05/29/2026
Today is release day for Columbia Icefield - A Silence Opens (OOYH 045), a memorial to the late legends of improvised music Ron Miles and Susan Alcorn. It will also be the final album by Nate Wooley’s Columbia Icefield, who is Nate with Susan Alcorn, Ava Mendoza, and Ryan Sawyer, and a choir of Mary Halvorson, Ingrid Laubrock, Wendy Eisenberg, gabby fluke-mogul, Laura Ortman, and Patrick Holmes on El Derecho 3. A Silence Opens features three Ron Miles compositions, one of Nate’s compositions, the folk song Wildwood Flower, and five short arrangements of one of Susan’s favorite songs, El Derecho De Vivir En Paz (we highly recommend you also check out her recording of this song, the final track on Susan’s album Canto). You can listen via the link in the comments.
It is hard to say just how much it means to put this album out on OOYH. Susan was a friend from Baltimore dating back to 2009 at the start of the Out Of Your Head Collective, and was one of the most incredible improvisers and kindest people I’ve ever known. I never had a chance to meet Ron Miles, but everyone close to him has similar things to say. If you can find some time to listen to this from start to finish, it is very rewarding. We hope you love this music as much as we do.
The packaging/design by is one of our favorites to date, with a black on black spot gloss for the CD, which includes 8-page liner notes by Nate. Those are shipping now from Bandcamp.
“With A Silence Opens as the band’s final statement, Wooley suggests there are universal mysteries that may transcend what we see and hear and yet unite us all nonetheless. It speaks to something larger than us, than a band, or than a specific recording. Columbia Icefield will be missed, but one cannot think of a finer requiem for the band.” —PostGenre
“A Silence Opens inhabits mourning fully, discovering within loss not consolation, but a more profound awareness of connection, fragility, and love.” —The Big Takeover
“Wooley’s trumpet sounds like a chorus of screaming sirens, with the quartet churning powerfully as one force.” —Downtown Music Gallery