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Capital Waste Pictures Video Artist & Cinematographer CAPITAL WASTE MAKE EYEBALL FOOD

http://vimeo.com/capitalwaste
www.capitalwastepictures.com

I am beyond excited to work with ,  ,  &  to bring ECSTATIC UTOPIAN FANTASY to   2025 at . We are gonna make a durationa...
26/06/2025

I am beyond excited to work with , , & to bring ECSTATIC UTOPIAN FANTASY to 2025 at . We are gonna make a durational techy, flashy, messy mess that will run all day on August 30.

Visual Identity by Lion Sauterleute .sauterleute and on trailer animation
Trailer Track : HERMIT 0O0O0OIIIIIII by
Website: .spot_

Diamonds by  MUSIC VIDEO by  Dir/DP:  Focus:  Gaffer: .com.au Lights:  MUA:  BTS:  Shot on location at  Captured on  Min...
22/04/2025

Diamonds by
MUSIC VIDEO by
Dir/DP:
Focus:
Gaffer: .com.au
Lights:
MUA:
BTS:

Shot on location at
Captured on Mini with anamorphic lenses from

Headshots with Aṉangu vocalist
04/03/2025

Headshots with Aṉangu vocalist

BAWKBUSTER VIDEO Chicken Calendar 2025With the end of the year fast approaching it’s time to reflect and it’s time to lo...
20/12/2024

BAWKBUSTER VIDEO Chicken Calendar 2025
With the end of the year fast approaching it’s time to reflect and it’s time to look forward to what the future holds. And what better way than with the new X .pistol Chicken Calendar. Each exciting month has one of our darling little covergirls as a movie star from classic blockbuster movies of our time. All your favourite film posters and VHS covers plagiarised in one convenient A3 high-quality colour wall ready organiser.

Thanks to all of our little chicken angels, guru chicken whisperer .pistol and to for the custom chicken wig!

DM today if you are keen to start your year right with your very own calendar. If you’ve talked to me about getting one, you’re on the list.

All proceeds donated to assist Palestinian Aid 🍉

09/12/2024

Snippet of my work for DANCE MACHINE at and a video of the dance performance by .007

DANCE MACHINE curated by .golin presents a series of works responding to the sweeping dance moves of .007. In collaboration with video artist , Dyke’s dance moves have been recorded using motion capture technology. From these recordings, the dance has been abstracted into various images of ribboning lines, each depicting four seconds of Dyke’s movement. Fifteen local artists, designers and furniture makers received a specific timestamp of the dance and responded to it in their chosen medium.

This exhibition creates a map of the body in motion, a reinterpretation of distilled movements into objects, paintings, and drawings. Each response is an act of translation, of trying to make sense of a moment, channeling the frenetic energy of Dyke’s movement into acts of pinching, painting, carving, bending and throwing. Each artwork is not an attempt to retrace the steps of the dance, rather an opportunity to re-interpret it, to extend it into new forms, and get into the groove of Christopher Dyke’s rhythms.

The grid on the page is a dance floor, hovering behind the artworks, laying low within the original images given to each artist like a stage, providing a sense of place for Dyke’s movements. Like the grid, all of these experiments in movement share an underlying desire to fix a moment, to transform the instantaneous into something more permanent. And yet, what we capture is always an interpretation. To reproduce a movement alters the meaning of that moment. In capturing four seconds of Dyke’s dancing, we don’t preserve it—we move alongside it in a new way, one that is filtered through the gestures of another.

In Household Gallery, each slice of Christopher Dyke’s dance has now found its way back together. A single minute has been extended into hours of labour and reflection, distilled into a range of artworks that move with and against each other; there is no repetition like a chorus line, instead it’s a house party.

Showing now until 22 December 2024 at

09/12/2024
“Impulse Response” was a 4-hour immersive installation where ceramics, sound, and video converged in a live, elemental d...
09/12/2024

“Impulse Response” was a 4-hour immersive installation where ceramics, sound, and video converged in a live, elemental dialogue. Master ceramicist Neville Assad-Salha () commanded the wheel, shaping large clay forms that grounded the performance, while sound artists Mx Robert Frost () and Panos Couros (Atunement) and video artist CAPITAL WASTE () amplified the experience. Contact and condenser microphones captured resonances from clay and airborne sounds, crafting an improvised soundscape that responded to the live clay-making process. Video projections intensified these impulses, merging sound, vision, and material into a powerful sensory experience. Audiences roamed freely, enjoyed the bar, and supported Beirut crisis relief through donations. The event was also live-streamed at 7:30 pm Adelaide time (ACDT) on Thursday, 5th December, 2024 from

//:INITIALISE_BEACON (live) X .pistol X  An improvised, ambient audio visual exploration into deep space in search of a ...
09/12/2024

//:INITIALISE_BEACON (live)
X .pistol X

An improvised, ambient audio visual exploration into deep space in search of a mysterious distress beacon light years away.

://INITIALIZE_BEACON is the live exploration of a faint emergency beacon signal from a distant galaxy. Following the blips on their monitor, the signal gets louder and eventually they are able to triangulate its galactic location from the fragmented and garbled audio recordings. They travel through wormholes, blackholes, fluid galaxies, bending time, space and reality as they follow the rhythmic sonar blips calling out to them like a siren. As they approach, the signal becomes clearer and the glitched sounds are revealed to be audio recordings from someone, but who…..?

Visually compiled using video artist uses security cameras, analog video mixers and feedback glitch loops as elements in the LED scene. MIDI signals from VST virtual synths trigger synced visuals and cockpit notifications both sonically and on screen. Live vocals with vocal processing from .pistol add an ethereal mystery to the sequenced soundtrack and ship ambience.

Honoured to share the bill with .rolfes X performing 321 RULE and X performing PASSAGE.

Massive thanks to ,

Live at 30.11.2024

📸

NEW YORK’S ACCLAIMED VIRTUAL STUDIO TEAM ROLFES ARE TAKING OVER THE LAB ALONGSIDE NINAJIRACHI TO PRESENT 321 RULE – THE ...
27/11/2024

NEW YORK’S ACCLAIMED VIRTUAL STUDIO TEAM ROLFES ARE TAKING OVER THE LAB ALONGSIDE NINAJIRACHI TO PRESENT 321 RULE – THE FIRST FULLY ORIGINAL, REAL-TIME CLUB-THEATRE PERFORMANCE COMBINING VR PUPPETRY AND MOTION-CAPTURE AVATARS.

321Rule
A digital / real world performance narrative as presented by .rolfes (NYC), Starring (Naarm)

+ PASSAGE_MXG
[NYC] x

+ ://INITIALIZE_BEACON
An soundscape performance trapped in outer space from X .pistol X

Saturday 30 Nov 2024 // 8pm at

Impulse Response is a 3-hour immersive installation where ceramics, sound, and video blend in a live, improvisational pe...
25/11/2024

Impulse Response is a 3-hour immersive installation where ceramics, sound, and video blend in a live, improvisational performance. Master ceramicist Neville Assad-Salha sculpts large clay urns, infusing the space with earth and water. Each urn, after trimming, becomes a sound vessel with embedded speakers that carry the resonances of electronic compositions by sound artists Mx Robert Frost and Panos Couros (Atunement). The process is elemental—dirt and water combine, are wedged, thrown, and transformed through fire and skill. Guests can roam or settle on cushions near the bar, immersing themselves in the evolving artwork. A live video feed by CAPITAL WASTE (Liam Somerville) captures the performance through analog and security cameras, creating a lo-fi, glitchy visual experience projected in real-time.

Doors open 7:30 after the artists have begun,
encouraging a natural flow as audiences move through the space.

FREE ENTRY with donations warmly accepted toward the Beirut crisis.

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http://vimeo.com/capitalwaste, https://linktr.ee/capitalwaste

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