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Timestamp Timestamp is a platform for meaningful conversations with the people shaping the world of art.

Through intimate interviews with artists, curators, gallerists, collectors, patrons, and thinkers.

Jackie Reeves is a Montreal-born multidisciplinary artist based on Cape Cod, Massachusetts, whose practice moves between...
07/09/2026

Jackie Reeves is a Montreal-born multidisciplinary artist based on Cape Cod, Massachusetts, whose practice moves between painting, drawing, collage, installation, and animation. Working across figurative and abstract forms, her work is rooted in memory, family lineage, motherhood, and material experimentation. She frequently begins with family photographs and archival images, allowing them to open into broader questions about identity, perception, and how we construct the stories we carry with us.

For the first half of her career, Reeves worked primarily as a commercial artist, moving through illustration, graphic design, set painting, commissions, and fifteen years of professional mural painting. A major shift came in her forties after the death of her older sister, which forced her to reconsider what she wanted from her own life and work. She stepped away from commissions and entered the studio without a client or assignment for the first time, asking herself, “What am I going to paint and why?” “What did I need to say? What is my voice?”
Much of Reeves’ work today explores family history and the mother-daughter relationship. Using photographs inherited from her mother alongside images of her own three daughters, she investigates what gets passed from one generation to the next and how photographs influence the way we remember. “My work is really about my family for the most part,” she says. “I focus a lot on trying to figure out who I am and where do I come from, and why do I make the way I make.”
Her studio process is equally rooted in uncertainty. Reeves moves constantly between materials and surfaces, often changing direction once a process begins to feel too familiar. She allows paint to bleed, pool, drip, fold, and respond to gravity, treating accidents as part of the work rather than something to correct. “I don’t really know what’s going to happen, but I’m just here to play and learn.” Ultimately, her practice is an ongoing attempt to move beyond habit and control toward something more instinctive and personal. “My goal is to let go of everything that I know, empty my head and paint from someplace that is really authentic to me.”

06/09/2026

“Take breaks”

Full interview with Stéphane Koyama-Meyer available now via Youtube & Spotify.

Click the link in our bio to check it out!

05/09/2026

“You lose yourself trying to please others”

Full interview with Stéphane Koyama-Meyer available now via Youtube & Spotify.

Click the link in our bio to check it out!

04/09/2026

“I always want to find a new way to explore”

Full interview with Stéphane Koyama-Meyer available now via Youtube & Spotify.

Click the link in our bio to check it out!

03/09/2026

“I learned a lot watching my kid play”

Full interview with Stéphane Koyama-Meyer available now via Youtube & Spotify.

Click the link in our bio to check it out!

01/09/2026

“my identity…it’s making art”

Full interview with Stéphane Koyama-Meyer available now via Youtube & Spotify.

Click the link in our bio to check it out!

Stéphane Koyama-Meyer is a French visual artist and designer based near Basel, Switzerland, whose multidisciplinary prac...
31/08/2026

Stéphane Koyama-Meyer is a French visual artist and designer based near Basel, Switzerland, whose multidisciplinary practice spans painting, sculpture, typography, graffiti, graphic design, and installation. Introduced to art through museum visits with his parents and drawing with his father, he has been making art for as long as he can remember. “I cannot imagine myself without building something,” he says. “For me, it’s really my identity.”

After studying graphic design, Stéphane developed an interest in logos, posters, typography, and visual communication, while continuing to see design and art as interconnected. Over time, however, he began pushing against the precision and control of graphic design. Where his earlier paintings were carefully planned on a computer, his more recent work embraces emotion, accident, texture, and intuition. “That’s why I see the studio really like a laboratory.”

Experimentation runs through every part of Stéphane’s practice. Letters become abstract forms, poster fragments are enlarged and transformed, and childhood figurines are photographed and reworked until their original identities nearly disappear. Moving between spray paint, acrylic, pastel, wood, metal, painting, and sculpture, he is less interested in establishing a fixed style than in allowing each investigation to lead to the next. “I don’t know, in six months, one year what I will do, what I will paint, how I will do it, where.” For him, that uncertainty is what keeps the work evolving.

Stéphane also understands art as a lifelong practice. He has continued making work through graphic design jobs, raising three children, and periods when he had little time for the studio. Even when he couldn’t make larger pieces, he kept sketching and collecting ideas. “I always had this in my guts saying like, I will never quit making art.” Rather than forcing constant productivity, he believes in thinking long term: “Think long term, never stop.”

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