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You've probably thought, "Gee, I bet the people at ADAL Records get a TON of fan mail."Well, the truth is... we do! Like...
23/07/2026

You've probably thought, "Gee, I bet the people at ADAL Records get a TON of fan mail."

Well, the truth is... we do! Like Chinese water torture, our lives are a constant drip of fan comments, threats, and requests. "Can I have your autograph?" or "I know where you live," or "Here's a girthy dick pic," are all common messages. We get them monthly, weekly, daily.

But it's not often we receive a message with any thought put into it. For example, this short essay that was sent to the ADAL Inbox this morning from our friend, Ashley Legere.

"So another sleepless night has left me in a place between chaos and creativity and for some reason or another - I decided to write an opinion piece on Rumours as the best break up album of all time but why sweet and gross made it better.

Opinion: We’ve been asking the wrong question about breakup albums.

For decades, music critics, heartbroken exes, and people three glasses of wine into a Tuesday have debated one question:

Is Rumours the greatest breakup album ever made? Yes. Nobody is seriously arguing otherwise. That case was settled years ago. Frankly, it should probably be protected under law.

The question we’ve ignored is whether Sweet and Gross from Springhill somehow managed to make the greatest breakup album even better simply by playing it.

On paper, none of this should work. You don’t casually take one of the most iconic albums in rock history and decide, “You know what this needs? A bunch of guys from Springhill.”

And yet Mike King, Joe King, Kody Smith and the rest of Sweet and Gross did exactly that.

The secret is they never try to be Fleetwood Mac. They’re not chasing perfection. They’re just great musicians who genuinely love playing together, and it shows. Every song feels less like a performance and more like you’re sitting in a room with friends who happen to be incredibly talented. That’s harder to pull off than people realize.

Fleetwood Mac gave us heartbreak.

Sweet and Gross gave us hometown heartbreak.

There’s a difference.

Fleetwood Mac asks what happens when love falls apart. Sweet and Gross asks what happens when love falls apart, but everyone in the room knows your mother. That’s a distinctly Maritime genre.

As someone who has recently become a reluctant student of breakup albums, I can report that their version of Rumours has become unexpectedly therapeutic.

Not because it fixes anything. It doesn’t. It just reminds you that even the worst chapters of your life deserve a soundtrack. Preferably one played by people who would absolutely make fun of you afterward for crying through Silver Springs.

That’s friendship and it’s convinced me in the wee hours of the unbearable silence that somebody should study this. There has to be a measurable improvement in emotional recovery after hearing Sweet and Gross play through your favourite classics. If nobody has applied for that research grant yet, I’d happily review the findings.

What surprised me most isn’t the music. It’s the joy.

Fleetwood Mac recorded Rumours while relationships were falling apart around them. You can hear every ounce of it. Sweet and Gross plays those same songs like they’re reminding everyone that heartbreak doesn’t get the last word. You can laugh. You can sing along. You can remember that life eventually gets funny again.

Maybe that’s why their version sticks with people. It isn’t trying to replace the original. It simply reminds you why the original mattered in the first place.

So yes, Rumours is still the greatest breakup album ever made. History settled that years ago. But if you’ve never heard Sweet and Gross play it, you’re working with incomplete information. And until you have, I’m not convinced you’re qualified to participate in the conversation."

Thanks, Ashley! I guarantee you've put more thought into Sweet 'N' Gross' RUMOURS than the band ever did. Hopefully everything with you is okay, and we're glad we were unexpectantly able to help!

Well, since we've been talking about it, here's a shameless promotion...

RUMOURS on YouTube: https://www.youtube.com/watch?v=-WwWGTtCBOc&list=PLyTNrWVjOXhshDW_k9GZzRsiWS0crJ85U

RUMOURS on BandLab: https://www.bandlab.com/adalrecords/albums/c18b1f31-48eb-eb11-b563-0004ffd2ff5a

12/02/2026

It’s probably no surprise that Sweet ‘N’ Gross played ‘The Kraft Dinner Party 1996’. They created the soundtrack to MACHINE ELF, so they might as well play the fake live show, too. The band didn’t actually exist in ’96, but this is all made-up anyway, so who cares? Right?

Sweet ‘N’ Gross open with NITRO (YOUTH ENERGY) from their 2007 The Offspring cover album, SMASH. And they close with THE CHAIN from their 2008 Fleetwood Mac cover album, RUMOURS. Each tune uses the original lyrics; the music is completely different.

Early versions of Nitro and The Chain were recorded traditionally. You know, with instruments. The KD Party variations are digital, programmed by Joe in the style Sweet ‘N’ Gross played those tunes during their actual live shows, which differ from the OG album versions. Hope you like ‘em!

Joe King (music)
Kody Smith (vocals)

‘Lightning Strikes the Ghost Ship’ art by Ken Potter.

P.S. There are a couple other tunes at The Kraft Dinner Party we didn’t share (plus, like, sixty other songs on the soundtrack). If you’re curious about any of that, you can listen to them on the ADAL BandLab or YouTube page! And the Machine Elf novel is available, too!

BandLab: https://www.bandlab.com/adalrecords/music/albums
YouTube: https://www.youtube.com/
The Novel: https://www.dropbox.com/scl/fo/4elfwb4y9yhysqzbj2o4y/ANTbRJsFz00zu4oXPGcwdzg?rlkey=6x4qlnuryvzhbgx3i7tufkl3m&st=o8oagk10&dl=0

10/02/2026

1995. Pugwash, Nova Scotia. Four young gents (Steven Huston: bass, Adam Huston: drums, Bill Luddington: guitar, Len Roach: vocals) started a band called JESUS LEECH. They played a few cover songs, but mostly original tunes of the punk-metal variety.

Jesus Leech rocked a high school talent show and a coffee house, but spent most of their time jamming at the Huston residence on the Gulf Shore Road. Eventually, Steven moved to Vancouver. His spot in Jesus Leech was replaced by Chris Rasmussen, and they added Kody Smith as a second guitarist.

Jesus Leech lived on! They played more talent shows and coffee houses and continued jamming on the Gulf Shore until… it fizzled out the way 99.9% of high school bands do. Whaddayagonnado?

Now we’ll skip ahead twenty-five years. Kody Smith is writing a novel about a Nova Scotian village that, in many ways, mirrors his own experience of growing up in Pugwash in the ‘90s. Since there is a small-town concert near the end of Kody’s story, he thought it only proper to have a fictional version of Jesus Leech play along with the imaginary bands at the show.

Kody remembered a few guitar parts to a couple Jesus Leech songs. So, when he and Mike and Joe reunited to record music for the MACHINE ELF soundtrack, they formed a new version of Jesus Leech and turned some of those old riffs into a new song with new lyrics.

The kicker… the new JL track was recorded on the Gulf Shore, directly across the road from the Huston house where Jesus Leech was formed all those years ago. Ouroboros, eat your heart out!

We hope you enjoy ‘PREACHING TO CONVERTS (YOU’RE MINE)’ by Jesus Leech. It was the last thing Joe/Kody/Mike recorded during their sessions together, late at night, drunk, and in just a couple takes. They dedicate it to Steven, Adam, Bill, Len, and Chris.

Joe King (guitars, bass)
Kody Smith (words, vocals)
Mike King (drums)

‘Lightning Strikes the Ghost Ship’ art by Ken Potter.

09/02/2026

A different imaginary band that played The Kraft Dinner Party 1996 was ANOTHER GRISWOLD CHRISTMAS. Hailing from Tatamagouche, Nova Scotia, AGC is a family band (all with the last name Griswold), who, surprisingly, don’t play holiday music. Instead, Another Griswold Christmas are known for psychedelic rock ballads and often using bird calls.

This pretend band plays through two chapters in the MACHINE ELF novel, so two of their songs appear on the soundtrack, an opener and a closer. Joe King, unsung hero of the digital age, created all the music for Another Griswold Christmas in the autumn of 2024 using only his phone. How did he do that? Even we don’t know. But he did it without a lick of AI assistance. Every note, every drum hit, all selected and programmed by Joe.

So, pop in your earbuds (because listening to music open-air from cell phone or laptop speakers is fu***ng criminal) and enjoy ‘IN NOVA SCOTIA’ and ‘CAREFUL, TAMMY. IT’S A WITCHTRAP!’ by Another Griswold Christmas.

Joe King (all music)
Kody Smith (words, birds, vocals)

‘Lightning Strikes the Ghost Ship’ art by Ken Potter!

08/02/2026

A handful of chapters near the end of Kody Smith’s MACHINE ELF novel take place at a small-town, outdoor concert called ‘The Kraft Dinner Party 1996’. It’s a day-long festival with (mostly) imaginary bands. For instance, there’s the closing act, LIGHTNING STRIKES THE GHOST SHIP: a sextet of young musicians from the fictional village of Doldrums and the very real town of Springhill.

When Sweet ‘N’ Gross recorded the soundtrack for Machine Elf, they decided to tackle the KD Party section differently than the rest of the tunes. Instead of traditional scoring, Joe/Kody/Mike actually BECAME the bands playing at the festival by creating a faux live concert experience (similar to Type O Negative’s ‘The Origin of the Feces’ album).

Recorded on the Gulf Shore Road, Nova Scotia, one afternoon in the spring of 2024, please enjoy ‘THAT SUMMER’ by Lightning Strikes the Ghost Ship.

Joe King (guitars, bass)
Kody Smith (words, vocals)
Mike King (drums, tambourine, synthesizer)

‘Lightning Strikes the Ghost Ship’ art by Ken Potter!

24/12/2025

Seven swans a swimming? Nope. Instead, it's seven Christmassy ADAL tunes!

There's a rendition of 'How the Grinch Stole Christmas', a song about Krampus, a Monster Magnet cover using Kataklysm samples, Bloody Cat Eggs in a Pear Tree, a ditty from Sweet 'N' Gross' new MACHINE ELF soundtrack, and more!

Get yourself a thick, disgusting mug of egg nog, ram some mistletoe in your ear, and settle in with these nonsense ADAL holiday classics!

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