The Common

The Common The Common is a literary journal based at Amherst College. We publish literature and visual art. In short, we seek a modern sense of place.

Finding the extraordinary in the common has long been the mission of literature. Inspired by this mission and the role of the town common, a public gathering place for the display and exchange of ideas, The Common seeks to recapture an old idea. The Common publishes fiction, essays, poetry, documentary vignettes, and images that embody particular times and places both real and imagined; from deser

ts to teeming ports; from Winnipeg to Beijing; from Earth to the Moon: literature and art powerful enough to reach from there to here. Used for decades to describe the tangible local environments and rootedness in works by authors like Faulkner, Frost, and Welty, the idea of a sense of place has fallen out of fashion. Some may think the notion of place outdated or unimportant given our globally mobile populations and technology-driven careers. But these characteristics mean that sense of place is more important now than ever. In our hectic and sometimes alienating world, themes of place provoke us to reflect on our situations and both comfort and fascinate us. Sense of place is not provincial nor old fashioned. It is a characteristic of great literature from all ages around the world. It is, simply, the feeling of being transported, of “being there.” The Common aims to renew and reenergize our literary and artistic sense of place. The Common is published in print biannually from Amherst College in Amherst, Massachusetts. Ours is a small community with far-reaching ideas. We’re a place of farmers, professors, immigrants, liberals, conservatives, dairy cows, to***co plants, strip malls, and Victorian and Brutalist architecture. We have a rich literary history and support a vibrant diversity of artists and authors. The Common fosters regional creative spirit while stitching together a national and international community through publishing literature and art from around the world, bringing readers into a common space. Contact us at [email protected]

“everything you didn’t have time to take / was like a ransom paid / for an incredibly fortunate life / for boisterous ev...
28/08/2025

“everything you didn’t have time to take / was like a ransom paid / for an incredibly fortunate life / for boisterous evenings and slow soft awakenings“

Read a selection of poems from Anna Malihon’s forthcoming collection on love and nature, on the experience of becoming a refugee, translated from the Ukrainian by Olena Jennings.

ANNA MALIHON The girl with a bullet in her stomach / runs across the highway to the forest / runs without saying goodbye / through the news, the noble mold of lofty speeches / through history, geography, /curfew, a day, a century She is so young that the wind carries her over the long boulevard...

"After midnight, cottonwoods are inconsequential teeth, ripped from the ground by the Mississippi River. An elm snaps li...
27/08/2025

"After midnight, cottonwoods are inconsequential teeth, ripped from the ground by the Mississippi River. An elm snaps like a bird’s neck: an egret."

In our latest dispatch, Madeline Simms reimagines the New Madrid Earthquakes which began in 1811, writing towards a nonlinear human-environment relationship.

MADELINE SIMMS After midnight, cottonwoods are inconsequential teeth, ripped from the ground by the Mississippi River. An elm snaps like a bird’s neck: an egret. The current betrays every fluttering heart and rages on. A rock becomes sepulcher to the uprooted nest. The river could be less cru...

"His mother called something over her shoulder before she sank, and the boy thought it might have been 'keep watch,' but...
26/08/2025

"His mother called something over her shoulder before she sank, and the boy thought it might have been 'keep watch,' but he couldn’t be sure, and anyways, he had no idea what he was watching for."

A new recording of Pria Anand's Issue 29 story "The Elephant's Child" is now live on our website!

PRIA ANAND At the edge of the circle was the elephant’s child, craning to see the bones. His hide was fragile, his ears wispy. The elephant’s child did not yet know to grieve. He had the eyes of…

"Light snow, bare branches. / It’s easier now to see / Deep into the woods"See how Phillis Levin explores the relationsh...
24/08/2025

"Light snow, bare branches. / It’s easier now to see / Deep into the woods"

See how Phillis Levin explores the relationship between time and clarity through the changing of the seasons in her poem, "December Tanka." Find it in Issue 29, or check it out below!

PHILLIS LEVIN Light snow, bare branches. / It’s easier now to see / Deep into the woods, / Loss upon loss settling / Under a lattice of ice. /

"There is no pain: // wind and branches and blue / lakes."Walk down a cobblestone path with an old poem, bright along it...
23/08/2025

"There is no pain: // wind and branches and blue / lakes."

Walk down a cobblestone path with an old poem, bright along its edges, in Michael Catherwood's "My Last Poem," recently published in Issue 29.

MICHAEL CATHERWOOD is quiet and bright along / the edges, is a beast of silence, / grips a wooden cane / where in the daylight it taps / its way among the stones / and puddles. / is quiet and…

One day left for our fee-free submission week to broaden access! Until August 22nd, submit your work to The Common free ...
21/08/2025

One day left for our fee-free submission week to broaden access! Until August 22nd, submit your work to The Common free of charge. We welcome and encourage all communities underrepresented in U.S. literary magazines and journals to participate! Read more below:

https://buff.ly/sn2VYZr

"whose is Severodonetsk? / no one’s anymore / a tank went from the bus station towards “Azot” / nobody knows whose"From ...
21/08/2025

"whose is Severodonetsk? / no one’s anymore / a tank went from the bus station towards “Azot” / nobody knows whose"

From our latest translation by Alex Averbuch, a documentary poem which draws from IM comments made by Ukrainian civilians under Russian-occupation.

Welcome to The Common’s new website. Please try the website search bar above to find what you’re looking for. If you still can’t find it, please contact us. Thank you for visiting, and happy reading. Page Not Found04.10.2017

"During childhood I tried to catch the light that seeped in through the windows. When I closed my eyes, I saw creatures ...
17/08/2025

"During childhood I tried to catch the light that seeped in through the windows. When I closed my eyes, I saw creatures made of light, and I tried to catch them, but they vanished in an instant."

In Eslam Abu Haydar's Amman Compendium essay, ruminants traverse a disappearing city:

ESLAM ABU HAYDAR They say that Amman is merely a caravan crossing, and that the spiritual tie between it and its people has been severed. I do not mean the concept of “belonging”—that is a…

"We were prying choice from the jaws / of poverty"Check out this contemplative and historical poem, "Kaymoor, West Virgi...
16/08/2025

"We were prying choice from the jaws / of poverty"

Check out this contemplative and historical poem, "Kaymoor, West Virginia" by G. C. Waldrep, published in Issue 29 this spring!

G. C. WALDREP According to rule. The terrible safeguard / of the text when placed against the granite / ledge into which our industry inscribed / itself. We were prying choice from the jaws / of…

Attention writers! In an effort to remove barriers to access, The Common is now open for fee-free submissions until Augu...
15/08/2025

Attention writers! In an effort to remove barriers to access, The Common is now open for fee-free submissions until August 22nd. We encourage any and all communities underrepresented in U.S. literary magazines and journals to send in your writing! Read more below:

https://buff.ly/sn2VYZr

Join us for a free panel conversation and Q&A with amazing authors Emily Everett, Olivia Wolfgang-Smith, Annell López, a...
15/08/2025

Join us for a free panel conversation and Q&A with amazing authors Emily Everett, Olivia Wolfgang-Smith, Annell López, and Ananda Lima on September 19th as part of the Brooklyn Book Festival! RSVP using the link below!

THIS IS AN OFFICIAL 2025 BROOKLYN BOOK FESTIVAL BOOKEND EVENT

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