02/11/2020
Hemingway told young writers to, “Write clear and hard about what hurts.” Cheryl Strayed ran with that advice as Dear Sugar, an online column that garnered legions of followers.
You can see for yourself what the stir is about by reading the compilation, Tiny, Beautiful Things: Advice on Love and Life From Dear Sugar (2012), among the decade’s 100 most important books. Better yet, see the performance now playing at San Francisco Playhouse.
Three actors portray the elation, restlessness, despair of the troubled souls who sent in letters. They confess guilt over infidelity, admit to destructive desires or unending grief.
One letter writer, signing as Living Dead Dad, lost his only child when a drunk driver crashed at full speed into his son’s bike.
“The dear boy I loved more than life itself,” he writes, “was dead before the paramedics even got to him.”
“Suicide has occurred to me.”
He goes on, telling Sugar, “your big heart moves me. No matter what you’re writing about...your words feel sacred to me. They hold me up.”
Sugar responds by sharing the painful parts of her life: promiscuous behavior after her mother’s death; dashed hopes of a connection with her father; her four-year-old daughter wearing a red dress, bought at a garage sale for $1 by a grandmother she’ll never know.
Discomfort swept through the audience as one or more of these exchanges hit close to home.
In the lobby, I chatted with a man who said his face was wet with tears over the grief of losing his mother as a teenager, which gripped him as if it happened yesterday.
After Cheryl Strayed revealed her identity as Sugar, Living Dead Dad approached her at a public event, alive and grateful.
“I’ve met all the letter writers over the years.” Strayed greeted us with a beautiful smile after the opening night performance. She signed my copy of Tiny, Beautiful Things, writing “trust your heart,” as if in answer to some undisclosed pain.
To offset the ills of life, pay attention to tiny, beautiful things. This simple advice runs like a golden thread through the play, now being staged in several U.S. theaters. It runs at San Francisco Playhouse until March 7.
https://www.sfplayhouse.org/sfph/