Mzansi Newspaper, 4 Lehlogonolo Street, Mamelodi East, Pretoria (2025)

09/12/2025

RIKY RICK’S COTTON FEST COMES TO AN END…
THE END OF AN ERA SET TO LAUNCH NEW BEGINNINGS

Johannesburg, South Africa (Tuesday, 9th December 2025) - It is with heavy hearts that the organisers of CottonFest today announced that the festival has come to an end.

Following the initial announcement of the 2026 festival on social media earlier this year, differences among the current shareholders have led to disputes between them. After careful internal review and consideration, it has become clear that the shareholders no longer share the same long-term vision. This divergence has placed strain on operations and made it increasingly challenging to continue the festival in a manner that upholds the standards and vision set out by its sole founder, Riky Rick.

“CottonFest has always been rooted in creativity, community and cultural celebration focused on creating a platform for the youth to shine,” stated CottonFest owner and organiser Bianca Naidoo. “While we remain extremely proud of what the festival has achieved and are deeply grateful for the support it has received from our fans, partners and the artists over the years, the differences in festival’s vision and purpose among the two parties has made it clear to our family and the team, that concluding this chapter is the most realistic path forward.”

The team emphasizes that this decision was made after careful consideration, and in the best interest of all parties involved, including staff, collaborators and the broader community that has supported the festival since its inception over 7 years ago.

Festival founder Riky Rick’s partner, Bianca Naidoo, together with the Makhado family have expressed appreciation for everyone who have contributed to CottonFest’s growth and its impact on the arts and entertainment landscape and the drive to keep Riky’s legacy alive.

Although the festival will not continue under its existing structure, the Creative Programme, launched in 2025, will continue to build on the initiatives it has already achieved, in creating different opportunities for young talent throughout the year. The team remains optimistic about future plans with a deeper support for creative expression in new and meaningful ways for the youth to be celebrated.

Current ticket holders can request their full refunds from Webtickets (under their self help process) from today.

08/12/2025

5 FOLD WORSHIP RELEASES MUCH ANTICIPATED DEBUT SINGLE ‘GLORIOUS GOD’

PRETORIA 5 DECEMBER 2025: They bring a sound comprising a balance between Traditional and Contemporary Gospel. Beloved church worship collective 5 FOLD WORSHIP is proud to announce the release of their highly anticipated new single Glorious God.

Glorious God captures the authentic passion, unity, and spiritual depth that have made 5 FOLD WORSHIP one of the most cherished worship ministries in the region. It speaks of their reverence for God as above all.

“All our songs are about glorifying God but also point the listener back to the author & finisher of our faith - Jesus Christ,” says Worship leader Bello Mpendulo.

From Mamelodi, Pretoria, the team has 15 musicians, 10 singers, and five instrumentalists. They hope their vision to spread the Gospel through music that stands out.

“It has always been our Pastor’s vision to one day record the worship team professionally,” Mpendulo says.

“When our current Vocal Director and Musical Director joined the church two years ago, we started working towards making that dream a reality. And here we are today.”

Their core mandate is to preach the Gospel through music.
“By God’s grace, we have not yet faced many challenges in these early stages of our music journey. Being an in-house worship team has made it that much easier to work together, even on a professional level.”

This festive season, they plan to push this new single as best as they can, and ensure to engage with their newly found audience.
The release of this is a build-up to the 11-track heartfelt collection of songs created to uplift, inspire, and draw listeners closer to God, set for release in 2026.

05/12/2025

The imminent annual Mzansi Reel Film Festival makes a strong come-back promising an immersion into the world of filmmaking and digital platforms, empowering women and youth in KZN and across South Africa.
South Africa - The eThekwini Filmmakers Association is proud to announce the upcoming Mzansi Reel Film Festival, taking place from Sunday the 14th to Tuesday the 16th of December 2025 in the vibrant communities of Clermont K.K Library, Clermont K.K Community Hall and Clairwood Sports Ground, Durban. This innovative event aims to bridge the gap between aspiring filmmakers and industry professionals, with a special focus on empowering youth residing in hostel communities and across the country.
Thando Shozi, a renowned television and film industry expert, will host the festival, which will take place over three days under the theme "Embracing the Future of Television". The event promises to be a vibrant celebration of film and digital content creation, highlighting exceptional local talent, driving industry growth, and facilitating creative collaboration. The festival will delve into the future of made-for-TV film models, with a particular emphasis on digital online monetization, offering valuable insights into the latest industry trends and opportunities.
"As the world’s content viewing pattens keep changing, our goal is to create a platform where young aspiring filmmakers, women and persons with disabilities can showcase their work, learn from industry experts, and connect with potential collaborators," said Andile Buwa, Founder of eThekwini Filmmakers Association. "By taking the festival to communities in Clermont and Clairwood, we're ensuring that talented youth have access to resources, networking opportunities, and exposure, regardless of their background."
Hosted with the objectives of promoting mobile television podcasting and digital content creation among rural youth and women, providing industry insights and development opportunities for emerging filmmakers and content creators and showcasing locally produced films and digital content that reflect the experiences and stories of rural communities, the festival aims to impact the lives of those attending the festival and participating in the programme.

The festival will entail a three (3) day programme that will provide a platform for industry experts and emerging talent to share their experiences, insights, and perspectives, with the objective of exploring intersection of television podcasting and Made for TV models. To kick start the programme at Clermont K.K Library, the festival will tackle the Mobile Television Podcasting theme “The Evolution of TV: From Traditional to Digital”. The Future of Made For TV Film Model with “Creating Content for Mobile and TV” workshop conducted by an industry professional. The workshop will be followed by a panel discussion on Industry expects will conduct a workshop on "Creating Engaging Mobile Content" as well as host a panel discussion on "The Future of Television: Mobile TV and Beyond". The theme for Day 2, which takes place at Clermont K.K Community Hall, will be Digital Online Monetization featuring a workshop on "Monetizing Your Digital Content" and an industry session on "Digital Distribution and Marketing".
The last day of the festival be hosted at Clairwood Sports Ground.
As with all film festivals, the Mzansi Reel Film Festival will showcase a curated selection of films that entertain, educate, and foster a vibrant film culture, promoting both local and international cinematic works. The festival will screen the following films selected from the 12th edition of African Emerging Filmmakers Awards that took place in 2024: Thulebona by Lwazi Duma, Ukhumbizile by Simanga Cibane, Amalootist by Silindile Dlamini of Umqhele Films, My Father’s Shadow by Brain Khawula, Embizeni by Sicelo Linda Mamle of Madifa Films. The films will be showcased in an outdoor cinema style set up on the 16th of December, which is the last day of the festival.
"We believe that filmmaking is a powerful tool for social change," added Buwa. "By empowering women and young creatives, we're investing in the future of South African cinema and contributing to the growth of our local film industry. In addition, as we will be showcasing films from our African Emerging Filmmakers Awards, we aim to uplift emerging filmmakers and create a platform for their films to be seen".
The Mzansi Reel Film Festival is a significant step towards democratising access to film education and opportunities. We invite the public to join us in supporting this initiative and celebrating the talent of our youth.
Made possible through the support of the KZN Tourism and Film Authority and the Durban Film Office, Mzansi Reel Film Festival is a celebration of film and storytelling that aims to promote local filmmaking talent, provide a platform for emerging filmmakers, and showcase the best of filmmaking. The festival is committed to promoting entrepreneurship in the film industry.
About the festival Host: Thando Shozi
Thando Shozi is the Managing Director at Sunrise eMandleni, a freelance producer and a versatile expert in film and TV content. She is renowned for her contributions to numerous titles and award-winning non-fiction programs. In her previous role at SABC, Thando served as the Head of Factual. She led a team of Commissioning Editors responsible for delivering factual content across all SABC platforms. During her tenure, she played a key role in developing innovative business strategies, programming, and creative content solutions. Thando left SABC in 2021 after a distinguished 27-year career spanning 5 departments and 8 roles within the TV and Radio Divisions.

Thando then established her own company, Sunrise eMandleni, which specializes in skills development training, consulting services, and production. Under her leadership, the company has spearheaded various training initiatives. Thando has served as a jury member at numerous local and international film festivals. Her involvement with NEWF began in 2017, where she has served in multiple roles including Advisor, Pitch Panellist, Mentor, and since 2023, Africa Distribution Lead. In addition, Thando consults for different local production companies and holds positions as a DUT Advisor and a DFA Board Member.
Join the conversation:

05/12/2025

The study decisions giving South Africa’s youth a real advantage
5 December 2025: Qualifications open doors, and most professions now require one to even be considered for an interview. Those without one face considerable opposition in the job market: some 34% of people with only matric, and 38% with less than matric are without work, according to the 2025 Q3 Quarterly Labour Force Survey (QLFS) by Statistics South Africa (Stats SA). That number falls sharply to 20.8% for youth with vocational or technical training, and 10.4% for university graduates.
“Employers use qualifications as a first measure of readiness, and institutions have had to match their programmes to that expectation.” Leon Smalberger, CEO of the Academic Institute of Excellence (AIE), says qualifications that show practical ability, industry relevance, and job-ready competence now stand out, because these are the qualities companies look for when choosing who moves forward in the hiring process.
“Companies want proof of applied ability, how someone handles unfamiliar tasks, and how quickly they settle into a team, with most in-demand roles prioritising recognised qualifications. As such, practical programmes that provide exposure to real-world working conditions are growing more attractive to matriculants and young adults struggling to find their footing in the job market.”
Stats SA’s Q1 QLFS provides further clarity on what fields carry the most weight in the modern economy, revealing that the trade industry – spanning retail, wholesale, and hospitality – is the largest employer of youth, absorbing nearly a quarter of those who have work, followed by community and social services at 19.8%, finance at 18.4%, and manufacturing at 10.5%.
“Trade is the least qualification-dependent of the four. Many entry-level retail and hospitality roles don’t require formal study. But management positions, food safety, hospitality management, and specialised technical retail jobs such as IT, automotive, and telecoms do. As for most higher-income roles across sectors, qualifications remain essential.”
As the new year approaches, Smalberger shares five steps matriculants and job-seekers should take when planning their study and career paths.
1. Understand where the demand is
South Africa’s labour market absorbs new entrants unevenly, and some sectors are growing faster than the talent available. Smalberger says students should start by understanding where the real demand is, because qualifications perform differently once they meet actual vacancies. Engineering, digital fields, technical trades, and specialist business roles continue to absorb talent well, giving young people in these areas a clearer path into work.
2. Assess the structure behind the qualification
Qualifications differ not only by title but by how they are structured. Smalberger says students often overlook this when comparing institutions. Programmes that include applied tasks, industry tools, or project-based work give graduates an advantage with employers who want proof of ability beyond theory. The structure of a qualification often determines how well it holds up once a graduate is under real workplace pressure.
3. Checking the accreditation pathway
Accreditation shapes how a qualification is recognised in the industry. “Employers trust accredited pathways because they offer consistency, verification, and a clear quality benchmark. A qualification with national credibility performs well in recruitment, and when it also carries international recognition, graduates gain mobility in fields shaped by global standards, such as technology, engineering, digital design, and specialist business services.
4. Evaluating the practical component
Practical exposure is one of the strongest predictors of early career success. Simulated environments, industry-grade equipment, applied projects, and structured workplace tasks offered by career-focussed, hands-on institutions like AIE with advanced equipment and curricula help students get used to real conditions before their first interview. These components matter because they close the gap between learning and output.
5. Planning for the long arc of learning
While qualifications remain the foundation for employability in many sectors, long-term adaptability is starting to play a bigger and bigger role in career growth prospects. Job-seekers entering 2026 should choose study paths that support ongoing development, not fixed knowledge. Fast-moving fields reward graduates who keep pace, and institutions that promote continuous learning prepare them for careers that will change many times over.
“Institutions that see qualifications as part of a broader national capability, rather than a stand-alone certificate, give graduates far stronger prospects. Reputable higher education institutions align programmes with the needs of high-demand fields: artisan training prepares electricians, diesel mechanics, and automotive technicians for real challenges in simulated workshops; IT and data programmes expose students to the tools used in modern digital roles; and architecture and engineering courses build competence through project work that mirrors industry practice.
Institutions that recognised this shift in the market early have adapted, providing the skills training and qualifications that are most relevant to employers, with clear proof of how graduates would add value to their businesses,” concludes Smalberger.

05/12/2025

Global Spotlight Turns to Local Talent with Lady of the House SA Winners Compilation

Johannesburg, Friday, 5 December 2025 – The journey towards one of South Africa’s most anticipated electronic releases began with an open call. Lady of the House invited women and non-binary producers across the country to share the sounds that move them. The response was overwhelming. What followed was a month’s long discovery of ambition, craft and identity that has now culminated in the Lady of the House South African Winners Compilation, officially available now for pre add and pre save ahead of its release on 12 December 2025.

This compilation marks the first South African chapter of a global movement that continues to widen the pathways for underrepresented voices in electronic music. What makes this project distinct is its devotion to storytelling through sound. Instead of a single winning track, three artists were selected. Each brings their own world to the project, creating a body of work that reflects South Africa’s layered and evolving dance music identity.

The three winners Queen Leshka, Lu-Zer and Sharm Pillay were chosen after months of adjudication by an esteemed panel of Godmothers and mentors, including Gigi Lamayne, Shamiso, Namakau Star and dance music legend, Tamara Dey. Their guidance and belief in championing authentic African voices shaped the spirit of the contest, which was hosted in partnership with Jägermeister’s Save The Night initiative and supported by global partners such as the Pete Tong DJ Academy, Beatport, TribeXR, Gray Area and Drumsheds.

Each of the three artists arrives with a narrative that expands the possibilities of South African electronic music. Queen Leshka contributes “Soul Train”, a warm and melodic production driven by percussion and guided by her instinctive approach to storytelling through rhythm. Her reputation in Amapiano circles continues to grow, yet this release offers a deeper look into her versatility and intention as a producer.

Lu-Zer offers “Ndawo Yami”, a deeply personal and emotional debut honouring their late mother. The track blends trip hop, alternative sound design, Afro jazz textures and electronic finesse, introducing an artist whose work is both cinematic and vulnerable. With a debut EP underway, Ndawo Yami is a poignant introduction to a voice that feels new yet rooted in lived experience.

Sharm Pillay’s “Soul To Soul” completes the trio with a powerful and emotive techno production shaped by her global performance background. Her intuitive style and command of the dance floor are felt throughout the track, echoing the ethos of her SEKSiCuLLTURE brand which centres elevation, movement and self-expression.

The compilation took five to six months to assemble, from the initial submissions to the finishing touches on the final masters. It reflects the purpose driven work of the Lady of the House team, label partners and mentors who recognised the responsibility of presenting South African talent with care and intention. The selection process was both meaningful and challenging, with an impressive volume of submissions that spoke to the depth of creativity rising in the country.

Beyond the music, this release represents visibility, courage and the growing momentum of a movement committed to shifting narratives. Lady of the House continues to create platforms for women and non-binary artists whose contributions often go unheard in a male dominated industry. This compilation stands as both an acknowledgment of excellence and an invitation for more creators to step forward.

As Lady of the House looks ahead to a new year of global expansion and collaboration, the South African Winners Compilation serves as a powerful foundation. It captures a moment in time when the country’s electronic scene grows bolder and more expressive, guided by artists who carve their own lanes with conviction. As the wider journey evolves, Lady of the House remains open to new demos, new partnerships and new stories waiting to be told.

Make sure to pre-add or pre-save the Lady of the House South African Winners Compilation today and keep posted to Lady of the House online for more news ahead of the 12 December 2025 EP release.

Connect with Lady of the House:
Instagram:
Facebook:
Website: https://www.ladyofthehouse.org.uk/

05/12/2025

Kwaito Giants Trompies Celebrate Love and Nostalgia in New Single “Lilizela” Enlisting Nokwazi, Kwesta & Stoan

Trompies Set the Stage for “Pantsula 4 Life” EP with the Release of “Lilizela”

Johannesburg, Friday, 5 December 2025 – For more than three decades Trompies have stood as one of South Africa’s most influential musical forces. Their roots run deep in the townships that shaped them. Their sound sparked a movement that defined an era. Their voices became part of the social fabric of a country in transition. From their debut in 1994, the group carved a unique sonic identity layered with African textures, deep bass lines, percussive loops and lyrics delivered proudly in vernacular. They captured the stories of everyday people and transformed Kwaito from a genre into a cultural statement. Even after releasing more than twelve albums, earning multiple platinum certifications and reaching over a million sales, Trompies continue to be driven by the same heartbeat that birthed them.

Their new single “Lilizela” arrives as a reminder of the group’s timeless place in South African music and the power they still hold to unite listeners across generations. Featuring powerhouses, Nokwazi, Kwesta and Stoan, the song carries the unmistakable Trompies formula that has endured through the years. Built on infectious repetition and a warm sing along hook, “Lilizela” brings together an authentic kwaito core with subtle elements of modern piano influences. It is a song designed to stir memory and movement. Its very essence is rooted in celebration and the energy of wedding season where kwaito has always reigned as a soundtrack of joy and community.

The creation of “Lilizela” revived the spirit of collaboration that has long defined Trompies. Finding the perfect groove between the producers and featured artists was central to capturing the emotion they envisioned. The result is a record that honours their origins while expanding their sound into a space that resonates with both loyal fans and a new wave of listeners. Trompies have always understood the value of evolution without abandoning identity. “Lilizela” stands firmly in that lineage. It blends their signature kwaito feel with new age Afro pop influences introduced by its featured voices and in doing so reaffirms that the genre and its pioneers continue to influence South African music with authority.

The release of “Lilizela” also marks the official pre add to their forthcoming EP “Pantsula 4 Life” set for release on 30 January 2026. The EP brings together an impressive roster of collaborators including Vetkuk vs Mahoota, Kwesta, Kabza De Small, TOSS, Reece Madlisa, Dr Lamandro, Nokwazi and more. It is a body of work that celebrates homegrown sound while carrying forward the legacy of a group that has shaped the identity of Kwaito for more than thirty years.

“Lilizela” is a declaration that Trompies remain an essential thread in South Africa’s musical story. It is a reminder that the dance floors they once ignited still belong to them. It is a celebration of a genre that continues to inspire. As the world looks toward the release of “Pantsula 4 Life”, Trompies step into this new chapter with the same pride, purpose and passion that have always defined them.

Make sure to stream or download “Lilizela” today and request it from your favourite radio stations.

Pre-add / Pre-Save “Pantsula 4 Life” now: https://forms.sonymusicfans.com/campaign/pantsula-4-life/

Connect with Trompies:
Facebook: Official Trompies
Instagram:

02/12/2025

MUSIC CHANNEL TRACE AFRICA REBRANDS TO TRACE NGOMA
The New Home of South African Music and Culture on DStv Channel 326**

Johannesburg, South Africa (02 December 2025) - As part of our ongoing commitment to enhance our customers’ viewing experience and deliver content that resonates deeply with local audiences, Trace together with Canal + and MultiChoice are proud to announce the rebrand of TRACE AFRICA to TRACE NGOMA this December.

Deeply rooted in the heartbeat of South Africa, TRACE NGOMA celebrates the rhythms, voices, and stories that define the nation’s cultural identity. The channel showcases homegrown sounds - from amapiano and Afro-pop to maskandi, hip-hop, gqom, lemkompo and urban gospel — bringing viewers closer to the artists, languages and cultural movements shaping today’s music landscape. Set to launch on the 18th of December 2025, at 15h00 CAT on DStv Channel 326.

A CHANNEL THAT SPEAKS SOUTH AFRICA’S AFRICA LANGUAGE

Reflecting the meaning of “Ngoma” - drumbeat, celebration, unity and heritage - the rebrand strengthens our connection with South African audiences by offering content that mirrors their sound, their languages and their lived experiences.

“Our customers want to see themselves reflected on screen - their music, their languages, their culture. TRACE NGOMA brings that to life in a powerful way. This rebrand aligns perfectly with our mission to deliver meaningful local entertainment that celebrates who we are as South Africans.” affirmed Willington Ngwepe, CEO at MultiChoice, the broadcasting service licensee entity.

TRACE’S COMMITMENT TO LOCAL MUSIC CULTURE

With an expanded slate of programmes and renewed local focus, TRACE NGOMA will spotlight rising talent, honour genre legends, and highlight grassroots cultural movements across the country.

Olivier Laouchez, Co Founder & CEO Trace added “TRACE NGOMA is where music meets identity. It amplifies the rhythms and stories that define South African culture and gives young people a space to connect and feel seen.”

LOCAL SHOWS, LOCAL TALENT, LOCAL STORIES

TRACE NGOMA will feature a broad selection of locally curated shows, including:

Amapiano plz
Maskandi Vibes
Ke Hip Hop Dawg!
Lekompo Fela
Top 10 Afropop

01/12/2025

2025 BETWAY SUMMER CUP

Johannesburg, South Africa — After a week of nerve-wracking weather, the skies cleared and a bumper 2025 Betway Summer Cup day was played out in front of a festive Jozi crowd.

The day’s feature went the way of KZN raiders trainer Frank Robinson, jockey Tristan Godden and 4yo Mauritzfontein home-bred Mocha Blend (Ideal World – Mocha Special).

As soon as the starter released the field from the gates, Godden moved his charge to the inside rail, settling her 3rd from last and letting her bowl along at the back of the field.

As soon as the field turned for home and came off the false rail, she grew wings, moving stealthily up the inside rail to be 4 lengths off the leaders with 600m to go.

At the 300m mark, she was sitting in the slipstream behind The Equator with The Ultimate King boxing her in. Godden switched her out to go round The Ultimate King and she hit the front, but then had to find more to fend off a spirited charge from Olivia’s Way. However, her courage prevailed and she crossed the line with half a length in hand, stopping the clock at 127.32.

“It doesn’t feel real, it still doesn’t feel real,” said a delighted Godden, who was celebrating his first Grade 1 victory. “I know a lot of people didn’t like her, but I did. People asked me what I was backing in the Summer Cup and I said I’m backing myself. You’ve got to come into races like this thinking you’ve got a chance. Realistically I thought she would run in the first four, but at the back of the Quartet.”

His sentiments were echoed by Robinson, also celebrating his first Gr1 victory. “I was quietly confident she would run into a place because I rate her. I knew 2000m is what she wanted and I think the conditions were ideal for her.”

Mocha Blend was bred by Wilgerbosdrift and Mauritzfontein and races in Jessica Jell’s famous yellow and black Mauritzfontein silks. Mary Slack was on course to lead in the winner for her daughter.

The Ultimate King finished 2 lengths 3rd, Busstopinhounslow was 4th and second favourite The Equator (7-2) was fifth, beaten 4.90 lengths. Interestingly, five of the first eight past the post went off at 100-1.

Mocha Blend (Ideal World – Mocha Special) is a 4yo filly bred by Mauritzfontein and Wilgerbosdrift. She races in the interests of Mauritzfontein (Pty) Ltd (Nom: Mrs J B Jell) and victory in the Betway Summer Cup takes her earnings to R3,734,462.

Full result below:-

Race-8 R 6,000,000 2000m 16:00
BETWAY SUMMER CUP (Grade 1)
Handicap

Stake Breakdown
Total Stakes: R 6000000.00
1st: R 3450000.00, 2nd: R 1200000.00, 3rd: R 600000.00, 4th: R 300000.00, 5th: R 150000.00
6th: R 60000.00, 7th: R 60000.00, 8th: R 60000.00, 9th: R 60000.00, 10th: R 60000.00

Horse Age S*x Dr Wgt LBH Time MR Trainer Jockey
1 Mocha Blend 4 F 13 54 127.32 105 F Robinson T Godden
2 Olivia’s Way 4 F 9 54 0.5 127.41 112 R Magner A Fortune
3 The Ultimate King 4 G 1 54 2.0 127.63 111 T Peter M Yeni
4 Busstopinhounslow 4 G 7 54 2.8 127.82 112 G Maroun R Venniker
5 The Equator (Ire) 5 H 3 55 4.9 128.20 117 T Peter G Lerena
6 Wild Intent 4 G 15 54 4.5 128.28 110 L Houdalakis M v Rensburg
7 Anfields Rocket 6 G 17 54 6.65 128.51 109 G Maroun S Veale
8 Legend Of Arthur 4 C 20 54.5 7.05 128.58 117 S Tarry M Katjedi
9 Son Of Raj 6 G 4 55.5 8.15 128.78 118 T Peter K Matsunyane
10 Spumante Dolce 4 F 10 54 12.25 129.51 116 M/M de K**k C Murray
11 My Best Shot 4 G 12 54 14.25 129.86 116 A Greeff R Fourie
12 King Pelles 5 G 11 57.5 16.25 130.22 122 G v Zyl S Khumalo
13 Royal Victory 6 G 14 59 16.75 130.31 125 N Kotzen C Little
14 Madison Valley 5 G 18 54.5 24.5 131.70 116 F Robinson C Zackey
15 Navajo Nation 5 G 6 54 27.5 132.23 104 W/W Marwing K Lihaba
16 Otto Luyken 6 G 8 54.5 34 133.39 116 J Crawford JP v/d Merwe
17 Parisian Walkway 4 G 16 54 99.99 115 A Laird P Mxoli
18 Atticus Finch 6 G 2 60 99.99 127 A Laird C Habib
19 On My Honour 4 G 5 54 99.99 116 G Kotzen S Moodley
20 Solar Sail 4 G 19 54 99.99 109 M Khan J Penny

Sean Tarry fittingly won the Blu Voucher Carry On Alice Stakes (Listed) with the Drakenstein Stud owned Mia Moo under a confident ride by Richard Fourie.

The New Turf Carriers Merchants (Gr3) went to Suzette Viljoen’s Pistol Pete for trainer Tony Peter and Richard Fourie.

The Ducat Fillies Mile (Gr3) was won by Mr D Dasrath & Mrs C Dasrath, Messrs R P Macnab, S Poriazis, Vikash Sobaren, X Spies & D Vayapuri’s Hazy Dazy for trainer Corne Spies and jockey Trent Mayhew (who earned his white blazer in the process).

The Jackpot City Dingaans provided a spectacle as Trust battled it out with Jan Van Goyen down the straight, ultimately prevailing by 0.7 lengths for trainer Candice Dawson and jockey Serino Moodley. Golf legend Gary Player was on course to lead in the winner on behalf of Messrs L M Nestadt, Gary Player Stud Farm (Pty) Ltd & Ralphs Racing (Pty) Ltd (Nom: Miss K Ralphs).

To stay up to date with the latest event information, please visit our website https://betwaysummercup.co.za and social media pages on Instagram and X and Summer Cup Racing on Facebook. For race replays and other additional content, please visit the www.racingtoday.co.za website and social media platforms.

Bet On Us with TAB at www.tab.co.za, or our social media pages on Facebook, Instagram and X.

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