Satellite Awards

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The International Press Academy (IPA) is among the largest and most diverse associations of professional entertainment journalists representing both domestic and foreign markets in print, television, radio, cable and new media outlets.

Reporting from Vancouver and the Vancouver International Film Festival (VIFF) 2026 media launch, and there’s plenty to l...
08/27/2026

Reporting from Vancouver and the Vancouver International Film Festival (VIFF) 2026 media launch, and there’s plenty to look forward to. An exciting lineup of premieres, award-winning films, and filmmakers from around the world.
The festival runs October 1–11, 2026. Vancouver is getting ready for another great celebration of cinema. See you all at the movies!

Eric K. Boulianne’s debut feature, Follies / Folichonneries (2025) turns midlife desire into a playful yet painfully hon...
10/13/2025

Eric K. Boulianne’s debut feature, Follies / Folichonneries (2025) turns midlife desire into a playful yet painfully honest portrait of love on the edge. With sharp writing, self-deprecating humour, and fearless performances from both Boulianne and Catherine Chabot, the film explores the modern minefield of open relationships, where passion, insecurity, and tenderness collide. Both cheeky and compassionate, Follies revives the s*x comedy with intelligence and heart, reminding us that the real adventure in love is learning to listen, not just lust.

In Solomamma (2025), a Norwegian director Janicke Askevold crafts a quietly piercing study of modern motherhood and the ...
10/13/2025

In Solomamma (2025), a Norwegian director Janicke Askevold crafts a quietly piercing study of modern motherhood and the fragile balance between independence and longing. Lisa Loven Kongsli delivers a deeply nuanced performance as Edith, whose search for control unravels into moral uncertainty after she tracks down her s***m donor. With sharp emotional precision and wry humour, Askevold transforms an intimate premise into a universal reflection on connection, truth, and the unseen costs of self-reliance. Subtle, smart, and disarmingly human, Solomamma lingers long after its final frame.

Rebecca Zlotowski’s A Private Life (Vie privée) is a sharply observed and elegantly twisted comic psychodrama that showc...
10/08/2025

Rebecca Zlotowski’s A Private Life (Vie privée) is a sharply observed and elegantly twisted comic psychodrama that showcases superb Jodie Foster in one of her most nuanced performances to date (since it is almost all in French). As Paris-based psychiatrist Lilian Steiner, Foster masterfully navigates the razor’s edge between control and unraveling, embodying a woman whose analytical brilliance crumbles under emotional strain. When a patient’s mysterious overdose hints at foul play, Zlotowski turns the whodunit into a deeper exploration of guilt, perception, and the fragility of reason. Supported by Mathieu Amalric, Luàna Bajrami-Rahmani, Daniel Auteuil, and Virginie Efira, the film hums with intellectual wit and suspenseful energy, a sophisticated blend of satire, mystery, and psychological tension that lingers long after the final frame.

Poland's Agnieszka Holland’s Kafka is a mesmerizing labyrinth, part biopic, part fever dream, that captures the absurd, ...
10/08/2025

Poland's Agnieszka Holland’s Kafka is a mesmerizing labyrinth, part biopic, part fever dream, that captures the absurd, tragic, and eerily prophetic world of Franz Kafka with haunting brilliance. Seamlessly weaving moments from the writer’s life as a German language Jewish Czech born writer and novelist in Prague with vivid dramatizations of his fiction, Holland transforms biography into a cinematic reflection on alienation and bureaucracy. A newcomer, Idan Weiss delivers a spellbinding performance, embodying Kafka’s quiet torment and dark humour in equal measure. At once intellectually dense and visually arresting, Kafka blurs the line between the writer’s nightmares and our modern reality, a world still eerily Kafkaesque. Poland’s Oscar entry, and perhaps Holland’s most daring work in years.

Part of Portraits screenings, Juan Carvajal’s La Salsa Vive is a joyous, rhythmic celebration of music as cultural lifeb...
10/08/2025

Part of Portraits screenings, Juan Carvajal’s La Salsa Vive is a joyous, rhythmic celebration of music as cultural lifeblood. Tracing salsa’s journey from the smoky clubs of 1970s New York to the sun-soaked streets of Cali, Colombia, the film pulses with the same irresistible energy as the genre itself. Through rare archival footage and heartfelt reflections from legends like Rubén Blades and Willie Rosario, Carvajal captures not just the history of salsa, but its enduring spirit, one that unites generations, heals communities, and keeps the dance floor alive. Visually lush and sonically intoxicating, La Salsa Vive reminds us that salsa isn’t just music, it’s a heartbeat that never fades.

Chandler Levack’s Mile End Kicks is a witty, tender, and sharply observed portrait of creative ambition, desire, and the...
10/08/2025

Chandler Levack’s Mile End Kicks is a witty, tender, and sharply observed portrait of creative ambition, desire, and the messy intersections between art and ego. Set against Montreal’s indie music scene of 2011, the film hums with the restless energy of youth and artistic longing. An American Barbie Ferreira shines as Grace, a music critic in search of purpose and authenticity; whose entanglement with the band Bone Patrol becomes both muse and mirror. Levack captures the awkward beauty of self-discovery with humour and heart, weaving in nostalgia, feminist undertones, and two irresistible original pieces by TOPS. During the lively post-screening Q&A, Levack and her cast reflected on the film’s themes of voice and vulnerability, confirming Mile End Kicks as a love letter to creative chaos and coming of age.

Clement Virgo’s Steal Away is a haunting, elegantly constructed psychological thriller that blends historical trauma wit...
10/08/2025

Clement Virgo’s Steal Away is a haunting, elegantly constructed psychological thriller that blends historical trauma with eerie sensuality. Set in a dreamlike world where the past and present collapse into each other, the film traces young Cécile’s perilous journey toward freedom, only to uncover that liberation comes at a chilling cost. Virgo’s direction is masterful: the languid camera, saturated lighting, and unsettling sound design create a palpable tension that never fully releases. Anchored by Mallori Johnson’s raw performance and Lauren Lee Smith’s enigmatic poise, Steal Away is both visually hypnotic and morally provocative. During the post-screening Q&A, Virgo reflected on the process and realization of this film.

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