Dizzy-made-it

Dizzy-made-it Producer/Sound Engineer

01/01/2026
What if I told you,  I automated the nkwe nkwe nkwe sound. πŸ˜‚πŸ˜‚πŸ˜‚πŸ”₯πŸ”₯πŸ”₯ Stream and share the song. Big ups to Evans Kofimix Am...
01/01/2026

What if I told you, I automated the nkwe nkwe nkwe sound. πŸ˜‚πŸ˜‚πŸ˜‚πŸ”₯πŸ”₯πŸ”₯ Stream and share the song. Big ups to Evans Kofimix Ampatey for the top notch production

28/11/2025

https://youtu.be/tu8yGBTq2ag?si=qarxjZEpXIFqylbY

Watch how to use Reverb on vocals.

*What You'll Learn:*
1. Understanding Reverb Basics:** Explore the science behind reverb and its impact on your mixes.
2. Advanced Tips & Tricks:** Learn pro-level secrets to fine-tune your reverb settings, including early reflections, decay time, and modulation effects.

πŸŽ›οΈ Whether you're a beginner looking to grasp the fundamentals or a seasoned producer seeking to refine your skills, this tutorial has something for everyone!

πŸ”₯ Why β€ͺ‬ ? FabFilter's intuitive interface and high-quality sound make it a must-have tool for any serious producer. We'll show you how to make the most of it!

πŸ‘‰ *Don’t forget to like, subscribe, and hit the bell icon* for more music production tutorials and tips!

πŸ”— **Follow us on social media:
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26/11/2025

Celebrating my 6th year on Facebook. Thank you for your continuing support. I could never have made it without you. πŸ™πŸ€—πŸŽ‰

22/11/2025



Buy yourself a beat πŸ”₯ or get yourself professional studio time. Simply call 0965141641

14/11/2025

Understanding Pro Vocal Compression.


Mastering a song in a home studio can be a rewarding process. Here are some quick tips to help you achieve a professiona...
06/11/2025

Mastering a song in a home studio can be a rewarding process. Here are some quick tips to help you achieve a professional sound:

1. **Check Your Levels**: Ensure your mix is not peaking (typically around -6 dB) before mastering. This gives you headroom to work with.

2. **Equalization (EQ)**: Use subtle cuts and boosts to enhance clarity. Cut any muddy frequencies (typically around 200-500 Hz) and enhance presence (around 4-8 kHz) as needed.

3. **Compression**: Apply gentle compression to glue the mix together. Use a lower ratio (1.5:1 to 3:1) for a more natural sound, and aim for about 2-4 dB of gain reduction.

4. **Loudness Maximizer**: Use a limiter to increase the overall loudness of your track without distorting it. Aim to bring the overall level to around -0.3 dB to avoid clipping.

5. **Stereo Width**: Use stereo widening tools sparingly to enhance the stereo image, but be careful not to overdo it, as this can lead to phase issues.

Vocal  Mix Bus for a Singer # 1. **Routing**   - **Create a Bus:** Set up an auxiliary (aux) bus specifically for vocals...
09/09/2025

Vocal Mix Bus for a Singer

# 1. **Routing**
- **Create a Bus:** Set up an auxiliary (aux) bus specifically for vocals. This bus will receive audio from the individual vocal tracks as well as any background vocals.
- **Send Levels:** Adjust the send levels on each vocal track to route audio to the vocal mix bus.

# 2. **Equalization (EQ)**
- **High Pass Filter:** Apply a high-pass filter to remove any unnecessary low-end rumble. A typical cutoff could be around 80-120 Hz, depending on the vocal.
- **Cut Excess Frequencies:** Identify and cut any harsh frequencies (often found between 2 kHz and 5 kHz) to reduce nasal qualities, and consider gentle boosts in areas that enhance clarity or presence (around 5 kHz to 8 kHz).

#3. **Compression**
- **Gentle Compression:** Use a compressor to smooth out the dynamics of the vocals. A ratio between 2:1 and 4:1 is common. Set an appropriate attack and release time to maintain the natural feel of the vocal performance.
- **Parallel Compression:** Consider using a parallel compression technique on the vocal bus. This can add body and sustain without squashing the dynamics too much.

# 4. **Reverb and Delay**
- **Reverb:** Add a reverb that matches the style of the song. A small room reverb works well for a natural sound, while larger halls serve big ballads. Adjust pre-delay and decay time to fit the mix.
- **Delay:** Use delay selectively for emphasis. A short, subtle delay can create depth, while longer delays can be used for effects. Sync delay times to the tempo of the track.

# 5. **Additional Effects**
- **De-esser:** Use a de-esser to tame sibilance or harsh β€œs” sounds. This can be crucial for maintaining clarity without introducing harshness.
- **Saturation or Harmonic Enhancer:** Light saturation can add warmth and character, while a harmonic enhancer can brighten the vocal presence.

# 6. **Automating Levels and Effects**
- **Volume Automation:** Automate the levels throughout the song to ensure the vocals sit well in different sections.
- **Effect Automation:** Consider automating effects (like reverb or delay) for specific phrases or words to enhance emotional impact.

#7. **Final Touches**
- **Bus Compression:** After all individual vocal tracks are mixed into the bus, you might want to apply slight compression across the vocal bus to glue the vocals together.
- **Level Adjustments:** Make sure the vocal mix bus level is balanced with the rest of the mix, ensuring the vocals stand out but do not overpower the instrumental elements.

#8. **Listen and Adjust**
- **Critical Listening:** Regularly compare your mix to reference tracks in a similar style. This will help ensure your mix translates well.

# 9. **Use of Metering**
- Utilize metering tools to monitor levels, dynamics, and frequency distribution to ensure an optimal mix.

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