Befores & Afters

  • Home
  • Befores & Afters

Befores & Afters A brand new visual effects and animation publication from Ian Failes.

16/09/2025

In issue #38 of befores & afters magazine, VFX supervisor Jake Morrison breaks down a fun moment involving Bucky’s motorcycle chase, with visual effects crafted by Rising Sun Pictures.

During filming, Morrison suggested that, to avoid extensive head and face replacement, the stunt rider could wear a skin-colored helmet that included a fake Bucky black hair wig. The comical result was dubbed ‘Big-Head Bucky’.

“I think the crew probably thought I'd lost my marbles on this one when they saw our stunt performer Joe with an enormous helmet,” laughs Morrison. “It had to be a decent size crash helmet, and then we painted it in Sebastian Stan's skin color. I had them go and sample what his make-up was and use that color. Then over the top we had this oversized wig. We glued the wig onto the crash helmet and added faux ears - amazing.”

“Now, it was comically hysterical just watching that stuff. But there were some shots where the camera’s chasing Bucky on the bike and he is going through a number of Humvees and there's strafing bullets everywhere, and all we had to do was take this massive helmet and shrink it down about 20% and that's the final. It just worked.”

VFX breakdown above by Rising Sun Pictures, photo of stunt rider from Jimmy Kimmel Live.

Grab the magazine here: https://www.patreon.com/posts/issue-38-digital-138712261

16/09/2025

Rizom-UV 2025 is here!

The latest release of our UV mapping software introduces major updates designed to make your workflow smarter, stronger, and faster:�

🔸 GPU Packing for lightning-fast performance�
🔸 Smarter packing strategies for optimal results�
🔸 New Align UV to 3D tools�
🔸 The long-awaited Scene Outliner�
🔸 Dozens of improvements to selection, orientation and efficiency

Discover all the new features and see how RizomUV 2025 helps you unwrap with precision and speed.

https://www.rizomuv.com/feature/rizomuv-2025-whats-new/



Latest issue of Befores & Afters is now OUT!It's on the VFX of  , featuring VFX supe Jake Morrison, and supes from Indus...
12/09/2025

Latest issue of Befores & Afters is now OUT!

It's on the VFX of , featuring VFX supe Jake Morrison, and supes from Industrial Light & Magic, Digital Domain and Framestore.

Really fun to chat to DD's Nikos Kalaitzidis, ILM's Chad Wiebe and Lee McNair and Framestore's Mat Krentz.

Many of the film's biggest sequences are covered, such as the opening Malaysian skyscraper scene with Florence Pugh, the underground O.X.E. facility, the limo chase, Sentry, Void and the range of shadow effects.

PRINT: https://www.amazon.com/dp/B0FQPKB3J5 (US store, try your local, too)

DIGITAL: https://www.patreon.com/posts/issue-38-digital-138712261

Subscribe to the free VFX Weeklies newsletter at Befores & Afters and you'll get a discount code for 20% off any DIGITAL...
12/09/2025

Subscribe to the free VFX Weeklies newsletter at Befores & Afters and you'll get a discount code for 20% off any DIGITAL magazine in the shop at the befores & afters Patreon.

Subscribe to the newsletter here:

https://beforesandafters.com/newsletter/

11/09/2025

Here’s how those insane body morphing shots in ‘Together’ were made -->

In Michael Shanks’ 'Together', one of the independent film’s most striking kinds of visual effects centers around ‘body morphing’. The story’s central conceit—characters physically merging and transforming—demanded a highly technical approach that blended on-set planning with intricate digital artistry.

That becomes most apparent when on-screen (and real life) couple Millie (Alison Brie) and Tim (Dave Franco), having experienced this body morphing phenomenon by becoming literally stuck onto each other, eventually accept their fate and fully fuse. The shots would involve Brie and Franco performing as much of the scenes as possible, with CG take-overs then required to show the body parts ‘morphing’ together.

Overseeing that work and other VFX in the film was visual effects supervisor Genevieve Camilleri. The principal vendors were Framestore (visual effects supervisor Josh Simmonds), RISE | Visual Effects Studios (Camilleri was the VFX supervisor here), Basilic Fly Studio, Avatar Factory (Mark Ruff) for scanning and Kyle Ashley (previs). Director Michael Shanks and assistant editor Oliver Dear also personally contributed a significant number of visual effects shots, mostly involving clean-up.

Here at Befores & Afters, go behind the scenes with lots of fun details, and behind the scenes images and videos!

https://beforesandafters.com/2025/09/12/heres-how-those-insane-body-morphing-shots-in-together-were-made/

09/09/2025

In this video, I recap some of the most recent Befores & Afters magazines covering 'Andor', 'The Last of Us', 'Severance', 'Toy Story' 30th anniversary, and miniatures!

Find them all here:

https://beforesandafters.com/magazine/

Address


Alerts

Be the first to know and let us send you an email when Befores & Afters posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Befores & Afters:

  • Want your business to be the top-listed Media Company?

Share