Ediciones «Letra Muerta»

Ediciones «Letra Muerta» Design | Archives | Workshops Letra Mu**ta is an award-winning publishing house originally founded in Venezuela in 2014 with the help of friends and colleagues.

After relocating to NYC, Letra Mu**ta opened its doors in Brooklyn as a design studio, workshop and archive center. While studio welcomes participation from all, Letra Mu**ta primarily supports the work of Latin American artists, particularly women and other people in periphery.

Conversation on editorial practices with Natalia Alarcón Pino from kikuyo Editorial y Jenny Adbud from Fulgor, visiting ...
09/11/2026

Conversation on editorial practices with Natalia Alarcón Pino from kikuyo Editorial y Jenny Adbud from Fulgor, visiting from Chile 🇨🇱🇻🇪

Pop-up and small exhibit.
See everyone Friday next week!

Conversación sobre prácticas editoriales 
junto a Natalia Alarcón Pino Editorial Interdependiente y Jenny Abud , desde Chile. Exposición y venta de libros. Nos vemos el próximo viernes!

El Ave llama por Gabriel Moncrieff 
Prólogo Luis Moreno Villamediana El desarrollo de este libro llevó alrededor de cuat...
09/07/2026

El Ave llama por Gabriel Moncrieff 
Prólogo Luis Moreno Villamediana

El desarrollo de este libro llevó alrededor de cuatro años: concepto, diseño, impresión y fotografía. Próximo a su lanzamiento, un terremoto arrasó con La Guaira y Caracas. Por un momento nos pareció inapropiado presentar una publicación que incorpora recursos gráficos y literarios relacionados con el urbanismo de la capital en medio del caos al que se enfrenta Venezuela. Pospusimos su lanzamiento dos veces y aquí estamos.

“Primera versión: Un libro inicial es un laboratorio. Segunda versión (heideggeriana): Un libro inicial es un laboratorio del Ser. Tercera (genealógica): Un libro inicial es un laboratorio donde se especula sobre la procedencia, más modesta, del ser, si es que se es. En el caso de El ave llama, Gabriel Moncrieff logra que este salón de ensayos se ramifique hasta convertirse en pista de baile, notaría, el buró anárquico de un detective privado, la plataforma desde donde vocea un tipo airado. Lo que suena aquí como enumeración caótica lo es.” L.M.V.

Fotos documentales: Samoel González
Fotos de archivo: Soledad Mendoza
Diseño y edición, impresión: Letra Mu**ta Inc
Edición de textos: Eleonora Requena
Encuadernado e impresión letterpress: Elizabeth Castaldo
Pintura de la portada: García Gabriela
Fuentes: Chivo de Omnibus-Type y Thermal de TipoType
Corrección: Graciela Yáñez Vicentini

Link en bio. 200 copias. Solo 15 en preventa.

•Black Joy Archive x Letra Mu**ta Inc• We made an effort between our projects to curate circulating & rare materials mad...
06/22/2026

•Black Joy Archive x Letra Mu**ta Inc•

We made an effort between our projects to curate circulating & rare materials made by Zoë for institutions and libraries. Some works in the collection were printed by the artist and others in collaboration with other creatives and collectives like . Limited silkscreen in seven colors was printed by .

We host most of these materials in our reading room as well in case anyone wants to come and consult them for free. For personal copies, you can reach out directly to the artist!

_

Black Joy Archive was created in the summer of 2020 — an urgent call amidst the global racial reckoning, asking contributors to reflect on their past histories, stories, and personal archives. 

Zoë Pulley is a designer and maker who utilizes both physical and nonphysical artifacts to surface the seemingly ordinary stories of Black folks through mixed media, typography, and audio. Her practice includes ongoing collaborations inspired by her grandmother. She earned a BFA from Virginia Commonwealth University and an MFA in graphic design from Rhode Island School of Design. 

Portrait: Courtney Sofiah Yates (detail)
Photos: (most of them)

Limited edition lithographs and mono prints by artist  🇵🇸 are available for institutional acquisitions. Some materials i...
06/08/2026

Limited edition lithographs and mono prints by artist 🇵🇸 are available for institutional acquisitions. Some materials in our studio are free for consultation.

Sabri Sami Sundos work is rooted in his personal experience of being raised in the diaspora. He explores themes of identity, labor, and time. Through the merging of traditional craft and cultural iconography, his work emphasizes the importance of agency & human touch, highlighting the inherent tactile nature of art-making as a means of reclaiming and preserving heritage.

RE: Regenerate, Refurbish, Retype, Retrace, Revert, was an exhibition that covered part of our practice and ethos to rec...
06/01/2026

RE: Regenerate, Refurbish, Retype, Retrace, Revert, was an exhibition that covered part of our practice and ethos to reconsider the significance of archival materials and new ways of cataloging through visual associations. This tends to be antagonistic with most of academia’s approach, which mainly fits in a framework that prioritizes written language. Recognizing these instances allows us to deepen our relationship with what we consider as literacy. We wanted to share an approach to archives and information by proposing a dialogue between facsimiles with distorted proportions and the use of multimedia removed of its context to be reproduced in non-linear ways.

Our approach to design is interdisciplinary and goes hand in hand with our work with archives. Some selected works shown here are available for acquisition. Reach out to us or to .gallery for inquiries. Photos by Luis Corzo.

Our books are now available for consultation . We are honored to have our publications be part of their collection and h...
05/14/2026

Our books are now available for consultation . We are honored to have our publications be part of their collection and hope lots of people benefit from having titles available in campus. Thanks to curators at the institution for considering the work we do. 🇻🇪🇻🇪🇻🇪 Nuestros libros son parte de la colección en la Universidad de Princeton 🇻🇪🇻🇪🇻🇪

We have teamed up with  🇻🇪 to curate a selection of materials on Latin American Punk to make it accessible at  Universit...
04/28/2026

We have teamed up with 🇻🇪 to curate a selection of materials on Latin American Punk to make it accessible at University libraries across the USA and Canada. Proceeds go towards to help finance initiatives for immigrants and political prisoners. Titles mostly cover Venezuelan punk, Latin American anarchism, and social movements. This collection also includes extra materials, like ephemera, that might not be reflected in these images.

“When the S*x Pistols’ album ‘Never Mind the Bollocks’ was released in 1977, Venezuela was one of the six Latin American countries with a democratic government. A year earlier, in 1976, the State had nationalized the oil industry. For this reason, it had a political and economic situation different from other countries in the region, not exempt from social problems of all kinds. In 1978, the band Kamara de tortura appeared in the city of Maracay. In 1980, the PP’S group was formed in Caracas. Both started a path that would be followed by other bands, modifying the pop-rock scene of the country. During the 80’s and 90’s, punk bands would be the soundtrack of the crisis of the governance model that had been created in 1958, when the former dictator fled the country in an airplane. Today, Venezuela has returned to authoritarianism. However, the new generations of punks have left the territory as forced migrants. When the future is uncertain, they look to the past for inspiration.”

This collection of zines and books is for institutional acquisition. For single titles for independent people, you can reach out directly to the organizations.

Uzcátegui is a sociologist and the Co-Director of Laboratorio de Paz, an NGO dedicated to promoting democracy and human rights in Venezuela. Previously, he was the General Coordinator of PROVEA, another Caracas-based NGO focused on defending economic, social, and cultural human rights.

We invited Palestinian-American artist  to embroider a type lock-up and pattern we made for “The Private Life of Ragdoll...
04/21/2026

We invited Palestinian-American artist to embroider a type lock-up and pattern we made for “The Private Life of Ragdolls”. Sabri Sundos works with textiles and Tatreez, which is considered a social language and living archive. The result ended up being hybrid in its nature since he added floral motifs preset in his own work to the label we designed. It was based book and exhibition project on Venezuelan writer and humorist Aquiles Nazoa (1920-1976). 🇻🇪

The font we used was custom-made by based on stitching patterns from the first edition in 1976 and the techniques used in the dolls that are part of the publication. The endpapers were designed by and came from the book we published in 2019. Box fabrication by 

Sabri Sami Sundos work is rooted in his personal experience of being raised in the diaspora. He explores themes of identity, labor, and time. Through the merging of traditional craft and cultural iconography, his work emphasizes the importance of agency & human touch, highlighting the inherent tactile nature of art-making as a means of reclaiming and preserving heritage. 

More soon about our book collaborations with Sabri.
Photos by

AN ESSENCE | جوهر was a performance held at Letra Mu**ta in 2023, as part of  solo exhibition. This book is the material...
04/13/2026

AN ESSENCE | جوهر was a performance held at Letra Mu**ta in 2023, as part of solo exhibition. This book is the material result. The sentence that forms the accordion is a verse from a poem written by the artist, printed to the length of the room in which it was conceived: 36 ft.

The box design, prepress, and giclée printing were produced under the care of Letra Mu**ta Inc. The box was fabricated by Liz Castaldo. A catalog of the works was designed and assembled by the artist. Edition of 7, with 4 copies remaining. AN ESSENCE is part of the collections at and .

Jenna Hamed is an artist and art worker based in Queens, New York, born and raised in metro Detroit, with roots in Jerusalem, Palestine. She received her bachelor’s degree in Fashion and Fine Art from Eastern Michigan University and a master’s degree in Arts Politics from NYU. In 2024, she founded jayseveninc, a collaborative studio-gallery in Brooklyn dedicated to producing installations and publishing initiatives.

Photos
Portrait by

Honored to be a part of the Venezuelan section at the Best Book Design from all over the world 2026 exhibit in Leipzig, ...
04/06/2026

Honored to be a part of the Venezuelan section at the Best Book Design from all over the world 2026 exhibit in Leipzig, Germany —We sent copies to including the catalog for Arbol de Aceite by our bibliography of 10 Years of Venezuelan Publishing + Lynne Shapiro’s new title translated by . More soon.

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