Ediciones «Letra Muerta»

Ediciones «Letra Muerta» Design | Archives | Workshops Letra Mu**ta is an award-winning publishing house originally founded in Venezuela in 2014 with the help of friends and colleagues.

After relocating to NYC, Letra Mu**ta opened its doors in Brooklyn as a design studio, workshop and archive center. While studio welcomes participation from all, Letra Mu**ta primarily supports the work of Latin American artists, particularly women and other people in periphery.

Limited edition lithographs and mono prints by artist  🇵🇸 are available for institutional acquisitions. Some materials i...
06/08/2026

Limited edition lithographs and mono prints by artist 🇵🇸 are available for institutional acquisitions. Some materials in our studio are free for consultation.

Sabri Sami Sundos work is rooted in his personal experience of being raised in the diaspora. He explores themes of identity, labor, and time. Through the merging of traditional craft and cultural iconography, his work emphasizes the importance of agency & human touch, highlighting the inherent tactile nature of art-making as a means of reclaiming and preserving heritage.

RE: Regenerate, Refurbish, Retype, Retrace, Revert, was an exhibition that covered part of our practice and ethos to rec...
06/01/2026

RE: Regenerate, Refurbish, Retype, Retrace, Revert, was an exhibition that covered part of our practice and ethos to reconsider the significance of archival materials and new ways of cataloging through visual associations. This tends to be antagonistic with most of academia’s approach, which mainly fits in a framework that prioritizes written language. Recognizing these instances allows us to deepen our relationship with what we consider as literacy. We wanted to share an approach to archives and information by proposing a dialogue between facsimiles with distorted proportions and the use of multimedia removed of its context to be reproduced in non-linear ways.

Our approach to design is interdisciplinary and goes hand in hand with our work with archives. Some selected works shown here are available for acquisition. Reach out to us or to .gallery for inquiries. Photos by Luis Corzo.

Our books are now available for consultation . We are honored to have our publications be part of their collection and h...
05/14/2026

Our books are now available for consultation . We are honored to have our publications be part of their collection and hope lots of people benefit from having titles available in campus. Thanks to curators at the institution for considering the work we do. 🇻🇪🇻🇪🇻🇪 Nuestros libros son parte de la colección en la Universidad de Princeton 🇻🇪🇻🇪🇻🇪

We have teamed up with  🇻🇪 to curate a selection of materials on Latin American Punk to make it accessible at  Universit...
04/28/2026

We have teamed up with 🇻🇪 to curate a selection of materials on Latin American Punk to make it accessible at University libraries across the USA and Canada. Proceeds go towards to help finance initiatives for immigrants and political prisoners. Titles mostly cover Venezuelan punk, Latin American anarchism, and social movements. This collection also includes extra materials, like ephemera, that might not be reflected in these images.

“When the S*x Pistols’ album ‘Never Mind the Bollocks’ was released in 1977, Venezuela was one of the six Latin American countries with a democratic government. A year earlier, in 1976, the State had nationalized the oil industry. For this reason, it had a political and economic situation different from other countries in the region, not exempt from social problems of all kinds. In 1978, the band Kamara de tortura appeared in the city of Maracay. In 1980, the PP’S group was formed in Caracas. Both started a path that would be followed by other bands, modifying the pop-rock scene of the country. During the 80’s and 90’s, punk bands would be the soundtrack of the crisis of the governance model that had been created in 1958, when the former dictator fled the country in an airplane. Today, Venezuela has returned to authoritarianism. However, the new generations of punks have left the territory as forced migrants. When the future is uncertain, they look to the past for inspiration.”

This collection of zines and books is for institutional acquisition. For single titles for independent people, you can reach out directly to the organizations.

Uzcátegui is a sociologist and the Co-Director of Laboratorio de Paz, an NGO dedicated to promoting democracy and human rights in Venezuela. Previously, he was the General Coordinator of PROVEA, another Caracas-based NGO focused on defending economic, social, and cultural human rights.

We invited Palestinian-American artist  to embroider a type lock-up and pattern we made for “The Private Life of Ragdoll...
04/21/2026

We invited Palestinian-American artist to embroider a type lock-up and pattern we made for “The Private Life of Ragdolls”. Sabri Sundos works with textiles and Tatreez, which is considered a social language and living archive. The result ended up being hybrid in its nature since he added floral motifs preset in his own work to the label we designed. It was based book and exhibition project on Venezuelan writer and humorist Aquiles Nazoa (1920-1976). 🇻🇪

The font we used was custom-made by based on stitching patterns from the first edition in 1976 and the techniques used in the dolls that are part of the publication. The endpapers were designed by and came from the book we published in 2019. Box fabrication by 

Sabri Sami Sundos work is rooted in his personal experience of being raised in the diaspora. He explores themes of identity, labor, and time. Through the merging of traditional craft and cultural iconography, his work emphasizes the importance of agency & human touch, highlighting the inherent tactile nature of art-making as a means of reclaiming and preserving heritage. 

More soon about our book collaborations with Sabri.
Photos by

AN ESSENCE | جوهر was a performance held at Letra Mu**ta in 2023, as part of  solo exhibition. This book is the material...
04/13/2026

AN ESSENCE | جوهر was a performance held at Letra Mu**ta in 2023, as part of solo exhibition. This book is the material result. The sentence that forms the accordion is a verse from a poem written by the artist, printed to the length of the room in which it was conceived: 36 ft.

The box design, prepress, and giclée printing were produced under the care of Letra Mu**ta Inc. The box was fabricated by Liz Castaldo. A catalog of the works was designed and assembled by the artist. Edition of 7, with 4 copies remaining. AN ESSENCE is part of the collections at and .

Jenna Hamed is an artist and art worker based in Queens, New York, born and raised in metro Detroit, with roots in Jerusalem, Palestine. She received her bachelor’s degree in Fashion and Fine Art from Eastern Michigan University and a master’s degree in Arts Politics from NYU. In 2024, she founded jayseveninc, a collaborative studio-gallery in Brooklyn dedicated to producing installations and publishing initiatives.

Photos
Portrait by

Honored to be a part of the Venezuelan section at the Best Book Design from all over the world 2026 exhibit in Leipzig, ...
04/06/2026

Honored to be a part of the Venezuelan section at the Best Book Design from all over the world 2026 exhibit in Leipzig, Germany —We sent copies to including the catalog for Arbol de Aceite by our bibliography of 10 Years of Venezuelan Publishing + Lynne Shapiro’s new title translated by . More soon.

CRANIA •  by  Formally, the book is meant to be perceived as a medical guide or as a small encyclopedia. It comes inside...
03/30/2026

CRANIA • by

Formally, the book is meant to be perceived as a medical guide or as a small encyclopedia. It comes inside a gauze sleeve and is wrapped like an envelope, similar to when medications are prescribed in the U.S. We wanted to evoke the rawness of the texts in the binding details—the sewing and the thread, the exposed spine with printed signatures—and in the typographic selection: Public Sans, a geometric sans, and Labrada, a serif by . One might think that there’s a fixed relationship between language and typographic style, but as the book evolves, these lines blur. The cover speaks to our failure as a society founded on colonial practices.

“This is a book-museum with an exhibition about the cranial vault (…) It would be accurate to define Crania as a conceptual map that is at the same time the display of several diagrams/sculptures/performances, in which narrative and documentary aspects are sometimes accentuated (…) That variety makes the book bold and noteworthy, in the Letra Mu**ta editorial tradition”

Drawings by .studio translation by . Photos by &

Read more on our website. Also available in our online shop.

¿Cuál opción les gusta más?  —Les compartimos dos variaciones de portada y parte del proceso de diseño para la coedición...
03/23/2026

¿Cuál opción les gusta más? —Les compartimos dos variaciones de portada y parte del proceso de diseño para la coedición con 🔥Una colaboración muy satisfactoria para unir esfuerzos y publicar la poesía reunida de Miyó Vestrini.

Regresamos a los archivos para buscar pistas formales y encontrar manuscritos tachados originalmente en rojo, cuyo elemento incorporamos en la portada. Aún estamos puliendo detalles. Atentos a esta edición en español que circulará en varios países, principalmente latinoamericanos, a precio de bolsillo.

Vota en los comentarios.

Edición & Correción: LM & LDF
Diseño de portada: Letra mu**ta Inc.
Diseño de tripa: Libros del Fuego
Foto: Archivo Vestrini

We are happy to be helping build a bridge for the Chilean press Ediciones Fulgor in the US with libraries and other inst...
03/17/2026

We are happy to be helping build a bridge for the Chilean press Ediciones Fulgor in the US with libraries and other institutions.

Ediciones Fulgor was founded in 2019 by our friend specializing in highly crafted content regarding subjects from Chile, with an emphasis on its design and heritage. Some of the books we have available are sold out. Books include subjects on design and social movements in Chile, and most of the books are in Spanish. Some covers feature hand-finished details, such as hand embroidery or marbling.

These gorgeous books are already part of collections at and also available in our studio to read for free. Book a visit!

Jenny Abud es Diseñadora en Comunicación Visual, licenciada de la Universidad Tecnológica Metropolitana. Magíster en Edición en la Universidad Diego Portales. En 2006 y 2018 obtiene el Premio Nacional al Diseño y la Ilustración Editorial, Amster-Coré, por el diseño del libro De vez en cuando la vida, Joan Manuel Serrat en palabras y por la publicación Orígenes de la tipografía en Chile. Actualmente es docente jornada de pre y posgrado de la Escuela de Diseño de la Universidad Diego Portales y Universidad de Chile.

Fotos
Retrato: autor desconocido

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Williamsburg, NY
11206

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