African Tree Productions

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Theatre Review: Words and NightmaresWritten & Performed by Seiphemo Motswiri Directed by Themba Mkhoma | Music by Kenny ...
22/12/2025

Theatre Review:
Words and Nightmares
Written & Performed by Seiphemo Motswiri Directed by Themba Mkhoma | Music by Kenny Rakotsoane
Performed @ Soweto Solo Featival

Words and Nightmares is one of the most powerful one man theatre pieces I have ever witnessed. Written and performed by the multi award winning and internationally acclaimed theatre maker Seiphemo Motswiri, and directed by the legendary Themba Mkhoma. This production is a masterclass in storytelling, performance, and artistic courage. The evocative musical score by Kenny Rakotsoane completes the experience, weaving sound and emotion seamlessly into the narrative.

At the heart of the play is a writer wrestling with an all too familiar dilemma:
Should he write what is true or what is acceptable?
Should he tell the stories that haunt him, or those that will please communities, funders, publishers, and institutions?

The writer stands at the crossroads between relevance and safety, truth and approval. The voices in his head, voices of publishers, investors, gatekeepers, and society, constantly warn him that telling Africa’s painful, controversial stories will scare away support. These are stories rooted deeply in African and South African realities, stories of genocide, dispossession, and historical brutality that many would rather silence than confront.

The play boldly touches on how Africans were stripped of their rights, brutally murdered, and forced to flee their ancestral homes, running for their lives. It confronts the horror of children witnessing their parents being killed in front of their eyes, and communities being erased through violence and fear. These are not easy stories to tell, nor easy to hear, but they are necessary. It is for these reasons that Mr Motswiri as a writer, emerges as a deeply brave and relevant voice, choosing truth over comfort and integrity over approval.

What makes Words and Nightmares extraordinary is its refusal to hide behind metaphor for safety. While many artists choose to soften truth through abstraction and symbolism, Mr Motswiri chooses otherwise. He decides to tell the stories as they are, raw, honest, and unfiltered. This decision becomes the emotional and intellectual battleground of the play.

Motswiri’s performance is electric. With relentless energy and precision, he embodies multiple characters, each clearly defined through voice, movement, language, and age. Even when performing characters outside his mother tongue, his transformations are so convincing that the audience is transported directly into the minds and worlds of those who live within the writer’s thoughts. The clarity of character work is exceptional, making the journey easy to follow and deeply engaging.

The direction by Themba Mkhoma is mature, intentional, and confident. The pacing is controlled, the imagery is vivid, and every moment serves the story. This is not a rushed or indulgent production. it is disciplined, thoughtful, and deeply rooted in purpose. The music by Kenny Rakotsoane further elevates the performance, creating mood, tension, and emotional resonance that fuse beautifully with the actor’s movement and text.

This is theatre that matters. Theatre that challenges. Theatre that reminds artists why they fell in love with the stage in the first place. Sitting in the audience, I found myself thinking, “I want to go back on stage. I want to tell my truth.”

The final moment of the play is unforgettable. Without a word, the writer hands a big pen to the audience. The message is clear and powerful:
The pen is now in your hands. Tell the stories. Tell them raw. Tell the truth. Do not hide behind comfort or fear.

Words and Nightmares is a bold, necessary, and deeply inspiring work. It is theatre for those who take Africa seriously, for those who believe in storytelling as resistance, and for those who understand that art must sometimes disturb in order to heal.

A highly mature, well-written, and exceptionally directed production that deserves to be seen, discussed, and remembered.

Review by Dr Andile Innocent Mbatha

African Tree Productions "Words & Nightmares" at the Soweto Solo Festival 2025.
21/12/2025

African Tree Productions "Words & Nightmares" at the Soweto Solo Festival 2025.

Catch "Words & Nightmares" at Soweto Solo Festival on Friday 19th December .Written and performed by: The multi award wi...
17/12/2025

Catch "Words & Nightmares" at Soweto Solo Festival on Friday 19th December .

Written and performed by: The multi award winning and internationally acclaimed theatre maker Seiphemo Motswiri.
Directed by: the legendary Themba Mkhoma
Music by: Kenny Rakotsoane.

Synopsis

Martin Luther King Junior said “When scientific power outruns moral power, we end up with guided missiles and misguided men”.

Confronting his demons by compiling stories for his new book on geopolitical conflicts, a journalist finds himself immersed in the experiences of the people he writes about. He's transported to pivotal moments and personal narratives of war victims, where he confronts the brutal truth of war and the soul-crushing experience of facing death with no escape. As he struggles to emotionally detach from the stories and navigate external censorship, he finds himself taken to places he did not expect

Soweto Solo Theatre Festival!
A three-day celebration dedicated to solo performers, bold stories, and the spirit of making something powerful out of limited resources — the true DNA of ekasi artistry.

📅 19–20–21 December 2025

🕚 11:00 AM – 5:00 PM (Each show has its own time slot)

📍 Thesele Secondary School | DTC Studios | Moroka North, Soweto

🎟️ Tickets: R100 per show

Tickets available at the door or online via: [email protected]

Scan the QR code at the venue or on our posters for the full festival program and artist bios.

Support. Promote. Or Donate a Ticket.

Come and watch "Trap House" theatre play at "Tlhabologang Community Hall" (Opposite of Tselaathuto School)Fee: R50 @2:00...
08/12/2025

Come and watch "Trap House" theatre play at "Tlhabologang Community Hall" (Opposite of Tselaathuto School)
Fee: R50 @2:00pm

Written and Directed by the multi Award winning theatre maker and television actor Seiphemo Motswiri, and performed by Bale Cast talent from Itireleng Village and Pampiertad "Trap House" is the name for a place that houses drug addicts and serves as a drug distribution hub in townships. This gripping drama reveals the harsh realities of addiction, the destruction of families, and the fight for redemption within the township. Sbusiso, a young man from a once-respected family, falls into the grip of drug addiction. His descent into a drug-fueled nightmare leads to him terrorizing his parents, who succumb to the strain of his behavior and theft. After their deaths, Snyman, a ruthless drug pusher, takes over Sbuda's inherited home, transforming it into a trap house for young drug addicts. The community remains powerless due to the corruption of Constable Dube, a policeman who shields Snyman from the law.

Amid the chaos, Mmathabo, a single mother whose son, Thabo, has fallen into the same trap house, becomes determined to save her child. With unwavering resolve, she fights against the odds in a battle reminiscent of David versus Goliath.

Art ability program by African Tree Productions in partnership with ASSITEJE.
26/11/2025

Art ability program by African Tree Productions in partnership with ASSITEJE.

25/11/2025

HISTORY MADE: No Other Land becomes the first Palestinian film to win an Oscar, taking Best Documentary Feature at the 2025 Academy Awards.






12/11/2025

The humiliation and the merriment honor the star of the South African show

The South African presented a highly distinctive theatrical performance, even though the issue is universal, yet both old and new. Universal and particular at once, as he mocks racial discrimination with the utmost expression. He doesn't use the word "character" in the traditional sense, but rather engages in a humanistic outpouring and endless proliferation, sowing hope and fear on the stage, which is nothing more than a wooden sculpture upon which a person might rest, or a window to tomorrow. Perhaps it's the bottleneck for escape, or the opening for entry.

Another world.

The actor explodes, and humanity erupts before us on the stage, through the outpourings of

06 | Issue Four

Kuwait International Monodrama Festival

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Kuwait International Monodrama Festival

A dog and stifled moans. The voice is imprisoned. Inaudibly, yet simultaneously relentlessly, it pricks at the lost human consciousness amidst the animalistic transformation. A human conflict rages, and the hollow, empty figure falls into the abyss of language, lost in a state of bewilderment between man and dog. The depicted figures don't suffer so much as they are a breeding ground for human anguish, offering symptoms and emotions never before witnessed, displaying, in their trembling, empty hands, things never before seen.

Pure in Space

The figure is open before us, presented as a dog with prominent features. The actor performs with an open body, the space saturated with sounds: loud barking, powerless howls, and the moans of a persistent wound. Thus, meanings unfold one after another. Things can only be understood by making them scream into oblivion, as if the scream has transformed into a language, or perhaps into a false path to salvation. Sounds clarify meanings; this is a highly tangible yet also enigmatic phenomenon. It is observed in theater when echoes converge with rational thought, through the purity, power, and diversity of language, and the reflection of its phenomena in performance. The actor was

the point from which the entire universe could be viewed.

The narrative begins with the decline of the human vocal structure and the rise of the dog's pace and its dominance over the space. This parallels the state of human domination and control over other humans. However, the central question of the performance is: Is there a path back to humanity, or has this animalistic state become the end?

Space Drama

The performance presented a new play through the drama of space, devoid of anything but the actor, who filled the space with fluidity and grace, moving in and out, even from human to dog. This is a state of being, taking place here and now. Language here is a vocal line emanating from one of the human orifices, even if the language comes from an animal's mouth. It is as if we are witnessing a crossing from one place to another, from a human species to an animal one. We are witnessing a revelatory state, an acquisition of a new characteristic—not something added, but rather a crossing of the barrier and a transformation. Theater is born of anxiety, possessing the power to transform the world, to change it, and to transform everything it encounters.

The actor exerted great effort to bring us a new perspective. It is the dog's text, parallel to the play's text, where the actor brings forth from the depths of the theater.

African Tree Productions was part of Kuwait International Mono Drama Festival.
12/11/2025

African Tree Productions was part of Kuwait International Mono Drama Festival.

Kuwait Monodrama Festival 2025.
10/11/2025

Kuwait Monodrama Festival 2025.

𝐁𝐄 𝐀 𝐁𝐄𝐓𝐓𝐄𝐑 𝐃𝐎𝐆Written by: Makhubalo Ikaneng Adapted and performed by: Seiphemo Motswiri Dramateg: Dixson MaleleLighting...
09/11/2025

𝐁𝐄 𝐀 𝐁𝐄𝐓𝐓𝐄𝐑 𝐃𝐎𝐆

Written by: Makhubalo Ikaneng
Adapted and performed by: Seiphemo Motswiri
Dramateg: Dixson Malele
Lighting: Fortune Mogwaneng

The show opens tomorrow at the Kuwait Monodrama International Festival. Being part of this festival means the show has performed in four continents. Africa, Europe, North America and Asia. The journey continues.

Domestic dogs are never far away from most people's lives and often have an understanding of human behavior. "Be A Better Dog" is a story of a dog that has lived in different communities with different owners. Dog has lived his life in transition and learned to adapt to the characters of different people he is forced to live with. What makes a better dog? Is it loyalty, integrity, or courage?

The play chronicles the life of a lovable canine that grows up in a township outside of Sandton, Johannesburg, as we follow the Dog’s life and see the world through his eyes.

Address

1331 A Monamaladi Street
Johannesburg
1868

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