14/08/2026
I have so much to cover on this release and I know I’m going to ramble and rant, so I apologize in advance. This has been a long time coming so strap in to hear me gush about what is and will always be the best Crestfallen release.
This week is the five year anniversary of the first Crestfallen release. It’s insane to think that it’s been that long and the direction that the label has taken since its inception.
For those of you who don’t know, Crestfallen originally started as a djent label. My goal was to press as many solo bedroom djent projects as I could but that plan went out the door as soon as CFR001 hit and everyone looked at Crestfallen as a label that mainly focuses on deathcore, or at the very least modern core.
I’m not upset with that view at all since it is the truth and main focus of the label in its current state, but djent will always be my first love. Monuments was the first heavy band I ever got into back in high school. ‘The Amanuensis’ is, in my opinion, the best album of all time (with Atlas being the best song.) All this to say why I think it’s fitting to have this release on the five year anniversary. I give you, ‘Devour’ by Eschalon
This has been a release that has been in the works for going on three years now. The band has done multiple album revisions and changes to make sure they’re putting out an album that they have no regrets about.
Back in the start of 2024, Anthony Ward told me he has a friend in a band who, at the time, only released one song that he wanted me to check out. We all know how that goes usually. Someone says their friend is in a band and it’s a band that doesn’t sound great at all. I was prepared for the worst going in, and to my surprise, Eschalon scratched an itch that I’ve been trying to scratch for years.
Within the first 30 seconds of hearing Helios, I was sold. I’ve been wanting to hear a band take on the aggressive djent sound of Monuments.
There were soulful cleans, dynamic screams, and instrumentation that you could really sink your teeth into. It wasn’t just palm mutes and synths. There was true craftsmanship to how the Helios was written. Lyrics and syllables mattered - they accented the drums and riffs and gave the song (and all of the future songs) some real bite to them. There was also the added bonus of one of the original vocalists of Monuments, Neema Askari, being featured on Helios.
I told Anthony that I needed to press this somehow, even if it would only be a 7”. Anthony later introduced me to Maximo Williams McKinnon and we hit it off pretty quick and the rest is history.
‘Devour’ is by far my favorite album I’ve gotten to release through the label. It brings me back to when I first got into metal and is what I like to say is the start of the djent revival. I know it’s a little early for it (it’s usually like 15 years for a revival sound yeah?) but there’s too much going on here that hearkens back to the peak early 2010s djent that it’s impossible to ignore. Djent revival is here and I’m going to savor every bit of it!
For vinyl there are 150 copies across four variants. Two /25s and two /50s. All 180 gram heavy-weight vinyl with a cardstock insert, and reverse print jackets. The standard Crestfallen loadout that you’ve all come to expect over the last couple of years. On the CD front it’s 50 jewel cases with an 8 page booklet. All available right now! Go grab a copy and get ready for your new favorite CFR release.