Golem Press

Golem Press Golem Press is an independent comic publisher blending mythology, history, and dark fantasy.

Home of Hunters of Sheydim and creator-owned stories forged in legend and ink. Golem Press is an independent comics publisher focused on creator-owned graphic novels and original IP rooted in mythology, history, and supernatural storytelling. Our flagship series, Hunters of Sheydim, blends Jewish mythology and dark fantasy into an epic narrative exploring faith, free will, and the unseen world. Golem Press publishes original works by creators committed to bold storytelling and lasting worlds.

šŸ“– Books and merch available at www.golem-press.com

For this week’s Shabbat Reading, with Simchat Torah beginning Saturday night, I wanted to find something that fit the id...
10/03/2026

For this week’s Shabbat Reading, with Simchat Torah beginning Saturday night, I wanted to find something that fit the idea of coming full circle.

On Simchat Torah, we finish the annual cycle of reading the Torah and immediately begin again with Genesis. An ending becomes a new beginning.

So this weekend I’m reading Fantastic Four: Full Circle, written and illustrated by Alex Ross.

I’m a huge fan of Ross’s work, especially Kingdom Come and Marvels, but somehow I’ve never read this one. What makes it even more interesting is that Ross not only illustrated the book, he wrote it as well, revisiting the spirit of the classic Stan Lee and Jack Kirby Fantastic Four and sending Marvel’s First Family back into the Negative Zone.

It seems like a pretty fitting choice for a weekend about finishing one journey and immediately beginning another.

Looking forward to finally digging into this one.

Shabbat Shalom and Chag Sameach!

And a quick Hunters of Sheydim reminder: A Book of Secrets has grown into a much bigger story than originally planned, so we’re extending it deeper into October. Stay tuned for Chapter 4, coming very soon!

Okay, I genuinely don't understand this one.According to Deadline, Amazon and Sony are nearing a green light on a new li...
09/30/2026

Okay, I genuinely don't understand this one.

According to Deadline, Amazon and Sony are nearing a green light on a new live-action Spider-Man series inspired by the Clone Saga, focusing on Ben Reilly and Kaine Parker. Apparently, it will make significant changes to the original story, which honestly may be the smartest decision they've made so far.

But my question is: who exactly is this for?

The 90s Clone Saga is one of the most notoriously divisive Spider-Man stories ever published. Maybe One More Day inspires more pure rage from Spider-Man fans, but the Clone Saga isn't far behind. And now that's the corner of Spider-Man mythology we're choosing to build a television series around?

Look, I like Ben Reilly. I like Kaine. There are some genuinely good ideas and characters that came out of that era. But the Clone Saga itself became a sprawling mess that seemed to go on forever, and adapting it feels like walking directly into a minefield with Spider-Man fans.
I was genuinely intrigued when there was talk of a Silk series, but that disappeared. Then we got Spider-Noir, which I still haven't finished. I wanted to love it, but I couldn't get past Nicolas Cage going full Nicolas Cage and a storyline that just wasn't pulling me back in.
And now the next idea is... the Clone Saga?

Maybe they'll completely reinvent it and surprise me. I'd love to be wrong. But there is an enormous Spider-Man universe filled with characters and stories that could work beautifully on television, and I genuinely don't understand why this is where we're going next.
I think some fresh eyes might be needed.

https://deadline.com/2026/09/spider-man-series-clone-saga-marvel-amazon-sony-ben-kaine-1237115928/

With Sukkot beginning tonight, I wanted this week's Shabbat reading to reflect some of the themes of the holiday, so I'm...
09/26/2026

With Sukkot beginning tonight, I wanted this week's Shabbat reading to reflect some of the themes of the holiday, so I'm going with two very different books.

First up is The Beast and the Booth, written by Arnon Z. Shorr, illustrated by Joshua M. Edelglass, with colors by AljoÅ”a Tomić. This one was an interesting find because it's actually set during Sukkot and mixes Jewish tradition with a supernatural monster story. It follows 14-year-old Sarah, who befriends a boy with a terrifying secret and soon finds herself confronting a beast lurking beyond the sukkah. Considering what I write, this one definitely caught my attention!

Since that's a shorter read, I'm also digging into Superman: Exile, the classic storyline by Roger Stern, George PƩrez, Dan Jurgens and Jerry Ordway, with artwork from a terrific group of artists including PƩrez, Jurgens, Ordway, Mike Mignola and Curt Swan. After leaving Earth, Superman finds himself wandering through space, isolated from home and ultimately forced to confront himself and what home really means.

It's not a Sukkot story, but the ideas of wandering, temporary shelter, leaving home and figuring out where you belong felt particularly appropriate for the holiday.

And a quick Hunters of Sheydim reminder: the next chapter of our High Holy Days lore story, A Book of Secrets, will be up after Shabbat on Saturday night as the story continues through Sukkot.

Wishing everyone celebrating a Chag Sukkot Sameach and, as always, Shabbat Shalom!

🌿 Chag Sukkot Sameach from Golem Press!With Sukkot beginning tomorrow evening, we’re continuing our Hunters of Sheydim H...
09/25/2026

🌿 Chag Sukkot Sameach from Golem Press!

With Sukkot beginning tomorrow evening, we’re continuing our Hunters of Sheydim High Holy Days tale, A Book of Secrets.

šŸ“– Chapter III is available now exclusively to Golem Press newsletter subscribers!

This chapter takes us to Brazil, where Caterina and Lucia finally get a chance to step out on their own and investigate reports of possible demonic activity.

What starts as a fact-finding mission quickly becomes something more complicated as the sisters begin to realize there may be more going on in Brazil than they expected.

If you’re not already subscribed, you can join the Golem Press newsletter and read Chapter III here:

https://golempress.myflodesk.com/yvkufgudow

šŸŒ™ Chapter III will be available to everyone Saturday night during Sukkot.

And to everyone celebrating, wishing you and your families a peaceful and joyful Sukkot.

Chag Sameach!

šŸ“š Shabbat Reading: Daredevil: Decalogue by Brian Michael Bendis and Alex MaleevAs we approach Yom Kippur on Monday, I wa...
09/19/2026

šŸ“š Shabbat Reading: Daredevil: Decalogue by Brian Michael Bendis and Alex Maleev

As we approach Yom Kippur on Monday, I wanted to find a comic that connects with its themes of reflection, accountability and making amends. That led me to Daredevil: Decalogue.

Written by Jewish writer Brian Michael Bendis, the story is structured around the Ten Commandments and follows a support group sharing how Daredevil’s actions have affected their lives. Rather than viewing Matt Murdock solely through his own heroic intentions, it asks him—and the reader—to consider the consequences of his choices through the people who experienced them.

Daredevil is often filled with Christian and specifically Catholic allegory, so I’m interested to see how Bendis approaches the character through a story centered on moral accounting, testimony and whether believing we are doing good absolves us from the harm we may cause.

I haven’t read nearly enough of the Bendis and Maleev run, so this feels like the perfect opportunity to explore more of it.

Shabbat Shalom and G’mar Chatima Tova!

šŸ—½ Golem Press is heading to New York Comic Con—October 8–11, 2026!Although we won’t have an official table this year, I’...
09/18/2026

šŸ—½ Golem Press is heading to New York Comic Con—October 8–11, 2026!

Although we won’t have an official table this year, I’ll be attending all four days and representing Hunters of Sheydim. I’m looking forward to connecting with fellow creators and comic retailers, taking in some of the professional panels and enjoying everything NYCC has to offer.

If you see me wandering the convention, please come over and say hello. I’m always happy to meet fellow comic fans and talk about Hunters of Sheydim, Jewish mythology or just comics in general!

See you at NYCC!

āš ļø Lanterns Episodes 3–5 SpoilersI’m finally caught up through Episode 5 of Lanterns, and let me begin with this: I stro...
09/16/2026

āš ļø Lanterns Episodes 3–5 Spoilers

I’m finally caught up through Episode 5 of Lanterns, and let me begin with this: I strongly dislike John Stewart’s parents.

After the first episode, when his father started shooting apples off little John’s head, I thought, ā€œThis is child abuse. This guy should be locked up.ā€ After Episodes 3–5, I think both parents should be locked up—and John’s mother deserves the stronger sentence for child endangerment and years of mental and physical abuse. With this upbringing, it’s amazing John didn’t become a serial killer.

I haven’t finished the series yet, but by the end of Episode 5, it finally felt as though John was beginning to rebel against all these terrible people—from the Guardians to his parents—who have taken away his agency for his entire life. If this leads to John completely rejecting his parents’ disturbing methods and forging his own path, where he wants the ring for his own reasons rather than someone else’s, then we might finally be getting somewhere.

As for Hal, Kyle Chandler remains the best part of the show and embodies what I love about Hal Jordan, even when the writing makes him a little too possessive of the ring.

My biggest issue is the show’s overemphasis on fear instead of willpower. At least for Hal, the defining quality of a Green Lantern isn’t the absence of fear—it’s possessing the willpower to overcome it. I think misunderstanding that is where many of the show’s problems begin.

John repeatedly condemns Hal for betraying his oath and crossing a line—but what did Hal actually do, and when did he do it? As a writer, I find it frustrating to make that such a major plot point while refusing to explain what the hell happened. Obviously, something made Hal more cynical. Was it Sinestro? The Guardians? It’s fine to preserve some mystery, but if John knows why he believes Hal betrayed the oath, why doesn’t the audience? So far, it feels like a lot of telling without enough showing.

We finally get a bead on the Manhunter in Episode 5, but even that fell a little flat for me. And the fight between John and Hal was honestly embarrassing. At this point, I’m fully Team Hal.

Yes, Hal hasn’t always been nice to John—but John has been lying to him while his ridiculous parents constantly call and practically goad him into killing Hal and taking the ring. John knew who the Manhunter was and told neither Hal nor the Guardians. Meanwhile, Hal’s great offense in the present story is that he’s trying to save the damn town. Could he have handled it more diplomatically? Sure. But while the writers appear determined to suggest Hal was never worthy of the ring, he’s the only one of the two consistently trying to save people.

I was genuinely happy when John finally said, in effect, ā€œScrew this noise,ā€ walked away from the Guardians and rejected the ring. Hopefully, he’s also beginning to reject his parents’ control.

Unfortunately, it now looks like the final three episodes will become a whodunit surrounding Hal, which probably means less Kyle Chandler—and that makes me sad. I just hope the series doesn’t continue tarnishing the legacies of both characters, because they each deserve better than that petty fight.

šŸ“š Shabbat Reading: Kingdom Come by Mark Waid and Alex RossWith Rosh Hashanah upon us, it feels like the perfect time to ...
09/12/2026

šŸ“š Shabbat Reading: Kingdom Come by Mark Waid and Alex Ross

With Rosh Hashanah upon us, it feels like the perfect time to revisit one of my favorite comic stories, Kingdom Come.

This is a story filled with questions about judgment, accountability and what happens when even our greatest heroes lose their way. But it’s also about redemption, hope and the possibility of choosing a better path forward—all themes that feel especially meaningful at this time of year.

Mark Waid’s writing and Alex Ross’s breathtaking painted artwork make this an absolute masterpiece, and I’m looking forward to experiencing it again.

Shabbat Shalom and Shana Tova! šŸŽšŸÆ

Shana Tova! šŸŽšŸÆ Wishing everyone a happy, healthy and sweet New Year!The first two chapters of our newest Hunters of Shey...
09/12/2026

Shana Tova! šŸŽšŸÆ Wishing everyone a happy, healthy and sweet New Year!

The first two chapters of our newest Hunters of Sheydim lore story, The Book of Secrets, are now available on the Golem Press website!

Set before the events of Hunters of Sheydim: Volume One, the story follows an ambitious operative climbing through the ranks of a sinister organization. As he is drawn deeper into a hidden world of demons, ancient artifacts and dangerous power, he begins searching for the legendary Sefer Raziel HaMalakh—the Book of Raziel the Angel—and the divine secrets it may contain.

Go check out the first two chapters! We’ll be adding more to the story throughout the High Holy Days and continuing through Sukkot and Simchat Torah.

And if you’ve read any of our lore stories, please let us know what you think! Are there any obscure and awesome Jewish monsters, demons or legends you’d like to see us explore? Tell us on social media or leave a comment at Golem-Press.com.

Shana Tova from all of us at Golem Press!

šŸŽ¬ AKIRA – Back on the Big ScreenI hadn’t seen Akira since I was probably 14 or 15 years old, when I rented it on VHS. I ...
09/08/2026

šŸŽ¬ AKIRA – Back on the Big Screen

I hadn’t seen Akira since I was probably 14 or 15 years old, when I rented it on VHS. I remembered thinking it was weird, the plot went way over my head, but the animation was incredible and it definitely left an impression on me.

Fast forward about 35 years, and I got to take my boys to see the 4K remaster on the big screen. Funny enough, they were just about as confused by it as my 14-year-old self was. šŸ˜‚ My oldest was also surprised by just how dark it gets, and I had honestly forgotten how bloody and visceral the movie can be.

Watching it again as an adult, though, I definitely picked up on a lot more. There are themes and ideas throughout Akira that feel incredibly familiar now: authoritarian governments, social unrest, secret government laboratories, experimentation on children with psychic abilities, unchecked power and what happens when that power falls into the hands of someone who isn't prepared for it.

You can also see its fingerprints all over so much that came afterward. I found myself thinking about everything from The Matrix and Looper to Stranger Things, Fringe and The Umbrella Academy, and even some of the visual ambition that would become such a big part of shows like Batman: The Animated Series and X-Men.

And then there’s the animation itself. More than three decades later, there are still shots in this movie that are absolutely stunning on a theater screen. And, of course, seeing Kaneda pull off the legendary Akira Slide on the big screen was worth the trip all by itself. šŸļøšŸ’Ø

It’s dark, strange, violent, ambitious and sometimes deliberately difficult to wrap your head around, but Akira really is a remarkable piece of cinema. I’m glad I finally revisited it after all these years, and even happier that this time I got to experience it with my boys.

Maybe in another 35 years they’ll finally understand what the hell was going on too. šŸ˜‚

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