composers Musical Society (St-Petersburg, Russia)
1977-1991
- On-Site Technician and Restorer of unique and antique pianos
Memberships & Awards
- Member of the Piano Technician's Guild
- Steinway & Sons Professional Achievement Award
- Awarded Union of Soviet Composer's certificate and inscribed watch for best piano tuner of the year for 6 contiguous years

His assessment was clear. I would not get the result I wanted, with the parts and hammers that had been installed. He contacted a colleague, Mikhail Bogomolny, also an experienced technician and restorer, in the Steinway Restoration Center. They made me an offer I couldn't refuse!

This time, I will get a full restoration, done by incredibly qualified people, with genuine Steinway parts (as I had always wanted). The soundboard will be shimmed and refinished, the piano restrung, new pin block, plate refinished, new damper felts, hammers, action, and key bushings. And the legs will be taken care of. I feel confident that I have found the right people for this job, and am excited again, about the possibilities of restoring this instrument, an extended-family heirloom that we want to keep in the family, to the best that it can be.

Within a week, Mikhail had the parts. The piano is now in a Yonkers restoration shop, and work has already begun. I've been told it will be roughly a month job. Fingers crossed!

While I can't be called a neat freak, it was certainly very satisfying completing this cleaning process!
04/20/2024

While I can't be called a neat freak, it was certainly very satisfying completing this cleaning process!

Today was a special day, and completion of the action rebuild, and initial voicing of the Steinway B.  Steve Oglesby pro...
04/20/2024

Today was a special day, and completion of the action rebuild, and initial voicing of the Steinway B. Steve Oglesby proved to be a meticulous, resourceful, skilled, dedicated to quality, and completely honest technician, keeping me in the loop through the whole process. The pesky sostenuto pedal issue was completely resolved, after a necessary adjustment in the mounting blocks for the back action, caused by small dimension changes in Steinway's history over the 100 year life of this piano.

We were then able to move on to some hammer voicing adjustments I asked for. The new Abel hammers were lovely sounding, and even toned, out of the box, but not producing enough power, and brightness, for my taste. Steve used a hammer ironing technique as a conservative starting point, rather than lacquer doping, which is more permanent, and can be overdone, which then is difficult to back off from. So we went conservative for now. Over months and years of playing, these hammers will naturally brighten and gain power as well. There is a break-in period for this process, and I am told, one has to be patient.

A few steps remain in the restoration. First, I will be doing a thorough cleaning, using some tools I got from Steve shown in the photos. The first phase was getting years of dust off the soundboard. It already is a big improvement. Next I will go after the rest of the dust on the frame, bridges, red felts, and around the tuning pins. Lots of careful work with a brush and vacuuming.

Also, we have discovered that the legs of the piano seem not to be original, and are not flush/totally flat where they should be, and that allows some play/instability and the piano itself moves too much when played. Steve is looking into alternatives for replacement or repair for me.

Finally, my next step will be to tune the piano, and start to put it through some paces. I have a couple of my memorized goto pieces, Bach & Beethoven, simple and lovely, and they can let me know when I love a piano. It's a very easy test for me - either I get chills/goosebumps from the sound and experience, or I don't. After Steve did his magic today, even without the piano perfectly tuned, I got one of those chill moments! And that's what I've been working toward, and what this restoration is all about...stay tuned.

Was excited to do this recording project for Carlton Wilkinson, composer of "Twenty Miniatures for Solo Piano" on March ...
04/13/2024

Was excited to do this recording project for Carlton Wilkinson, composer of "Twenty Miniatures for Solo Piano" on March 27, 2024. Pianist Evan Schwartzman did a wonderful job on these challenging pieces!! Stay tuned for some audio when we're done with the mastering.

Address

82 Riveredge Road
Tinton Falls, NJ
07724

Opening Hours

Monday 10am - 10pm
Tuesday 10am - 10pm
Wednesday 10am - 10pm
Thursday 10am - 10pm
Friday 10am - 10pm
Saturday 9am - 10pm
Sunday 10am - 10pm

Telephone

+17326871955

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